In 1925, an enterprising pro football player convinces America's too-good-to-be-true college football hero to play for his team and keep the league from going under.In 1925, an enterprising pro football player convinces America's too-good-to-be-true college football hero to play for his team and keep the league from going under.In 1925, an enterprising pro football player convinces America's too-good-to-be-true college football hero to play for his team and keep the league from going under.
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- Princeton Reporter
- (as David DeVries)
- Princeton Reporter
- (as Craig Harper)
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It's (loosely) about Pro Football in the 20's. The message is that the game was rough, poorly-regulated and messy! (No wonder Baseball was America's game!) College players fared better, with fervent fan support and well-tended fields of play -- but after College, great players packed it up and got real jobs (or switched to baseball, I guess). In this story, George Clooney hopes to boost the fortunes of his floundering Toledo Pro team by recruiting a college superstar (and reported war-hero), played by John Krasinski. Renée Z. is the ace reporter dispatched to get the goods on the football hero's military service record.
The film was reminiscent of the 1988 film '8 Men Out' in doing a great job of recreating the look and feel of that era. However, '8 Men Out' was based upon a real life incident and a fabulous book. 'Leatherheads' was a story one IMDb contributor says George Clooney carried around in his pocket for 20 years. So, I'd agree that the storytelling and comedy bits of the screenplay are lacking a bit. However, George does fine as a Director and Performer -- I don't buy that comedy isn't 'his thing' - he was sparkling in 'Oh Brother Where Art Thou' and 'Intolerable Cruelty' (ahhhhh, but those were Coen Brothers scripts, which showed what George could do with a real creative team behind him). Also, it looked like the cast had a hoot making this thing -- to be honest, if the DVD has lots of bloopers and special features, that alone might induce me to pick it up in 2009.
I quite enjoyed the film, but, then, I like period pieces, especially those about the Jazz Age (8 Men Out, Great Gatsby and the Sting are in my Top-20). Nice soundtrack by Randy Newman here, too. This was witty and pleasant to watch. And PG-13 comedies that are NOT about singles dating morons or kids with three dads, or sperm donors (the Previews at our matinée today) are in very short supply these days.
Might add that Renée was quite charming in the manner of a glamor girl of the Jazz Age, with soft blonde hair and strategic use of red lipstick to produce that perfect 'kissy' smile! Pete Gerety, a veteran character player, chips in with a nice spot as a new Football Commissioner. I recognized Gerety as the smooth-talking oil baron 'Lee Janus' in another Clooney project, Syriana.
7/10 - canuckteach
btw: The NFL really didn't get rolling as a major diversion until NFL Films made it a TV legacy in the late 60's. (In the 50's, it was viewed in crummy black and white with those ugly-duckling 4-poster goalposts).
Clooney and Zellweger are campy in their roles (isn't that what they were shooting for?) and Stephen Root is a quiet riot as the hard drinking team owner.
Set in the 1920's, Jimmy and his football team are in the birth of football. The problem is that they don't win and their sponsors are fed up with their stunts and loosing streaks. So when they drop the football team, Jimmy looks for a job, but fails, but later he comes across college football star, Carter Rutherford. He offers Rutherford to join the team and the sponsors get back into play. Rutherford is also known war hero and reporter, Lexie Littleton is on the case to find out "the truth" that could possible damage Carter's career. But Jimmy is also attracted Lexie and may have to give up the only way to boost the football team's reputation again for Lexie's story.
Would I recommend Leatherheads? I would say that it's worth a matinée, it's a cute movie and has some fun laughs. I loved the scene with Jimmy and Carter who just punch each other in the face and beg not to hit anywhere else because it's their weak spot. Just I think the editing was a little off, some scenes I don't understand why they were not cut in half or were even needed. George Clooney wasn't looking to make a masterpiece, but I think he took this film in the wrong direction and it's not that impressive. It's a decent movie, worth the watch, but it's not something I would buy.
6/10
Clooney stars as a professional football player back in the days (1920s) when no one cared much for professional football. As an attempt to bring some attention and fans to the sport, he cajoles a popular war hero and college football star (college football happens to be the rage) to go pro. Eventually, the two become rivals when the college star transfers to an opposing team. Meanwhile, the editor of a newspaper learns that the war hero's story is a fraud, and sends out a feisty reporter (Renee Zellweger) to expose him.
All of these ingredients are meant to mix into an antic romp, and Clooney, Zellweger and John Krasinski (who plays the war hero) try their damnedest to be madcap, mugging shamelessly at the camera at every opportunity. But the movie grinds along painfully, and you can practically see the sweat beading on the actors' brows as they work overtime to make the material funny. Krasinski is miscast as an all-American war hero; there's something a little too bookish and dopey about him to make him believable. And Clooney and Zellweger have absolutely no romantic chemistry -- they're given roles that, say, Gary Cooper and Barbara Stanwyck would have played if this were a screwball comedy from the 1930s, but they work up no heat and deliver almost no laughs.
No expense was spared on the period look of the film, and Randy Newman for once provides a tolerable and playful score, but everything else about the film is a dud.
Grade: C
Did you know
- TriviaFor this role, John Krasinski had to change his usual hairstyle. This hair change was worked into a story on his television show, The Office (2005).
- GoofsIn the scene where they are leaving the commissioner's office, they get in an elevator and push a button to go to the ground floor. All elevators at that time had operators who controlled elevator movement. Push buttons did not come in to use until the 1950's.
- Quotes
Carter Rutherford: Wait. Where were you two?
Jimmy 'Dodge' Connelly: Out.
Lexie Littleton: Nowhere.
Carter Rutherford: Did you *kiss* her?
Lexie Littleton: Now wait a minute.
Carter Rutherford: I want answers!
Jimmy 'Dodge' Connelly: Yeah, I kissed her! On the mouth, twice! And I liked it. A lot!
Carter Rutherford: Oh you did, did you?
Jimmy 'Dodge' Connelly: Yeah!
Lexie Littleton: Thanks.
Jimmy 'Dodge' Connelly: You're welcome.
- Crazy creditsPhotographs showing the 'fates' of the main characters appear behind the credits.
- SoundtracksTiger Rag
Written by Harry DeCosta (as Harry Da Costa), Henry Ragas (as H.W. Ragas), Nick LaRocca (as D.J. La Rocca), Larry Shields (as L. Shields), Tony Sbarbaro (as A. Sbarbaro), and Edwin B. Edwards (as E.B. Edwards)
Details
Box office
- Budget
- $58,000,000 (estimated)
- Gross US & Canada
- $31,373,938
- Opening weekend US & Canada
- $12,682,595
- Apr 6, 2008
- Gross worldwide
- $41,319,039
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1