A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
- Awards
- 3 wins & 2 nominations total
Joshua Peace
- Finn
- (as Josh Peace)
Flossie McKnight
- Female Doctor
- (as Araxi Arslanian)
Kyle Derek
- Squad Leader
- (as Kyle McDonald)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A perfectly adequate prequel to the first film. This time we see the men who operate the cube, but it doesn't take long to realise that they are still within the system.
This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.
This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.
(Saw this at Sci-fi London)
This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.
This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.
(Saw this at Sci-fi London)
One question I always have about these cube movies is, how does throwing a boot into the empty room tell you it's safe or not? This feels like rehash from the other sequels. But, in those films we discover some traps are triggered by other things, not by weight, or movement, or sound, but heat.
After this scene, one man exclaims perhaps it was triggered by heat or sound, but that isn't possible because the boot hitting the floor was pretty loud. Most likely it was triggered by a camera picking up a human form in the middle of the room.
After being disappointed by the follow through of part 1 and 2, I looked forward to a prequel finally making some sense of all this, and being a enjoyable film. Kind of like what Hellraiser 3 Bloodline did for that series.
Now we have 2 workers, overseeing this project to some capacity. We never see their higher ups, but we do see a higher level of command in part 2.
They seem to not mind too much what is going on, for they believe they men and women inside the cube are convicted criminals.
We know this to not be the truth at all.
The fact that in part 1 they followed a puzzle of numbers, primes in particular, in part 2, well I don't remember what they followed then, 5 dimensional cubes are funny that way. BUt, in this one, they find a similar puzzle, but this time in sets of letters.
For lack of ingenuity, and originality, I scoff at the simplicity of the parallel plots at this point, but I trudge on, without judgment... keeping my mind on the third exit.
"When the rooms align what's the first thing that happens?" "Clean Sweep" Which is what we saw at the very end of part 2... you ever wonder why at the end of part 2 when the girl, company employee plant in the cube, escapes the cube, with some sort of plumb device around her neck intact, as the cube seems to "clean sweep" itself into oblivion, they kill her? Did you think that question was going to be answered in the next movie? Do you still think it's going to be answered, in Cube Zero? Owen reaching the exit room reminds me a lot of the ending of Cube 1, I suppose that was the point.
Exit Procedure is very Nazism isn't it.
Anyways, I noticed later on they weren't even waiting for the boot to hit the floor before entering a new room, that didn't make a whole lot of sense, although the sound vibration death was quite cool.
Pretty nice ending, the way Wynn becomes Kazan-ized. Makes you wonder just how Kazan got the way he was doesn't it? People ask what is the point of this movie, or this trilogy, or franchise... and to my knowledge there is no point. Unless you look for a more anamorphic point. And that is the point within.
There is no great moral here, no blatant and obvious tell tale morality. No, be good or this could happen to you, there is no rhyme nor reason. Perhaps the only point to be gleamed from such an adventure is thus.
The CUBE is the mind. The traps are desires, ignorance, apathy, and the like. We are lab rats in consciousness, trying to get from birth to the white light at the end, without falling into the traps of our own egos if you will.
At least, that is my perspective.
After this scene, one man exclaims perhaps it was triggered by heat or sound, but that isn't possible because the boot hitting the floor was pretty loud. Most likely it was triggered by a camera picking up a human form in the middle of the room.
After being disappointed by the follow through of part 1 and 2, I looked forward to a prequel finally making some sense of all this, and being a enjoyable film. Kind of like what Hellraiser 3 Bloodline did for that series.
Now we have 2 workers, overseeing this project to some capacity. We never see their higher ups, but we do see a higher level of command in part 2.
They seem to not mind too much what is going on, for they believe they men and women inside the cube are convicted criminals.
We know this to not be the truth at all.
The fact that in part 1 they followed a puzzle of numbers, primes in particular, in part 2, well I don't remember what they followed then, 5 dimensional cubes are funny that way. BUt, in this one, they find a similar puzzle, but this time in sets of letters.
For lack of ingenuity, and originality, I scoff at the simplicity of the parallel plots at this point, but I trudge on, without judgment... keeping my mind on the third exit.
"When the rooms align what's the first thing that happens?" "Clean Sweep" Which is what we saw at the very end of part 2... you ever wonder why at the end of part 2 when the girl, company employee plant in the cube, escapes the cube, with some sort of plumb device around her neck intact, as the cube seems to "clean sweep" itself into oblivion, they kill her? Did you think that question was going to be answered in the next movie? Do you still think it's going to be answered, in Cube Zero? Owen reaching the exit room reminds me a lot of the ending of Cube 1, I suppose that was the point.
Exit Procedure is very Nazism isn't it.
Anyways, I noticed later on they weren't even waiting for the boot to hit the floor before entering a new room, that didn't make a whole lot of sense, although the sound vibration death was quite cool.
Pretty nice ending, the way Wynn becomes Kazan-ized. Makes you wonder just how Kazan got the way he was doesn't it? People ask what is the point of this movie, or this trilogy, or franchise... and to my knowledge there is no point. Unless you look for a more anamorphic point. And that is the point within.
There is no great moral here, no blatant and obvious tell tale morality. No, be good or this could happen to you, there is no rhyme nor reason. Perhaps the only point to be gleamed from such an adventure is thus.
The CUBE is the mind. The traps are desires, ignorance, apathy, and the like. We are lab rats in consciousness, trying to get from birth to the white light at the end, without falling into the traps of our own egos if you will.
At least, that is my perspective.
This film begins with a man named "Ryjkin" (Jasmin Geljo) waking up and finding himself in a symmetrical room with an exit hatch on all four walls along with one on the floor and one on the ceiling. After choosing to go through one of the exists leading into a similar room, he accidentally triggers a mechanism which sprays him with an unknown liquid. At first, he thinks it is just water and being quite thirsty, he proceeds to lick as much of it off of his skin as possible. Minutes later, however, he realizes that the liquid is a type of acid which leads to a gruesome conclusion. Then scene then shifts to a control room where two technicians named "Eric Wynn" (Zachary Bennett) and "Dodd" (David Huband) where Ryjkin's demise is playing out on a computer screen in front of them. Having seen numerous scenes similar to this, neither Wynn nor Dodd are overly surprised. Yet even though Wynn expresses his distaste for this macabre incident, he accepts the corporate explanation that the people within the cubical apparatus are condemned prisoners being given an opportunity for their freedom--if they can carefully negotiate their way through the hazards within this deadly maze. Even so, Wynn still has a number of questions regarding the entire setup and his curiosity is piqued even further when he discovers that one of the prisoners named "Cassandra Rains" (Stephanie Moore) doesn't have the necessary consent form within her files. This prompts even more concern on his part that he is involved in something so terribly horrific that it defies imagination--and that both he and Dodd could suffer from the same fate. Now, rather than reveal any more, I will just say that this film essentially serves as a prequel to the original movie produced seven years earlier and, as such, provides more details about the mechanism itself. And while this particular film is certainly not bad by any means, I do not believe it is quite as good as its two predecessors and I have rated it accordingly. Average.
i just finished watching it and taught it was great to have a perspective from observers outside of the Cube for once .i read some other user comment one especially saying the cube as not been ameliorated uplifted .well how could it be more advanced when the movie happens before the original cube.i also liked the fact that in this one you get the general idea on how and why people end up in the cube.Good death traps all around as usual ,groovy atmosphere a good film well done with a bunch of unknown actors that play there roles in a credible manner considering the type of film this is.i enjoy the less mainstream thriller horror pictures lately always more original than all those block busters remake from the good 70's movies which needed none of that remake bull@#@$ all together it was very entertaining i give it a 7.5 out of 10
Well, after glancing over a few of these comments...there aren't a lot of people who actually like this film. Which I am personally quite surprised at as me and my boyfriend found this film to be the best of the Cube series.
I got the Cube box set for Christmas and I always look forward to watching a good movie. I had already seen Cube 1, so not much shocked me...bearing in mind, the first time I watched it, I was fairly disturbed...putting myself in their position...waking up in a huge cube not knowing how you got there.
Then there was Cube 2, not much happened in this film...I didn't like the fact there weren't any traps as good as the first film.
Then there is Cube Zero...a film that can get very confusing in places, but pieces itself together gradually, and actually explains WHY these people are in the cube, how they got there, and what happens when/if they get out. In Cube Zero, there are 2 guys hired to watch over the people in the Cube...they have files on what looks like everyone who has ever been in the Cube...you ask yourself "why would anyone want to watch over a bunch of people dieing in a cube?"...well you find that out also.
I personally think that the makers of the 'SAW' series got some of their ideas from the Cube series. I mean, when you think about it...strangers waking up in a room, not knowing how they got there at first, having to find a way out of this rooms else they'll die. Pretty similar scenarios if you ask me.
I'm not going to go into too much detail, as I don't really want to confuse people...but it's advised that you definitely must see the first one to make a connection to Cube Zero.
I got the Cube box set for Christmas and I always look forward to watching a good movie. I had already seen Cube 1, so not much shocked me...bearing in mind, the first time I watched it, I was fairly disturbed...putting myself in their position...waking up in a huge cube not knowing how you got there.
Then there was Cube 2, not much happened in this film...I didn't like the fact there weren't any traps as good as the first film.
Then there is Cube Zero...a film that can get very confusing in places, but pieces itself together gradually, and actually explains WHY these people are in the cube, how they got there, and what happens when/if they get out. In Cube Zero, there are 2 guys hired to watch over the people in the Cube...they have files on what looks like everyone who has ever been in the Cube...you ask yourself "why would anyone want to watch over a bunch of people dieing in a cube?"...well you find that out also.
I personally think that the makers of the 'SAW' series got some of their ideas from the Cube series. I mean, when you think about it...strangers waking up in a room, not knowing how they got there at first, having to find a way out of this rooms else they'll die. Pretty similar scenarios if you ask me.
I'm not going to go into too much detail, as I don't really want to confuse people...but it's advised that you definitely must see the first one to make a connection to Cube Zero.
Did you know
- TriviaThe exit machine is a slightly reworked, old Moviola film editing machine with a couple of raw speakers and a YES/NO button added.
- GoofsThe file cabinets in the observation room are marked with name ranges; one drawer is listed as "Rabinovich - Rabe", which is not in alphabetical order.
- Crazy creditsZero the fish as himself
- ConnectionsFeatured in WatchMojo: Top 10 Horror Movie Prequels (2018)
- SoundtracksMessage From Buddha
Performed by Norman Orenstein
Written by Norman Orenstein
Published by Norman Orenstein Music (Socan)
Details
Box office
- Budget
- CA$1,200,000 (estimated)
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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