Amours & trahisons

This is not a bad film. Let me start by stating that. It is also not a great film. Like all films involving Jennifer Love Hewitt most viewers are going to rate this picture entirely upon his or her opinion of the young actress. For reason I have never entirely understood, this brunette seems polarizing to people.

The film clearly is a vehicle for the actress. But it is not her performance that drives the picture. This is a genuinely intelligent film about sex, fidelity, and the strange way that love itself often gets lost in people's best efforts to supposedly find love.

Jennifer Love Hewitt plays Alice Holbrook, a young nurse who discovers that her husband is either cheating on her or is attempting to play games with her in order to spice up their sex life. Desperate for a change, and eager to believe the best about her husband, Hewitt engages in several attempts to learn the truth, and to entice her husband further.

Like a bad episode of Three's Company, this film uses every trick in the book to keep all of its characters colliding in silly scenarios. Hewitt disguises herself, her voice, people mistake each others cell phones, etc. All of this wears thin. Yet, the innocence of Hewitt's character keeps the viewer in a forgiving mood.

The cheap, predictable, and goofy plot twists are not executed in the film very well at all. There is a strange side plot involving the trial of a soccer player that makes no sense.

The comedy part of this rom-com is lacking. This is why the film does not approach greatness.

But apart from the antics, this film has its moments. The dilemma that Alice faces is all too real for young girls. And her attempt to keep her cheating husband at the cost of her own pride is also true to form. Most women, when faced with keeping a broken love or their own pride, choose broken love. At least for awhile.

Of course, Jennifer Love Hewitt plays dress up for both Alice's husband as well as for her male fans. No actress does both "goody goody" and "sexy sexy" like Jennifer Love Hewitt. The film teases, seems to promise more, then simply teases.

What redeems the film is its uplifting message about love and hope, while contrarily pulling no punches with its assessment about human nature. It is a refreshing thing to find a film that is daring enough to be honest, and also not too arrogant to shy away from optimism. Men are sex crazed pigs. Women do dumb things to save relationships best left behind. People make mistakes. And yet, things still work out.

Now back to our polarizing actress. This is one of several movies, and now a television show as well with Ghost Whisperer, that Hewitt has made which intentionally works to show a moral and hopeful perspective about the world. I don't want to give too much credit to the young girl- but why not?- I am deeply impressed with her consciousness choices of work.

Yet another British romantic comedy which audiences all over the world seem to have a ravenous appetite for. This feeble effort is an unintentional parody of the genre - all the classic clichéd scenes are here from ridiculously elaborate misunderstandings to running after departing trains to declare one's love. The characters are one-dimensional caricatures save for Love-Hewitt who manages to bring some cohesion to the film. Things threaten to spiral out of control in the plausibility department as the film progresses; our good-natured suspension of belief finally comes crashing down during the preposterous ending. If you're looking for a Bridget Jones, Notting Hill kind of experience you won't find it here.

Alice (Jennifer Love Hewitt), a quietly beautiful nurse, is married to Sam, a hotshot lawyer. His best friend, Archie (Dougray Scott) is deeply in love with Alice, too, although he settles for friendship. On the eve of Valentine's Day, however, Archie sends Alice an anonymous valentine and some radish seeds. Alice is intrigued but, she starts thinking. How would Sam react if he received a valentine from an unknown source? Would he tell her about it, as she did with him? On her sister's urging, Alice does send Sam a romantic greeting card. In her presence, she watches as Sam reads the card and promptly stuffs it in his briefcase, with no acknowledgement. Huh. Alice goes further and buys a new cellphone. She promptly calls Sam and leaves a message that she, a mystery lady, is interested in him. Will Sam call back? And, is Alice treading into deep romantic waters? This is an intriguing movie, no doubt about it. The principal actors are very good, with Hewitt giving a very interesting character study as the supposedly sedate Alice. The production values, costumes, and setting are more than acceptable. But, it is the jarring inquiring into fidelity and how far one should go to determine the faithfulness of your partner that is most striking here. There are some very adult themes and scenes in this film and any viewer with serious scruples will not want to take a chance on it. That said, this is ultimately a love story and fans of this genre are always hungry for a new addition to the repertoire. For these folks, try this one as an evening's entertainment and wait for the more typical romcoms that are sure to be churned out every year for a less controversial view.

I just watched this movie and while it's not the best thing I've ever seen it was a cute romantic comedy. Can't say that I saw any of the goofs that have been mentioned -- but then I wasn't looking for them. Or maybe the DVD copy I rented had been edited/fixed. Some of the nice things from my perspective: 1) Nice location shooting - I think it was Bristol. It had a different feel from the usual London setting and was very well photographed for the most part. 2) The leads were just fine - it was good to see Dougray Scott sporting his native (at least I think it was native)Scottish accent(it's an American thing :)and I have to say I do like Jennifer Love Hewitt. It did seem like her accent may have been looped at the beginning (the tone of the soundtrack suggested it)maybe to give her a better chance to nail the dialect, but overall I do think it was her. And while I think she needs a bit more seasoning/maturity as an actress, she has a very expressive face and natural way about her on screen -- and that's got to be a plus. So, if you just want a kick-back, lazy day on the sofa movie this is worth 90 minutes of your time.

Watching TRUTH ABOUT LOVE (is this a double entendre about the star?) is like plugging in white noise or manufactured water sounds to help you sleep - you put it in the DVD slot because there is nothing else left on the store shelves and you are in need of distraction after a hectic day. And it works for that for that purpose: being a British romantic comedy it is a bit more.

The story is a rather simple one about a wife Alice (Jennifer Love Hewitt) married to an increasingly distant husband Sam (Jimi Mistry) who has put their love life on hold due to the burdens of his busy law practice. His partner Archie (Dougray Scott) is fond of both Sam and Alice, but has a longtime attraction to Alice that goes beyond friendship. Alice pals with her sister Felicity (Kate Miles), a free love advocate, who encourages Alice to have affairs. On Valentine's Day, after a drinking binge with her sister, Alice mails a card to Sam signed 'Anonymous' as a test to see if Sam responds, testing his fidelity. At the same time Archie mails a radish seed packet to Alice on which he has inscribed a suggestive love not. Both have ex post facto regrets. Sam in fact is spending time with a lover Katya (Branka Katic) and is indeed cheating on Alice. Alice arranges assignations with Sam via email and phone calls and plans to meet Sam in disguise as 'Anonymous' to test his fidelity. The entire cast of characters gets caught up in the silly charade and the ending proves that real love must be based on truth - and how that results in the various pairings is the surprise (of sorts) of the fluffy script.

British comedies work because of the quality of writing and the tight quality of acting. Perhaps had director John Hay elected to cast a British actress as Alice instead of pasting a phony accent on Jennifer Love Hewitt the result may have been improved. But in the end this story by Peter Bloore bounces between mildly humorous and pathetic in its messages. One terrible distraction is a musical score that is consistently so loud that it covers all the dialogue and is intrusive. There are some nice scenes of London and a few moments of passable humor, but in the end this little film is truly best utilized as background music/white noise. Grady Harp