Childstar

Disappointing follow-up to McKellar's sublime "Last Night" (one of my favorite films of all time) and "Red Violin", this film is about an obnoxious child actor in the mold of Haley Joel Osment, his equally obnoxious stage mother (Jennifer Jason Leigh), and the hapless indie filmmaker-turned-chauffeur (McKellar) who is assigned to baby-sit them. Minor hilarity ensues from the cross-border (US/Canadian) cultural confrontations and the underage star's affectation of adult nonchalance and knowledge, but not enough to rescue the film, or the viewer. I cannot imagine what possessed the wondrously gifted McKellar to consider such a banal theme. Please regard this as my personal plea to Don McKellar to return to writing and making films of the caliber of "32 Short Films about Glen Gould", "Last Night", and Red Violin".

I saw this movie Sunday morning (and i am not a morning person) at the Toronto film festival, and I must say, it was not what I expected. First of all, it was funnier than the premise would lead you to believe. Secondly, it was actually artfully done. And thirdly, it was very different from the average slow Canadian film. Did I like the film? Yes, very much. It was more of Don McKellar's strange brand of humor, like the kind he used on Twitch City (his TV show) but faster, and maybe a little more biting. In fact, the movie was so fast and multi-layered that I'd like to see it again, soon. Overall I think this was a really entertaining film, and I would highly recommend it -- especially to those who want proof that Canadian movies can be funny, and fast, and exciting, and still smart.

I just couldn't get into this. Don McKellar, who I've never heard of before, just looked like he was doing an impersonation of Peter Sellers. His deadpan approach was a leaden hand over the whole film. Every line he delivered fell flat on the ground, as in a vacuum. There was something eerily compelling about him though, I couldn't take my eyes off him - or maybe it was just that cardigan he wore under his jacket the whole time.

The storyline might have not invited criticism were it not for the fact that we were subjected to two excruciating moral lessons at the end (on parentalism and on the childstar issue). Mmm, thanks, I so need to be preached at - NOT.

Unfortunately, Taylor Brandon Burns wasdislikable even when he wasn't supposed to be, and his blonde girlfriend character was just a cardboard cut-out. How were we supposed to care?

Well, we were all probably there looking for laughs, not philosophy. Problem is the laughs just weren't there. It was all vaguely depressing.

I loved McKeller's other film "Last Night". Unfortunately, this lame effort is uninspired. We've seen it all before and better. The film doesn't know what it wants to be - is it a comedy, a morality play about fame and the young, is it about parents living through their children, is it about manipulation? The result is a film that doesn't know what it wants to be and in turn, cannot find an audience. Like so many Canadian films, it's just not audience friendly and there is nothing in this film to get anyone but McKeller fans out to watch it. The film just unraveled (badly) and never went anywhere and then needed a long speech at the end to explain a plot we all stop caring about a long way back. The cinematography was excellent but it was wasted in this effort. McKeller can do better and has. Hopefully he can put this failure behind him.

How much I enjoyed this film surprised me. (I saw it at the Philadelphia Film Festival the day after I saw "Checking Out" with Peter Falk. So—that's saying a lot.)

"Childstar" is a droll send-up of fawning over child stars in our culture, and of being a person low on the film industry totem pole. There is a lot of clever, well-produced stuff in this film. My only negative comment is that too much seems to have been directly lifted from an episode of The Nanny, "When You Pish Upon a Star."

I will go to see any film with Jennifer Jason Leigh. Her arc seems to be like that of Geneviève Bujold before her. Leigh seems to have managed to be in a lower proportion of turkeys than Bujold, so far. Her performance this time worked for me.

Likewise the performance of Don McKellar in his own film was just fine. More power to him!