Plagued by terrifying visions on the set of her latest film, Jennifer is forced to drop out of the spotlight and check in to a mental institution. After being stranded in the desert followin... Read allPlagued by terrifying visions on the set of her latest film, Jennifer is forced to drop out of the spotlight and check in to a mental institution. After being stranded in the desert following her release, Jennifer seeks shelter with a nomadic band of rebels.Plagued by terrifying visions on the set of her latest film, Jennifer is forced to drop out of the spotlight and check in to a mental institution. After being stranded in the desert following her release, Jennifer seeks shelter with a nomadic band of rebels.
- Awards
- 1 win & 1 nomination total
Heather J. McAdams
- Sabbath Jones
- (as Heather Justine Thomas)
Featured reviews
An excellent re-work of Seventies film clichés - or really a Seventies film, how the prologue will suggest? It's pure fun to point out during watching this very charming genre bastard, which contains several elements of 70ies road movies, hippie movies, horror movies, drug movies and a little bit Russ Meyer touch. And also a bit of David Lynch-like atmosphere. Okay: Lynch is not very typical for the 70ies, but anyway. The acting is great (especially the director himself as crippled hippie leader), also the dialogues and the cinematography. And there is also a lot of strange humour and irony in this generally strange, funny and likable independent movie.
I love watching films from the 70s because of the weak film quality and basic soundtracks. This film filled those requirements. There have been a handful of "not good" movies I've watched to the end strictly because of the cinematography. This is one of those. It's not because the cinematography was great, but it captured the 70s style of filming enough that I went back to see what year it was made which is why I gave it a "5" instead of a lower rating.
The story was very Charles Manson-esque in its deliver. The acting was weak, but it didn't really matter because the story was the same. I did like the filming locations a lot in this film though. The locations along with the filming style gave it a "feel".
I'm not disappointed that I watched it, but I wouldn't watch it again or even recommend it to a friend.
The story was very Charles Manson-esque in its deliver. The acting was weak, but it didn't really matter because the story was the same. I did like the filming locations a lot in this film though. The locations along with the filming style gave it a "feel".
I'm not disappointed that I watched it, but I wouldn't watch it again or even recommend it to a friend.
The problem with this movie is after the beginning which was fun, it starts to try to tell some story. That part of it is a fail. The 70's feeling is lost on the horrible script and story, altho the quality of the acting seems pretty right for the time. 2/10.
This movie is bland.
It has neither gore, nor sex, nor scares, nor comedy or suspense. Nothing at all. Just one "hand-grabs-shoulder" type of cheesy stuff.
And contrary to claims by other viewers, it doesn't even remotely approach classics like Evil Dead, TCM, Dawn of the Dead and so on.
The story is laughable.
About 1/2 way through, the movie abruptly shifts gears and focuses on the "house".
And where did the movie title come from?
Not recommended -- go watch Fulci instead.
It has neither gore, nor sex, nor scares, nor comedy or suspense. Nothing at all. Just one "hand-grabs-shoulder" type of cheesy stuff.
And contrary to claims by other viewers, it doesn't even remotely approach classics like Evil Dead, TCM, Dawn of the Dead and so on.
The story is laughable.
About 1/2 way through, the movie abruptly shifts gears and focuses on the "house".
And where did the movie title come from?
Not recommended -- go watch Fulci instead.
This is not a horrible movie. It has a few moments. But there are many obvious giveaways that make it clear that it was not made in 1972. Things like hairstyles, clothing, the use of a steadicam and other modern digital editing techniques totally spoil the potential illusion. I don't know how anyone can say that it is convincing in this respect. Unless they have not watched a lot of films from 1972. The music is probably the most convincing part. I also think they make the mistake of playing for laughs at times (and not getting them) when they should have just played it straight. It could have been funnier that way. Just watch SCTV for examples of how that can work. But, in fact, I would have preferred it if they were not going for laughs at all. If they had instead chosen to just make a good solid horror film in the style of movies from 1972. And just an odd side note: Texas Chainsaw Massacre came out in 1974. I'm not sure how to interpret homage to/parody of a movie which is embedded in a movie that's supposed to be made two years earlier.
Did you know
- TriviaThe film opens with a statement that writer/director/actor Vin Crease made the movie in 1972, but refused to allow it to be seen and killed an executive producer over this issue. The statement goes on to state that this film was finally being released 30 years later. While the film has the look of a 70s film, some of the actors were born after the alleged 1972 filming dates and their careers didn't start until the 1990s or later. So the whole opening statement appears to be a fiction.
Details
Box office
- Budget
- $400,000 (estimated)
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.85 : 1
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