IMDb RATING
6.6/10
4.2K
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Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".
- Awards
- 1 nomination total
Brett Vail
- Ken
- (as Bretton Vail)
Chris Mabli
- Melrose NeoNazi
- (as Christopher Mabli)
Peter Grame
- Gus
- (as Peter Gramé)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I really love Araki's 'The Doom Generation' and 'Nowhere', but it's taken me some time to finally get around to watching this, his debut. Now seeing those other two first has probably ruined 'The Living End' for me, as I can't help but compare it to them, and it lacks the energy, pop culture saturation and surreal humour that appeals to me so much. 'The Living End' is more realistic and serious, and does what it does quite well for its obvious budget limitations, but I can't say I was all that impressed.
Still Araki is a great talent, and went on to better things.
Nice to see a cameo by the delicious Mary Woronov though!
Still Araki is a great talent, and went on to better things.
Nice to see a cameo by the delicious Mary Woronov though!
10preppy-3
Two HIV+ men go on a road trip. Basically that's about it. It's not as depressing as it sounds. There's lots of humor in the movie but no pulling back on the anger they feel.
The camera-work is shaky, the sound goes from audible to inaudible more than once and there really is no plot. Also, must we have the tired old stereotypes of two lesbians being psychopaths? But the dialogue contains more truth than any Hollywood movie I've seen. For instance, at one point, one of the guys goes "Let's go to Washington and inject our blood in the President. Want to bet they'll find a cure in 30 seconds?" Sadly, I believe they would. This was WAY ahead of its time in 1992. It was angry, in your face and catch a look at a little message after the closing credits,.
Grim, funny, powerful with a sad (but truthful) ending. Also Mike Dytri is one of the most beautiful, hunky men I've ever seen.
A must-see for gay men.
The camera-work is shaky, the sound goes from audible to inaudible more than once and there really is no plot. Also, must we have the tired old stereotypes of two lesbians being psychopaths? But the dialogue contains more truth than any Hollywood movie I've seen. For instance, at one point, one of the guys goes "Let's go to Washington and inject our blood in the President. Want to bet they'll find a cure in 30 seconds?" Sadly, I believe they would. This was WAY ahead of its time in 1992. It was angry, in your face and catch a look at a little message after the closing credits,.
Grim, funny, powerful with a sad (but truthful) ending. Also Mike Dytri is one of the most beautiful, hunky men I've ever seen.
A must-see for gay men.
A film I enjoyed far more than I 'should' have, given how many individual moments I disliked.
Full of somewhat forced, wanna-be John Waters style humor that is sometimes funny, but often just over-arch and clunky. And some of the acting is weak, the rest only pretty good.
Yet underneath it all there is something moving, honest and raw in its punky rage at the world from an HIV positive point of view.
Sort of a gay, surrealist Thelma and Louise made on a shoestring. For all the moments I rolled my eyes, I feel like it will stick with me over time.
Full of somewhat forced, wanna-be John Waters style humor that is sometimes funny, but often just over-arch and clunky. And some of the acting is weak, the rest only pretty good.
Yet underneath it all there is something moving, honest and raw in its punky rage at the world from an HIV positive point of view.
Sort of a gay, surrealist Thelma and Louise made on a shoestring. For all the moments I rolled my eyes, I feel like it will stick with me over time.
The cutting edge of early '90's American film includes this work by Gregg Araki, a frightfully funny, harrowing tale of two HIV positive dudes who can't stand it all, blame (then president) George Bush, and take it all on the road for a final (?) spree. The film contains the typical cute gay boys, friendly fag-hag with her own hetero issues, violence, and ridiculously corny Araki dialogue. And guess what? It somehow all works! By the end the two protagonists are likeable people with relatable feelings. The closing scene is one of the most memorable in indie cinema of the '90's.
Gregg Araki is certainly one of the strangest directors ever to emerge in the genre of independent filmmaking, and "The Living End" is no exception to his unique style, which is reminiscent of Jean-Luc Goddard while maintaining an individuality that makes it clearly a film by Araki. I've heard the film described as a "gay 'Thelma & Louise,'" but I think this to be inaccurate. This film I think is far more powerful than "Thelma & Louise." Two HIV positive gay men, one the sensible-living perfectly normal Jon, the other the free-wheeling hustler Luke, who from the very first shot in the film we can tell has totally given up as he graffitis "F**k the World" on the wall. More typical Araki catches phrases run rampant throughout the film as these two men go on a road trip around the west coast trying to find something worth their time. What makes the film so powerful is the presentation of its message, rather than the message itself. The difference between sex and real love is subtlely explored as the relationship between Jon and Luke grows more and more complicated, as Luke's hairtrigger attitude often gets them in trouble and Jon steadily wanting to give up love to continue his life for as long as he can and as responsibly as he can, though it never seems to work. Sometimes it's not so subtle, but for the most part the notion of love between these two people is so skillfully handled that the air of sadness that hangs over them just resonates, in spite of the large number of humorous moments. The ending is so brutally sad, though totally unexpected. I won't give it away but you'll have to see it for yourself, it is a wonderful movie. It certainly is not for all tastes. However, if you can appreciate good cinema, then I think this film will not disappoint you. You might not like it, but it is a very powerful film.
Did you know
- TriviaThe end credits finish with the following words: "dedicated to craig lee (1954-1991) and the hundreds of thousands who've died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads".
- ConnectionsFeatured in Celluloid Closet (1995)
- SoundtracksWhere The Pavement Ends
Performed by Braindead Sound Machine
- How long is The Living End?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Yaşamın Dibi
- Filming locations
- USA(Location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,769 (estimated)
- Gross US & Canada
- $692,585
- Opening weekend US & Canada
- $43,715
- Aug 16, 1992
- Gross worldwide
- $692,585
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