Les guerriers de l'Empire céleste

This is not a Kung Fu action movie, so those looking for fight scenes will be disappointed. It is a thrilling story of two warrior knights acting under their own sense of honor and called to action in circumstances beyond their control, against the backdrop of the turbulent and multi-cultural Silk Road. China being the vast country it is has birthed many such thrilling adventures of wandering warriors, itinerant mercenaries, Buddhist monks and pretty maidens. Think of romance or adventure novels based on the Middle Ages! The thrill of the story is to watch the two warriors meeting, one supposedly as the imperial agent sent to eliminate the renegade and intent on his mission, the other as the free agent warrior trying to live a life according to his own personal code of honor. When the two of them unite to fight hordes of greedy bandits, we see hand to hand combat, pursuits on horseback and sieges of a fort.

The unusual angles in this movie, for most movie goers, comes from the time and place: the warriors are from 700 A.D, a T'ang Dynasty era. The location is in the far western reaches of China and the locales are not traditionally "Chinese". The landscapes change from mountainous to woodsy to desert. There are thrilling scenes of camel caravans and desert towns and forts. The protagonists wear battle gear and the long hair of that period, which remind me vividly of French and English knights and crusaders of that era! The final siege of the desert fort reminds of the male warrior bonding in desperado scenes like in "Butch Cassidy and the Sundance Kid"; or the "Alamo"; or the "Three Musketeers".

The Buddhist relic transported by the caravan reminds me of the Catholic relics from dead saints found in many mystery or adventure stories based on the Middle Ages. The finale reminds me of the movie "Raiders of the Lost Ark" when the bad guys seem to be on the edge of acquiring the treasure, only to be annihilated, leaving some of the good guys to move on...

It is great entertainment and gives one yet another view of the Chinese culture about warriors of its complex past.

I liked this movie but I was not awestruck by it. It has some excellent characters and a very engaging plot. There are a few lines that will make all but the most jaded filmwatchers smile.

But this movie has a couple of drawbacks which mark it as a notch below other films like "Crouching Tiger" and the infinitely superior "Hero." Both of these films also had excellent characters and stories but were visually far a cut above. A BIG cut.

"Warriors" uses jump-cuts and too-tight camera angles in an effort to hide the fact that many of its stars are not actually martial artists. The resulting fight scenes are very frustrating to watch. Like I said, the plot carries the movie along and it is indeed a good film, but I hate getting snookered by creative editing.

Compare any fight scene in "Warriors" with, say, the extended battle scene between the two women warriors in "Crouching Tiger," most of which is filmed in medium shots that allow your eye to follow the line of action. IMHO this is a lot more impressive. Even the goofy wire work doesn't take away from that.

But "Warriors" is worth a rent. You will care what happens to the characters. And you will see a very nice meditation on the question of what, as people of honor, we must do.

Though this is a "heroic epic" telling of the Golden Age of China, director Ping He does an outstanding job of blending depth of character with period- and action-realism within only 115 minutes.

The springboard/wire-fighting is kept to a minimum and is subtly crafted. These are heroes who have skills far beyond the ordinary, and the fighting effects merely convey that without rubbing it in or going over the-top.

Every major character is developed in this story except for the young monk, and you'll understand why at the end. We even spend a little time with Lai Qi's 3 loyal soldiers and their families, getting to understand what they've been doing and what is important to them.

The plot does involve a magical object, but there are only two scenes with associated special-effects, which were as nicely done as any Hollywood CGI. The first time, it is essential to developing the story and our understanding of why these men will fight so hard to protect it. The second time, only to establish its proper role in the epilogue.

There is a hint of a love-story, which I find unnecessary in films like these, but I didn't moan or groan here because it is kept deep in a minor subplot and used primarily to demonstrate that the protagonist is not truly a criminal or a bad man. Not that Ping He doesn't know how to tell a good love story, as he did brilliantly in 1994's "Red Firecracker, Green Firecracker" (Pao Da Shuang Deng). I think he was forced to add it, and simply relegated it to the lowest priority.

I don't understand how someone could like "Jet Li: Hero" or "Crouching Tiger..." better than this film, unless they have little taste for dramatic, action-adventure epics, and must have a perfectly happy-ending every time. I thank thee, Buddha, that Hollywood hasn't taken over the Chinese film-making industry!

Warriors of Heaven and Earth is an interesting film due to the fact that it had so many great elements that just didn't come together. The cast was fine, the setting and backdrop were fine, the outline of the story was interesting, but the ingredients of this picture did not mix.

The problem with the film was timing, budget, and the script.

Excellent Cast including Jiang Wen, Kiichi Nakai, and Vicki Zhao. Beautiful Scenery of the Gobi Desert and the far reaches of China.

The problem was the script. It was clichéd and most of all boring. There was nothing unique, in fact the dialog seemed taken from other films. You have the two guys that are suppose to be opponents who become buddies (aka 48 Hours)who take on an evil warlord and his thugs and defeat them in Battle. The supporting cast (the other warriors) get picked off one by one like (The Magnificent Seven).

Vicki Zhao has a meaningless role in the film. It is pretty much just stand around and look pretty and helpless and do a little narration work while you are at it. If you have Vicki Zhao in a film, you should use her. They made her character as clichéd and one dimensional as possible.

This film can't compare to "Crouching Tiger, Hidden Dragon", "Musa", or "House of Flying Daggers". It is what you call a big budget B movie. The fight scenes look uncoordinated as well. After watching the "How the Film was made", I was a little more sympathetic towards the director. The Director Ping He had a daunting task of getting the film made due to weather and the timeline. I think he did not have enough time or money to do this film right. It was just too massive of an undertaking given the time constraints. It looked very rushed and disorganized.

The scenery and the backdrops are breathtaking, actually the highlight of the movie, the script itself was weak. The most memorable moment in the film is the scenery and Vicki Zhao in the bathtub. Now that was some nice scenery too.

This movie is the story of an Imperial Agent sent to bring to justice a murderer, his final mission before he is allowed to go home to his family in Japan. The murderer, a former army officer accused of mutiny when he refused to kill a group of women and children. The movie is the tale of their trek across the desert fighting against each other and with each other. The dialog was great, short and delivered impeccably by an incredible cast of characters. It has been a long while since I have seen such thoughtful, dramatic acting. The movie is shot mostly in the desert but it is all done beautifully and with exactly the right tone and feel. I enjoyed the period costumes and the fight scenes were extremely well choreographed. It is seldom that I watch a hollywood movie and come away feeling satisfied, I can only hope that Asia continues to pump out incredible movies like this one and that Hollywood will wise up and stop trying to feed me drivel like the Last Samurai.