The Raspberry Reich

I saw this at a film festival in Philly where it was aptly introduced as "...either political commentary disguised as hard core gay porn, or gay porn disguised as political commentary." As porn...wow. I wasn't quite expecting the explicitness--so if that's what you're looking for, then enjoy. (I must confess that I did.) The actors are all very photogenic and appealing. There definitely was comedy, and perhaps even food for thought, in the political statements made by the over-the-top revolutionary characters. I found it a bit difficult to switch gears, but maybe after repeated watchings I'll be able to do so. Those who are able to view hard core fare from an artistic and/or intellectual point of view will probably be better able to appreciate the film's artsy elements as well.

"Raspberry Reich" was very much advertised G e r m a n m o v i e prior to and upon a world-reputable international film festival, and packed viewing venues in full with folks from various walks of life.

I do not know whether co-viewers were already prepared to a degree of a male nudity and simply screening a sexual revolution in making to a couple of hundreds cinema-goers in the heart of a multi-million-dweller town, but I was personally much confused with outbursts of laughing and females' comments following any squeeze of a l i t t l e b r o t h e r on a screen, not speaking more.

This work is a perfect parody on communist (leftist as more usable in modern time writings) propaganda where explicit stupidity of leaders cheating own followers while clinching to a political power and financial gains has grotesquely been disclosed with sex and orgies at any preference available a low budget movie allowed.

Of course, same gender sex is the most powerful tool to allegorize a "revolutionary struggle", where lust for empowering and power over the human being are very similar psychological constituents of actually different activities.

People left cinema smiling and in a good mood, which is the best outcome masterpieces present.

Bruce LaBruce's satirical swipe at terrorist chic is a gleefully irreverent swipe at, well, just about everything. The film combines a porn sensibility (complete with badly dubbed voices) with a high camp transgressiveness that reminded me of early John Waters. Indeed Raspberry Reich seems unsure as to whether it wants to be John Waters or a parody of Marxist Jean Luc Godard.

Like John Waters early work this film has got plenty to offend everyone, but its also pacily directed and witty and boasts a terrific over the top character in Gudrun, the sexual and political revolutionary with ways too many causes.

I really enjoyed this LaBruce film.

I like his stuff anyway but I genuinely found this possibly his best work.

It felt like I was watching a mixture of Andy Warhol/Paul Morrissey and Jean Luc Godard mixed in with hardcore porn -with extras laughs.

Yes, it's not perfect (nothing is) but it moves along very quickly (90mins seems a long film for LaBruce I believe).

Make sure you get the Strand Releasing USA Region 0 disc only as it's uncut.

Also, watch the film right to the end of the titles!

Oh boy - didactic, revolutionary agit-prop, gay porn and underground anarchic 'chic' of Berlin collide in this ultimately dull and, quite frankly, annoying film. The plot, for what it is, is centred round the plans of the revolutionary bore, Gudrun(a cliché-driven political activist who, throughout, makes proclaimations of, to her, the heroic deeds of the Bader-Meinhof Gang)and her belief that there needs to be a sexual revolution prior to any successful social revolution. But the sexual revolution is for all heterosexuals to experience and accept the 'homosexualist' within.

Cue director/writer Bruce LaBruce's previous experience in gay porn movies. We are 'treated' to a whole series of absurd gay porn encounters (and even worse acting) involving macho terrorists 'forced' (yeah right)into explicit gay sex with colleagues (and their captive - the son of one of the wealthiest capitalists in Germany is kidnapped to further the cause), all in the name of the revolution. The director has self-censored,in part, the more explicit scenes (occasionally humorously, using photographs of world leaders - this certainly adds new meaning to 'giving head').

Use of strobe, abstract patterns, political banners and statements writ large on screen and the constant proclaiming by Gudrun in a monotonous rant attempt to explore socio-political underground themes and create an 'art-house' movie. But it fails miserably. It also fails as a hard-edged porn film for the same reasons!