Galpa Holeo Satyi

I was recently watching Nakache's "Intouchables" and that reminded me of this one, a story of how one man's appearance changes the dysfunctional dynamics of a large family. I was staggered that this movie has an IMDb weighted average of 4.4 (I see it's actually 8.4; must have made a mistake the day I wrote this review. Apologies). I regard it as one of the best comedy movies I have watched. The film is so successful in what it set out to achieve it appears effortless. Presenting a complex idea in a simple story that provides clean fun at no one's expense, it is an uplifting fantasy that should appeal to a wide range of audience. The actors are almost natural in their roles and do not have to resort to desperate frivolities to elicit a laugh. Similarly, there are no noticeably stylised camera shots that distract from the narrative.

It is not a crude comedy and no one should expect a Johnny Leveresque crassness and that is the strength of this film. This film is fun but it hurts no one in the process and that is a hard act to pull off indeed.

In this black and white epic, we see Ravi Ghosh as Dhananjoy, a stranger who suddenly arrives at a home and alters the life of the family living there. The acting of Ravi Ghosh and the exceptional story of the film bring this to a height for all time!

In Childhood, this cinema was always a collective and enchanting experience. It never bored me and I enjoyed watching it. But as I grow up started learning about film language, this film becomes more interesting to me.

Tapan Sinha, tells us a simple family drama in very much in his own unique way. But it conveys a universal message of simplifying our lives.

At this time, when we all are isolated someway, mostly having no humanly contact (touch), this film helps to stay afloat. It delivers a message of universal brotherhood - in a metaphor of Bengali family in 1966 Bengal. When Bengal was going through turmoil like student & food revolution.

But, Tapan Sinha want us value the small things in our life rather then materialistic possessions. The true happiness comes from being with family and from inside.

Kudos to Sinha for making such film which is still so relevant to our contemporary depreciating society.

One of the finest cinematic gems in the Bengali language, this movie stands as a testament to the essence of family dynamics in mid-20th century urban Bengal. Set against the backdrop of a society yet untouched by the ultraleftist movement, it offers a poignant portrayal of the intricate fabric of familial relationships. Unofficially considered the first installment of Tapan Sinha's revered 'Calcutta trilogy', alongside 'Aponjon' and 'Ekhoni', it captivates audiences with its unique storyline and enchanting background music-both trademarks of Tapanbabu's cinematic brilliance.

However, beyond its captivating narrative lies the true allure of this masterpiece-the natural and captivating performances by every actor, male and female alike. Each character breathes life into the screen with their impeccable portrayal, while the flawless screenplay keeps viewers engaged till the credits roll. Amidst the layers of storytelling, a subtle yet profound supernatural and philosophical theme weaves its way, adding depth and intrigue to the narrative.

In the realm of 'movies on Calcutta' from that era, this stands out as a singular creation, blending humor and philosophy seamlessly. Among the nine films crafted by the esteemed trio of Mrinal Sen, Satyajit Ray, and Tapan Sinha, this movie emerges as a unique gem, offering a refreshing take on the genre.

In conclusion, as the timeless wisdom of Dhananjay resonates within each of us, this movie serves as a gentle reminder to seek and nurture the essence of goodness within, for the betterment of humanity. Truly, it is a cinematic masterpiece that transcends time and leaves an indelible mark on the hearts of its viewers.

If you missed this movie you will miss lot of things in life.. great storyline.