Karen Sisco

Network: ABC; Genre: Crime/Mystery, Action, Drama; Content Rating: TV-PG (violence and some language); Available: reruns on Sluth; Perspective: Contemporary (star range: 1 -4);

Seasons Reviewed: Complete Series (1 season , 10 episodes)

In 1998, out-of-the-blue, ABC delivered a criminally unseen and wondrously entertaining little (6 episodes) masterpiece called "Maximum Bob". "Bob" was a flawless translation, a free-roaming piece of quirky TV magic, better than just about every Leonard adaptation big or small screen to date. "Karen Sisco" is the network and producers Danny DeVito and Barry Sonnenfeld's 2nd attempt to wrestle an Elmore Leonard novel onto the small screen and the results this time are not nearly as impressive. "Sisco" spins off "Out of Sight" Federal Marshal Karen Sisco (Carla Gugino, "Spin City") as she tracks down parole jumpers in Miami, Florida.

Compared to "Bob", "Sisco" restrains itself into a TV crime/mystery template and for the most part lacks the wild non-linear storytelling and, with the exception of "Dumb Bunnies" (featuring DeVito, Rhea Pearlman, Kevin Dillon, a series of gruff henchmen and a grenade), the quirky hobby pre-occupied characters of a Leonard novel. For such a light, colorful series, "Sisco" remains flat pretty consistently. It is too serious to be quirky and too quirky to be serious, a balance that it never comes to grips with. The mysteries aren't particularly clever, the action routine, the dialog uninspired - although you wouldn't know that just watching Robert Forster who gives a wily performance as Karen's retired father Marshall. Yes, Marshal Marshall Sisco. Credit also goes to Gary Cole and Xander Berkley who guest star in memorable, colorful characters.

Propping up the series is Gugino who lends a casual sexiness – that smartly isn't too played up - to Karen's tough-gal attitude. But the show makes the death-blow mistake of under-writing our lead which makes Karen a pretty dry and uninteresting heroine. The only way the show can think to humanize her is to end each episode with a moment of bonding between her and her "daddy". Forster and Gugino sell the hell out of the chemistry but I can't shake the feeling I'm being manipulated into a happy ending for all the families out there. "Sisco" follows "Alias" as another show with a butt-kicking heroine who needs her in-the-business dad's shoulder to lean on.

Maybe I'm wrong to be so tough on "Karen Sisco". It isn't bad. It just never revs up. It never quite finds itself, and wasn't on the air long enough to reach the quirky crime series nirvana it should have. I expected so much more and was, personally, profoundly disappointed.

* * / 4

I knew I had seen something special. After the hour-long episode 5 (Nostalgia) I knew I had not imagined it. Yes, this was a critics' favourite, and yes, they all gave the same reasons and impressions I'd had. There's no coincidence here.

What is it that gets you to not turn the channel? When you see something intriguing already in the opening titles? Les Paul used to say that an audience will never remember the first song you play - they're busy making up their minds whether they like you or not, and they make up their minds in those first two minutes.

So with Karen Sisco. This is well acted, well directed, and above all well written. More and more it's become apparent to me how vital a good teleplay is: without it the directing and acting will fall apart, lacking a foothold.

I imagine this crew has a lot of fun. Yes, there's violence, and I don't like that, but there's a coziness and a sense of adventure too. And the humour - or should I say wit?

Enjoy.

As others have noted in these comments why is it that studio execs keep putting reality show dreck on? I have never watched survivor, the bachelor or any other "reality" show drivel. Since really those shows are for the average person to have their 15 minutes of fame and since most of them are self centered idiots (at least that is what the commercials show them as) why would a rational, thinking person ever watch it. If you want to watch a reality show watch The Soup and you will get the best parts of it anyway. This show was very well put together and if you had watched the Jennifer Lopez/George Clooney vehicle Out of Sight you would have gotten a little bit of background on her character. This could have been an excellent series. This and Ms Gugino's other series Threshold (way, way better than Invasion even though that has William Fichter)I don't get it. Two series that she has been in and both well done and what do the networks do? Please someone slap them for those of us that would like a little bit of thinking behind out entertainment.

What more could I ask for - not only is this show witty, exciting, and well directed, it also has a remarkably hot woman playing the lead role, pushing Enterprise's T'pol off to the side for the finest lady on network TV.

Every episode is really a gem, however two so far have stood out as really kickass (the second episode, the one with the two brothers who like Leonard Skinnard, and the one about the guy who keeps breaking out of prison to get back with his stripper girlfriend). Even though Elmore Leonard did little more for the series than invent the main character, the unique touches that are present in every Leonard book are present here. I pray to God this show makes it, because it beats the hell out of most everything else on TV today.

This was a very hard to find Carla Gugino show. I could not find this show to stream or release on disc or VHS. I was lucky enough to buy a homemade DVD copy of this show off someone on EBay who recorded it back in 2003 off their TiVo. Spent a pretty $50 for it....later I found that this series is available to view on the "internet archives" (if anyone is wanting to watch this).

After watching the show, I found it a little vanilla and bland. If it wasn't for Carla Gugino I'm not sure I'd watch it the first time. I know I won't watch it a second time. Carla looks great and any fan of hers can appreciate her. But the writing, dialogue and mechanics of police, investigations and Marshalls are unrealistic. For example, police do not make outlines of bodies at crime scenes.

Also, why is her father called "Marshall sisco"? I mean, does he not have a first name or is his name Marshall? If he's no longer a Marshall, why go by Marshall? A bit confusing but the father daughter relationship was cute.

And while I loved Carla gugino, I'm not sure I was a fan of the character Karen Sisco (ignoring that Karen is now a slur, basically). I'm not a fan how the writers always gave her a new boyfriend she was romantic with each episode! Can't we have a female character not being romantically involved with men and being a horn-dog? Kinda lost respect for her and yeah it added filler but yawn.

For a Carla gugino show I recommend leopard skin, threshold, wayward pines, haunting of hill house, etc. This show was not worth $50 and not worth searching for.