Black Friday

Mind blowing. Astounding. Astonishing. Superb. Enthralled. I could go on and put in all adjectives from the dictionary and even then I would still feel I need to say more. 1000 words isn't enough to write a review on Black Friday. Anurag Kashyap's foray into Bollywood was marred by the judiciary for more than 2 years, but finally the wait ended a few days back. And we were given the privilege to see the true potential of Indian film making. The topic was sensitive. Highly sensitive, one of the most tragic events in the last 3 decades in Indian history, an event which made Don Dawood Ibrahim as the #1 wanted man in India.

Right from the beginning, the interrogation sequence where the prisoner confesses,"Sir, bombs are about to explode in the city sir" Right from that word till the last scene where Tiger Memon says,"Mumbai mein dhamaka macha dega hum." you are glued to your seat, wondering what will the director make you see next ? The casting for the movie was in my opinion perfect. One may criticize that Kay Kay Memon was underused, but in my opinion, he was just perfect. He wasn't given much screen appearance but whatever time he had, he brought everyone to their feet. His dialogs brought the entire theater applauding. Aditya Srivastava and Pawan Malhotra were equally good, if not better. Pawan Malhotra's portrayal of the underworld don Tiger Memon was just superb. Same goes for Aditya Srivastava's portrayal of Badshah Khan, the terrorist who turned as a police witness. His struggle to escape the country, from the clutches of Mumbai police was just marvelously portrayed. A person helplessly running around the country, lack of money, being chased around by an unknown force. And when mentioning the casting one cannot but ignore Vijay Maurya as the feared Dawood Ibrahim. He was given about a couple of minutes at maximum of screen presence but even in that minute period he brought a shiver up your spines.

Black Friday is also a very good technical movie. The special effects used are pretty advanced and are at par with Hollywood. The script although adapted is superb. Every expression, dialog will make you feel for the characters in the movie.

Just remember this isn't a movie about Hindus or Muslims. At first you feel for all the people getting killed by the blasts, but later when the riots are shown, then you feel for the Muslims as well. But this ain't a movie for any of the religious sentiments. Its about the society as a whole in those few years in Mumbai. This is the type of movie that India should send to Oscars and other film festivals/awards. The world should be made known that we can make movies that will claim fame and bring India to the global picture.

10/10 !!!

Anurag Kashyap is one of the best directors working in the Hindi film industry. I loved films like Ugly and Raman Raghav 2.0 and hearing this was one of his best, I had to check it out.

Black Friday tells the story of the 1993 bomb blasts through the perspectives of the police, the perpetrators and everyone else involved.

I find it fascinating how this film got pushed back so much and after seeing it, I can understand why. Based on the detailed book by Hussain Zaidi, Black Friday goes through everything leading up to the event and the aftermath and does it in a brutally honest manner. This film is risky and it's risky because it uses all the names of the people involved. Kashyap tried to make this a truly honest depiction of what was going on and that's what makes it really hardhitting. Without sugarcoating anything, Black Friday remains an interesting watch as we see the ins and outs of the bomb blasts. The film has many characters and trying to juggle everyone's story isn't an easy task but Kashyap does his best here and gives each important character ample screen time.

Considering the film's budget limitations, this film still manages to capture the horrific nature of the blasts. Once it happens, seeing how it disturbs everyone's lives and the amount of dead bodies shown covered in blood is very intense and handled very realistically. I loved the use of red during the interrogation scenes as it increased the intense nature of the scene. The film isn't flawless. There are a couple of audio and editing issues. I think the 2 hour 40 minute runtime is a bit too long and occasionally loses steam during some parts but Black Friday is riveting most of the time.

What really excels in this movie are the performances and I think everyone was terrific. Kay Kay Menon did a great job. I really felt the seriousness of his character during those interrogation scenes. Aditya Srivastav also did a fantastic job as one of the terrorists. The standout though was Pavan Malhotra as Tiger Memon. He owned every scene he was in. It was also really surprising to see a lot of well known people who were unknown at the time like Nawazuddin Siddiqui, Gajraj Rao and Imtiaz Ali.

Black Friday is a fantastic study on the 1993 bomb blasts and it's very impressive considering the low budget they had to work with. I would recommend giving it a watch.

Mr. Anurag Kashyap,

Take a bow! Black Friday is sincerely the greatest piece of cinematic magic to be released ever. You and your team have produced cinema of the highest quality, raised the notch by a few miles and used this medium like never before, hats off to you sir!

I must admit that I am slightly biased toward your film because I have been born and brought up in Bombay and on March 12, 1993 (the day of the serial blasts) was just 8 years old. As Salman Rushdie famously calls children born during the era of Indian Independence as "Midnight Children", i would like to say we are but "Blast Children". Children whose innocence has been shattered mercilessly by the underworld and extremists from every religion and you have portrayed just that in your film.

The film does not hype terrorism or romanticize the darkness of Bombay or the coldness of its police like many other so called underworld films do but portrays exactly what happens in reality, the human side. Sir, your film has merged the very shady line between cinematic magic, fiction and reality to an intoxicating mix of actuality.

Pawan Malhotra (Tiger Memon), Kay Kay (Rakesh Maria) and Aditya Srivastava (Badhshah Khan) do not act, they live and breathe the very sentiments of these real life people. As a viewing audience I never once felt like I was watching a film, but felt like a 'fly on the wall' as the plot unfolds before your very eyes, the very same helplessness as Mumbaikars felt on that very day of the bomb blasts. The music by Indian Ocean is outstanding, it flows as easily as your reel does and blends so very brilliantly with the script.

The cold chill that trickles down your spine as Dawood Ibrahim is shown in his mansion in Dubai is breathtaking. The authenticity of Bombay and its various locations from fast food restaurants in Bandra to the passport office in Worli is worth many many accolades.

Mr. Kashyap, this film has struck the very chord of life in cinema once more. I'm sure everybody who watches it will share similar sentiments as I do. I am glad that the 2 year dustbin wait for your film did not deter you from eventually getting it released. You are not alone sir, the world supports your work with open arms. The silver screen is worth visiting again. Thank you sir and take a bow again..

Yours sincerely, Aditya

I remember watching the trailers of Black Friday a couple of years ago and making it a point to watch it.Never before has anyone dared to approach such a controversial issue so blatantly,which is probably why it worked.The events that are depicted in this movie shook not only the city of Bombay but the nation as a whole.To add to the documentary-like look at the blasts of '93,director Anurag Kashyap has done a brilliant job of elucidating moving,intense performances from fine actors like Kay Kay Menon and Aditya Srivastava. Technically, Black Friday is more visionary than most Hindi movies ever made.It did not have exotic locations,an ensemble star cast of the most high profile actors in the industry,or an unlimited budget,all of which are necessities for an Indian movie.The use of complex Steadicam shots,slow motion and hand-held cameras really put the movie into a different perspective.The use of lighting in situations such as the interrogations being bathed in red light also helped set the mood required to really go into the depths of all the stories of the main characters which have been intricately woven together with finesse. Hats off to Mr. Anurag Kashyap for bringing such a fine piece of art to Indian cinema.Seems like the time spent with Mr. Mani Ratnam,the greatest Indian director ever to get behind a camera,is paying off.This is evident in the tinge of patriotism and realism portrayed.Personally i hope guys with vision like this continue bringing quality to Indian cinema.It really needs it.

Films based on books are a rarity in India. Probably that accounts for the huge amount of movies without any coherent screenplay that India churns out. Black Friday, on the other hand, is an exception, which will make any film maker proud.

The movie, revolving around the investigation following the horrifying Bombay bomb blasts, and also showing the perpetrators' lives just before and after the incident, took a long time to get through the Censor Board, and it's not difficult to imagine why once you have seen the movie. The movie tries to portray everything the way it actually happened, or at least as the book says it happened, and succeeds. Technically the movie is top league, compared to other Hindi movies, though the editing is choppy in places. The music, by Indian Ocean, is brilliant, and more importantly suits the plot. Despite the length of the movie the director never loses grip, and that's really commendable.

I haven't seen Satya (and I am sorry for that), so I am not very familiar with Anurag Kashyap's work (though he also did the dialogues, I believe, for Yuva, which I have seen), but considering the smoke he generates with every movie, I knew there had to be some fire to it too. And Black Friday IS fiery! The movie doesn't ever try to be politically correct and the director is almost obsessed with showing everything - even the correct language - which shall make it unsuitable for family viewing.

The actors, with Kay Kay (he should be getting awards for this one) and Aditya Srivastava worth special mention, do a very good job too, and I think many of them are of a theatre background, which ensures a high pedigree in Indian movies. Those familiar with Indian TV serials must have seen Srivastava in an eminently well-made series called 9 Malabar Hill from the late 90s, which also starred Pawan Malhotra. Srivastava has been seen in many other smaller roles in movies and TV serials since then, but that particular role had showed how good an actor he is, and it is proved here once more. Pawan Malhotra is also a known face in India's parallel cinema movement, though he is prone to overact at times. Kay Kay is one of the best actors to have hit the Indian screen in recent years, and brilliant performances aren't new to him.

The movie is unique in the sense that it shows the life of a terrorist AFTER the blast and how he copes with all the pressures. Then there's the pressure faced by the investigators to get to the terrorist, but taking care at the same time that they don't harm innocent people in their zeal. When I saw in the credits that the movie was based on a book by a Muslim author, I started feeling that it was going to be a biased description of the atrocities of Mumbai police on innocent members of the Musilm community during the investigations. Such a thought process is shameful, but natural in India's circumstances. But surprisingly, and thankfully, the movie, and so I suppose the book too, is as objective as it could have been without appearing sympathetic to either of the parties.

To finish off, this is one of those (very rare) movies that convince you that the future isn't all that bad for Hindi cinema. A must watch for all Hindi movie fans, and even those who normally don't watch Hindi movies because of the unrealistic gloss and song-and-dance routines.