States of Grace

For those faint of heart, weak of character, or poor in spirit, be careful with this film. It handles heavy issues, tackles serious drama, and has definite PG-13 material. But it also illustrates compassionately and expertly the atoning power of Christ, the amazing strength that can come from relying on Him in our imperfect, human state, and turning to Him in repentance, feeling His love, regardless of the mistakes we've made.

This was a gritty, realistic look at many of the issues young people (especially missionaries) face today. It doesn't try to hide the evil, but it does keep the Spirit and the Gospel of peace, hope and repentance far more prominent. It doesn't condescend or submit to cheap laughs and religious stereotypes, as many LDS-made films do, but rather, as Dutcher has a magnificent habit of doing, it focuses on what the Gospel is really about. It doesn't pretend that sin isn't sin, it recognizes fully when wrong has been done, and when further wrong is done in an attempt to rectify it. This film indicates the only real solution to any problem, the power of Christ. To those who grimace at the reverent and appropriate use of ordinances and the like in Dutcher's movies, get past your letter-of-the-law cultural mindset and take a look at the Gospel, and listen to the Spirit.

Technically, this film is as admirable and noteworthy as many films made nowadays. Where Dutcher finds such incredible actors is beyond me, as is how he manages to get such powerful and moving performances out of them. It's artistic, it's dramatic, but it's real and feels like a situation that you've seen before. The use of Sam Cardon's music was effective, and the one or two throwbacks to God's Army were enjoyable. Especially noteworthy was how this film didn't downplay any religion, but rather lifted up the importance of believing and relying on Christ.

I laughed, I cried, and then I cried some more. Everyone who finds their way to this review, PLEASE do what you need to do to see this incredible film. It will make you grateful that we have a Savior to turn to when we know we've done the wrong thing. I only wish I could give this film 11 stars. Bravo, Richard. You've done it again.

I must confess I rolled my eyes when I heard this movie was being made. If it were not for the unanimous critical acclaim, from the few who have reviewed it, I would not have seen it. I also must admit there were a couple awkward but forgivable dialogue moments. But by the end of the film, I was stunned. I felt more moved by this film than any other I have seen in years, perhaps ever.

I imagine some will unfairly and erroneously think Dutcher was trying to justify sin and never get passed that criticism. But that's not the message. The message is that it doesn't matter who we are or how serious our sins are, it is never too late to find hope in Christ. That message could not have been conveyed if the worst sin the film addressed was someone shoplifting or breaking a minor mission rule. It had to address serious sins to show the reach and power of the atonement. This movie is not only the best Dutcher film, nor is it just the best LDS genre film, it is one of the best movies of any kind I have ever seen.

Mormon film to this point has been mainly "Mormon", but flightily "film". While some pictures have had strong points, for example, the subtle humor in "Napoleon Dynamite" or action in "Saint and Soldiers", most of the genre has been self-absorbed and self-serving. Even Dutcher's previous "God's Army" was aimed specifically for a Mormon audience and did not have any lofty design or style.

The self-proclaimed "Father of Mormon Cinema" has here created a film that could be accessible to a wide audience and should be better received. The characters are again missionaries, but share little similarities to the characters in "God's Army." The fact that it is already disappearing from theaters is due to poor marketing and advertising, and does not reflect the quality of the film.

Finally a Mormon character faces some real problems and really struggles. Finally Mormon characters make real mistakes and have to pay real repentance. Finally a Mormon story involves real non-Mormon characters and views them not as the oddity, but real people in the real world. And finally, Dutcher has a real vision and real message and actually directs this picture like no one has dared in the genre.

The acting in the film is miles above anything yet seen in Mormon film, as is the direction. Moments between Lozano and Carl, or any moment with the street preacher Louis feel honest and natural. The "gangstas" (as the ads so poorly state) seem real, not like your Mormon high school production or road-show. Even the character of Farrell, who was initially the weakest link in the film, shows his true colors by the end. Dutcher constantly alludes to action in his story and composition, and he creates some amazing pictures, showing that he may be the least accessible person off camera, but he is the most capable director of the genre yet. Carl's confirmation scene, while paying homage to "The Godfather", is amazing in its own right. The story occasionally bordered on cliché, but Dutcher never let it go that route, instead opting for some really difficult decisions for his characters.

I know that many Mormons will not want to see this movie because it has characters that have or will make mistakes. It has some uncomfortable situations and asks some tough questions. What they should realize, however, is that this is the first "Mormon film" that actually has something to say. Instead of laughing at ourselves and our Jello molds, why not show situations that really happen? Why not dare to put ourselves in the shoes of our fellow men? Why not realize that we are but one religion among many, all of which bring goodness into the world? Why not join others in their everyday struggles and know that we are not alone in this world? This film is the first to ask these questions and most successfully answer them. "States of Grace" is not the best film I have ever seen, but it is the best "Mormon film" I have yet seen and is among the best of this year. Open-minded, open-hearted, open-souled viewers everywhere should watch this movie. It may change how you look at things.

I cried through the whole thing, it was so moving and affecting. I have not a big fan of Mormon Cinema thus far, as most of it is very idealized, filled with in-jokes, and generally just very "in your face". But this film is so real, so accessible, and so professionally done that I could not help being completely knocked out by it.

The performances are much better than I have seen in previous Mormon films. Particularly those of Ignacio Serricchio and Lamont Stephens, who are simply spectacular as the gang-kid-turned-missionary and the gang-kid-turned-convert, respectively.

I loved the fact that this movie is about faith and belief, but not specifically about the Mormon faith. The two main characters are Mormons, but the stories are about real life situations and the way people behave in them, not about how Mormons are "supposed" to behave.

I would recommend this film to any and all. I will certainly be buying it when it comes to DVD.

Just got back from "States of Grace." Truly an amazing film. It was not what I expected. Much less "Mormon" than "God's Army" in some ways. I was moved. Dutcher, in a way that reminded me of the evocative Sacrament scene in "Brigham City," ended this film with a very moving, personal experience shared by all the main characters in the film, which ingeniously had a powerful-yet-different meaning for each of them.

I was surprised at how long it was - just over 2 hours. If you're going to see a feel-good fluffy movie, this is not the one. It is PG-13 for good reason. Very faith promoting, but not "sweet." It is difficult to evaluate such a film for technical aspects; there were too many overwhelming moments in the film that skilfully drew me in.

One last observation: the film is excellently Christ-centered. Dutcher beautifully weaves a coherent fabric of the love of Jesus for all people out of disparate strands. At times I almost didn't want to see how a scene would end, because of the heaviness, but in the end it was all worth it. Mixing typical Mormon symbols and sentiments and typical Christian symbols and sentiments, the feel at the end ameliorates much of the pain displayed in the movie, and demonstrates how hope can prevail.