FBI upstart Eric O'Neill enters into a power game with his boss, Robert Hanssen, an agent who was put on trial for selling secrets to the Soviet Union.FBI upstart Eric O'Neill enters into a power game with his boss, Robert Hanssen, an agent who was put on trial for selling secrets to the Soviet Union.FBI upstart Eric O'Neill enters into a power game with his boss, Robert Hanssen, an agent who was put on trial for selling secrets to the Soviet Union.
- Awards
- 1 win & 3 nominations total
- Agent Loper
- (as Courtenay Stevens)
Featured reviews
The most authentic part of the movie is its attention to detail. The interior shots look like the drab, boring government offices they portray. This wonderfully realistic touch will be lost on those that haven't toiled in such holes; it is nice that a movie finally depicts a governmental office that looks like one, instead of a futuristic, gleaming movie version that has more in common with the starship Enterprise.
Intentionally or not, the drabness goes beyond the office spaces (apologies to - yeahhh - Gary Cole). Laura Linney's hair is flat and dull, and she's as pale as a ghost. All of the exterior shots are cloudy with a 70% chance of showers, like DC all winter long. The somber look of the movie enhances theme, but will probably leave some viewers with a bad taste.
As a retired intelligence analyst, I enjoyed this movie because it reminds us that traitors exist, and they cause damage to our national security. Like "United 93" it isn't easy or enjoyable to watch, but the subject matter is thought provoking.
Eric works with the bitter and rough Hanssen and he finds a family man and devout Catholic who earns his respect instead of a deviant. Further, his investigation and his relationship with Hanssen and his wife Bonnie (Kathleen Quinlan) affects Eric's wife Juliana (Caroline Dhavernas). Eric tells his opinion to Kate and she decides to tell the truth about Hanssen to him: he is a mole that sold many secrets to the Soviet Union and has compromised the identity of dozens of agents. Eric decides to go on in his assignment despite his friendship with Hanssen and the problems in his marriage.
"Breach" is an engaging and dramatic spy movie based on the true story of an FBI agent that was arrested for spying on 20 February 2001. I bought this DVD many years ago and only yesterday I decided to watch it and I found a great film.
The plot is developed in adequate pace and supported by magnificent performances of Chris Cooper, Ryan Phillippe and Laura Linney. The duel between Eric O'Neill and Robert Hanssen is fantastic. My vote is eight.
Title (Brazil): "Quebra de Confiança" ("Fail in Confidence")
Perfect casting has Chris Cooper as the very odd Hanssen who has nearly 25 years with the bureau, many of which have been spent selling off national secrets to the Soviet Union. In an almost unbelievable stroke of luck, Hanssen was put in charge of finding the mole ... yes, his job was to find himself!! Cooper is very strong here as the ego-maniacal tortured soul who pulls off his deceit with a disarming devotion to religion, the bureau and blending. He appears to be just another working stiff pulling in a paycheck.
Most of the supporting staff is solid. Laura Linney is slightly miscast as the agent in charge of bringing Hanssen down. Dennis Haysbert is her boss. Gary Cole plays it straight here, and Kathleen Quinlan (as Hanssen's wife) and Bruce Davison (as Eric O'Neill's dad) have brief but effective turns. Caroline Dhavernas is an actress I am not familiar with, but her performance here has me intrigued.
The weak link in the film is Ryan Phillipe, who just doesn't possess the acting chops to pull off the pivotal role of Eric O'Neill - the agent wannabe who gets thrust into the crucial position of bringing Hanssen down. It is just implausible to believe Phillipe could ever pass the FBI entrance exam, much less outsmart the guy who outsmarted the entire bureau for two decades. Despite the weakness, the story is strong enough to overcome this and maintain the quasi-thriller feel. This is quite an accomplishment for a film when all the viewers know how it will end!! The real life Hanssen is spending life in prison and O'Neill immediately resigned from the bureau for the "normal" life of a Washington attorney. Part spy thriller, part history lesson, part psychoanalysis, "Breach" is very enjoyable despite the fact that we are provided no real answers as to WHY this man acted as he did. We are only led to believe that it wasn't the money, but instead the ego that drove his madness.
Based on a true story, so I'm not sure how much of the detail (or even sweep) is true or artistic license, this is a quite satisfying drama that surprised me by how much I liked it. I hadn't heard anything really about it before watching it and I assumed it would be the usual spy thriller a la The Recruit, with twisty plots, running with guns and shouting. Instead what I got was a much slower and quieter drama that takes as much from the characters as it does from the story itself. It is not an easy sell but it works because the delivery "gets" what is required. The sweep of the narrative is engaging but what makes it succeed is the way it builds the two central characters so they are both of value to the viewer. I didn't think that O'Neill was the main character so much as a required device to get the audience involved with Hanssen. This allows the complex character to be built up and, while never totally understood, I was left with conflicting emotions about him and his motivations for what he did.
I have not put that very well but with this in mind the performances are key. I'm not a big fan of Phillippe to say the least but here he does good restrained work. He is not brilliant but he does just what the film needs. What he seems to benefit from is a great turn from Cooper. Cooper plays all the conflicting parts of his character really well so that, while not making total sense, they convince as reality. It is a great performance and he does make the film. In smaller roles Linney, Cole Quinlan and Haysbert are nice finds that add a sense of quality to the film. Dhavernas didn't work that well for me and it was just as well that her character's involvement was minimal.
Breach is a grown-up spy film, not one for those looking for twisty narrative with a running and shouting conclusion. It delivers a satisfying story where we already know the ending and it does it by building the characters and relationships around the lead two to draw the viewer in. The performances from Cooper and Phillippe are worthy of the material as well, doing it justice and making it work.
Did you know
- TriviaIn the hallway, we constantly see a poster with names and pictures of spies that have been caught, as well as short narratives of what their crimes were and how much time they're serving. These posters really exist in secure government facilities, and prominently displayed on all of them, since the events of this movie took place, is a photo of Robert Hanssen.
- GoofsEric and Robert enter a church and Eric makes the sign of the cross incorrectly, touching his shoulders before his sternum. Since much of the plot involves Eric's and Robert's Catholicism, it would have been an error that would have made Robert suspicious.
- Quotes
Eric O'Neill: What if he's smarter than I am?
Kate Burroughs: A couple of years ago, the bureau put together a task force. Lots of assets had been disappearing. So this task force was formed to find the mole who was giving them up. Our best analysts poring over data for years looking for the guy, and they could never quite find him. Guess who was put in charge of the task force? He was smarter than all of us. Actually, I can live with that part. It's the idea that my entire career has been a waste of time, that's the part I hate. Everything I've done since I got to this office, everything we've all been paid to do, he was undoing it. We all coulda just stayed home.
- ConnectionsFeatured in HBO First Look: Breach (2007)
- SoundtracksNear You
Written by Francis Craig, Kermit Goell
Performed by The Andrews Sisters
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Un enemigo en casa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $33,231,264
- Opening weekend US & Canada
- $10,504,990
- Feb 18, 2007
- Gross worldwide
- $40,953,935
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1