Hitman: Contracts

Coming 2 years after Hit-man 2 it's hard to believe that a game from 2004 could look and feel so 1998. The story has Agent 47 collapse in a Paris hotel room where he has flashbacks to previous missions (including 4 remakes from the first game) while an unseen doctor helps him recover. The tone is darker and more personal, and it feels tighter, I just wish the lazy programming didn't spoil it.

There are 12 levels in total, and if you're just in it for the 'thrill' of mass murdering then you'll whisk though the entire game in a single day. If you're going for the 'Silent Assassin' rankings then you'll get a bit more mileage out of it. Your efforts might be spoiled by security guards and cops seeing through your disguise FOR NO REASON! You better be rock solid on your controller with no twitchy fingers if you want those rankings, and be prepared to scream at the monitor until your larynx disintegrates.

Hit-man: Contracts came in at the tail-end of the Sixth Generation of console video gaming and thus became dated very quickly. It's a lot tighter than the expansive, and slightly overwrought, Hit-man 2, but IO Interactive really should have refined the programming.

Graphics C Sound B Gameplay B- Lasting Apppeal C

Once again, we are in the shoes of 47 as he makes a living off death. Hit-man: Contracts is the third game in the Hit-man series from Eidos Interactive.

In the opening sequence of the game, we see 47 wounded in a hotel room fading in and out of consciousness. The various in-game missions are played as flashbacks in 47's mind.

If you have played the original Hit-man: Codename 47 game, you will no doubt recognise some of the missions such as Traditions of the Trade or Deadly Cargo. Thankfully, most of these mission levels have been redesigned to give them a fresh feel.

There are some great new missions as well, such as Beldingford Manor and the Meat King Party. These take place over a variety of locations and cover a variety of different environments, from slaughter houses to biker hideouts.

Most of the missions are very open ended, giving numerous ways for the player to take out the target. This adds to the replay value of the game, trying to discover interesting ways to make the hits.

Another great feature of Hit-man: Contracts is the score by Jesper Kyd. He manages to make a good and dynamic score that fits a variety of gameplay situations, and he makes it different from the previous games while still giving it that Hit-man feel.

The most noticeable improvements over the previous two games is in the graphics department. Graphics have been improved with the inclusion of reflections (including in pools of liquid), post-processing effects and excellent use of real-time shadows and lighting.

Beyond that not much has been changed save the inclusion of some new hand weapons, and the return of the minigun. While this is good as it keeps true to the Hit-man lineage, there could've been more innovation to keep gameplay elements fresh.

This is a definite purchase for fans of the other games, but players new to the series will enjoy it just as much.

I had very high expectations for this game and it delivers 75% of what I was expecting. The graphics are great, but when you enter 1st person mode they just look ugly. Second the computer controlled enemies are unpredictable, they just open fire on you for no absolute reason which leads to major frustration. Though the voice acting is still stupendous, the music sounds like it's out of a cheesy 60's spy film. One thing the series is still good at is allowing the player to kill the target in numerous ways, either by poison, a bomb, the old sniper rifle, going in John Woo style, the list goes on. Finally the controls have been redone and finally their is a training mission.

Final Score 7.1/10

Technically a standalone expansion/ direct spin-off to Silent Assassin, Contracts is a dark follow up to the former game and easily the darkest game in the series. But it isn't flawless.

The story is disjointed and weirdly presented. It feels abrupt but still ideologically works within the game's themes of fever Dreams. It's a chopped up narrative that takes us into the mind of Agent 47. The overall writing is pretty good. The dialogue is well written, but the underwhelming and bad voice acting from foreign characters brings down the quality and impact of the overall dialogue.

The atmosphere, sound design and soundtrack is by far the best part of this game. For a 2004 game, Contracts has some of the most impressive sound design you can find in a game. It's punchy and adds to the grim and suspenseful atmosphere. The soundtrack is grimy and haunting. Far ahead of its time for a videogame soundtrack.

The gameplay and level design is similar to Silent Assassin with a few helpful improvements. Some unpolished game mechanics from Silent Assassin feel SO much more useful this time around. The AI has been vastly improved and the overall gameplay feels authentic and feels like what Silent Assassin should've been as a game. (Although, Silent Assassin still has the much better story)

When I first played this game I found it hard and didn't want to play it but then a friend helped and I completed it in a number of weeks. It is a complicated game i can assure you of that. Very good game though. Enough violence to satisfy me. Could use more language though. Excellent graphics with the blood to make it look almost real. The first level is intense, picks up after the end of Hit-man Codename 47. Dead clone agents everywhere. 8/10 is a definite. 9/10 for the blood. Great game you should play it. The plot was the thing I din't get but it was a hard game. Buy and play it, the second level is really confusing.