The Quickie

I saw this movie on the movie channel and unfortunately missed the first few minutes of the film but found the rest of it intriguing. None of it made any sense, of course but I found myself unable to turn it off. The whole thing had a dreamlike quality to me. What the heck was the bug lady doing in this film, anyway? Was the lead guy a mob boss or a tap dancer turned to crime in order to make a living?

In spite of the shortcomings, I really liked the soundtrack. Especially haunting were the songs by the Tiger Lillies.

My advice is to forget the movie and buy the soundtrack (if you can find it anywhere - which I have not been able to do).

THE QUICKIE (1 outta 5 stars)

Pretty poor movie... an old-as-the-hills story about a high-ranking gangster who wants to quit, passing on his empire to his inept son. Of course, it's not going to be easy for someone in that line or work to just quit... so a contract is put out on his life. After throwing a big party an exterminator (Jennifer Jason Leigh, who I guess is *never* going to act in anything other than TV movies or low budget direct-to-video trash ever again) is called to the scene. Our "hero" makes a pass at her... offering her big money for a "quickie"... she turns down his offer, even though she needs the money... but winds up staying overnight anyway... even after being brutally harassed by the overzealous son who thinks she was sent to kill his father. Ugh. The story just goes on and on... you can see every "twist" and "turn" coming a mile away. Weird soundtrack by some group called "The Tiger Lillies" will drive most people nuts... but I thought there was one kind of cool track towards the end. Or maybe I was just excited because I could tell that the movie was almost over? Jennifer, Jennifer, Jennifer... what the hell happened to you?

Once again I am a little confused by the websites 'plot outline' and many of the other comments.

This film seemed to me to be very little about the relationship between mother and son (only one important scene where the mob boss reproached his mother for being a drunk all his life), and more about a great number of other things. Sibling rivalry, the decadence that accompanies a criminal life, how life and money ultimately become of little value, how love can surface in the most unlikely circumstance, etc etc. The 'hitman' who was exceptionally good at the job and the mob boss fell for the exterminator in spite of himself. The irony of his brother 'sussing' what someone was up to and being over-ridden was not lost on him.

I thought it was a well made depiction of a dysfunctional family and its final disintegration. The storyline flowed, there was great attention to detail - a bug exterminator would be looking in all the rooms and a nervous mob member would get itchy about it - and though it wasn't a Hollywood glitz-flick I thought it was all the more authentic because of it. I really enjoyed it.

I wanted to see this movie because I liked "Kavkazskij Plennik" ("Prisoner of the Mountains") and "Brat" ("Brother") with Sergey Bodrov, Jr. and "Vor" ("The Thief") with Vladimir Mashkov. Well, unlike the other movies, "The Quickie" was a total waste of time. The story that makes little sense, very uneven acting (Lesley Ann Warren was especially bad), really awful dialogs, poor cinematography, what else could go wrong? I find it amusing that in practically every American-made movie, when the same-language-speaking foreigners (Russians in this case) are left alone, they prefer to communicate with each other mostly in broken English (and when they happen to speak Russian, for some reason translators feel obligated to add a lot of "f**ks" in the sentences, which have no profanity, literal or non-literal). At the same time, native-English-speaking actors choose to speak in broken Russian. Why is that? Getting back to the story, most of the subplots of the movie (e.g. betting the house, inviting Latin American paramilitaries, etc) either make no sense or do nothing more than confusing the viewers. It is too bad that Bodrov, Mashkov, and Leigh (all good actors in my humble opinion) got themselves involved in this disaster.

Any fan of Russian cinema will have great difficulty in believing the sub-par performances phoned-in by Mashkov and Bodrov Jr., and will perhaps be utterly perplexed by Bodrov Sr.'s hackneyed and confusing script, which is coupled with uncharacteristically weak direction. Most of the characters wander through the movie as though they have no idea who they are or what they are doing. It is also sad to see that Jennifer Jason Leigh's acting skills have not advanced one iota since FAST TIMES AT RIDGEMONT HIGH, and her screen exposure is mercifully limited. This is a terrible mafia movie; so much so that it makes the GODFATHER III look like a winner in the genre. To see the key Russians at their best, check out Bodrov Sr.'s work on PRISONER OF THE MOUNTAINS (which also features Jr.), Mashkov's turn in VOR (THE THIEF), and Bodrov Jr.'s new criminal in BRAT.