Zhou Yu de huo che

ZHOU YU'S TRAIN is the type of film that may require repeat viewing in order for the casual viewer to take in all the thia story has to offer: if you blink -- much like the effect of the quickly passing scenery out the window of any train -- you might miss a plot line, a character moment, or a perspective that would better be explored, as the climax to this evenly and perhaps-too-leisurely-paced romance shows.

Zhou Yu (the lovely Gong Li) plays a young painter who falls in love with a shy poet, Chen Ching (played by Tony Leung Ka-Fai). Twice a week, Zhou Yu rides the train to be with him. On the train, however, a humorous veterinarian (played Sun Honglei) sees, approaches, and flirts with her. While she initially resists his desire, she eventually gives in to an indescribable curiosity which forces all of them to examine their various roles in one another's lives.

While one could hardly argue with the notion that there are parts of TRAIN that appear uneven and, at least, forced, the film still manages to deliver a perspective worth a single view: who does Zhou Yu love and why? Torn between these two men for wildly conflicting reasons, she can't make sense of her dilemma. Instead of running from one of them, she inevitably chooses aspects of both for her affection, but this choice only forces her further and further into confusion.

As a result, TRAIN explores more than one budding relationship, making the film as uneven as it is unpredictable. In fact, one could make the argument that what truly is transpiring here cannot be fully understood and appreciated until the film's final few moments .. but even then the viewer is left with many unanswered questions. Is that the message of the film, that life brings more questions than answers? Or is it merely a comment on how Zhou Yu chose to live her life? Or is it something even more?

Regardless, what is clear is Zhou's desire to seek the answers to questions of the various loves in her life (two men, friendship, art, etc.), and the narrative clearly appears to be a device through which an exploration of the female mind and heart is undertaken. Whether you reach a destination is left entirely up to the viewer.

Of course, the best scenery is Gong Li. She plays even utter confusion with beautiful conviction. If you're a fan of her work, then TRAIN is definitely for you.

Quite simply one of the best films ever made! Every element combines to produce a multi-layered masterpiece that revolves around the central tour-de-force that is Gong Li. This has to be her best film yet and she is wholly served by her fellow actors and production crew. Director Sun Zhou is a master of light with every scene's mood enhanced by his total control of the medium. One would like to have seen this film win multiple awards but the limited number of screens available to 'difficult' films like this make it nearly impossible to attain the recognition it deserves. Equally, Gong Li - the world's most beautiful and accomplished film actress - remains unknown to the unhappy teenagers who have only a diet of dross on which to feed their heads.

Li Gong is just about the best thing ever to come out of China. No matter how many films I have seen featuring her, I am always impressed.

This is a difficult film to watch. You are never quite sure who you are watching. Li Gong is in a relationship with a poet (Tony Leung Ka Fai) and the practical vet (Honglei Sun). She travels by train between them.

But, are we watching events in real time or narrated? It seems that what we are seeing is in the past. That the poet, Chen Qing, has a current relationship, and only has Zhou Yu in his heart.

If this were an American film, then I believe it would probably be relegated to Lifetime, but with Li Gong, we have more than romance; we have poetry.

In comparison to most other Chinese movies, the title of this movie has very significant symbolic meaning, symbolizing the point of no return. It also has an poetic meaning, which neatly related to the plot of the movie which include a poet. This is one of most obvious achievement of this movie, which also makes it a little different from the rest of Chinese movies.

The social critic aspect of the movie is rather something ordinary, a theme that is common in most social critic films in contemporary China, and it is none other than the criticism of hedonism, materialism, and other common stuff you would find in Chinese movies about modern China.

This motion picture defines the word "artsy". A film about a young and pretty porcelain painter who falls in love with a shy and melancholic poet (played by Sun Honleig), it aims to be a poetic work, but what you get is lots of ralenti shots to the point of saturation, piano and strings music, pretty landscapes enshrouded in fog, trains entering and exiting tunnels and Gong Li... In the past Miss Gong inspired true poetic films, as those directed by Zhang Yimou, but this movie is not one. Tony Leung plays another suitor, a sympathetic veterinarian with a welcome sense of humor, too materialistic to understand romantic love and literary inspiration, and wise to keep a distance, but not enough to balance this melodrama, with too much emphasis on sad love. I love trains, but this trip is on the boring side.