La Cité interdite

Chinese filmmakers have a double curse. They have this tradition where individuals only matter in context, so when there is a spat between a man and his wife, it can only be illustrated in large sweeps of society. This is compounded by the ability to marshal (real, human) extras and extravagant sets on a scale unmatchable anywhere else.

I liked this filmmaker's earlier projects. "To Live" really was able to show the inside of a man by mapping it to lurches and sweeps in the world around him. "Daggers" was at least a masterpiece of ballet. And "Hero," probably my favorite, was the most cinematic, expressing real human qualities in luxurious cinematic terms. Who can forget the spatial existence of discovered deceit in the flickering flames in front of the throne?

This is a wholly different formula in how the internals of a family sweep into the environment. The setup is an extraordinary web of relationships between two families. Some commentors think this is drawn from soap opera, but I think they have a common ancestor instead. This is Greek, and though on daytime TeeVee you will get similar relationship complexities, they will have their tethers to the cosmos broken. They will be single souls adrift in the world.

These are souls that command the world, apparently. It could have worked.

Why it didn't I think is because the filmmaker decided to root himself in the magisterial. It probably was influenced by the fact that he is a former lover of the female star and there are some reflections between that situation and what we see. Its "Annie Hall" with flying ninjas instead of lobsters. Breasts instead of the swirling of engagement. Narrative mistrust where Woody had open exploration and experimentation. Diane and Woody were in a place, a city that colored them. These characters here ARE the city.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

I just got back from watching the 8.30 pm show at Vivo City Gold Class and I must say I was pleasantly surprised at how enjoyable the movie was.

I guess it could have been the bad press with the movie but I was really very impressed with Gong Li and Chow Yun Fat. They are true virtuosos, masters of their fields. Very impressed with the both of them.

Even that Jay Chou wasn't that bad although, although to be honest, he is just too green and inexperienced. He was miscast as the 2nd Prince because of his lack of good looks, but I can see that he tried his best.

But Gong Li, who acted opposite Jay as his mother was superb. Her convulsions (because of a long time illness no spoilers) were realistic.

Her varied range of emotions were a joy to watch. I didn't feel she was acting; you don't see the wheels moving. Chow Yun Fat's Mandarin wasn't that bad too. Not at all. He exudes the strength and power of the ruthless Emperor.

The only person whom I thought over acted was the actor, Ye Liu, who played the Crown Prince. I was not used to his acting. Now with him, you could see him acting.

The action scenes were not a lot since this is more of a political intrigue film BUT the two major action scenes were very impressive.

One happened at a small villa amidst the mountains.

The other is the one at the end which occurred at the Imperial Palace.

The only gripe I have with this film is the set decoration. It is quite garish.

The colors on the pillar walls were like these tie dye t-shirts which Rupert of Survivor wore. Really odd.

The costumes were not too bad. Even with my Chinese background, it was all alien to me.

I am not sure it's authentic but I will give the costumers the benefit of the doubt. They must have done they research to stand by the deep cleavage of the actresses.

Now I know where all the money went to. Though the set decoration can be a bit rainbow-brite for me, it certainly was opulent.

Go watch this film. It is a must see.

Me and my girlfriend watched this in Guangzhou, China. It isn't exactly a feel-good movie..

It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.

And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.

That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.

10th Century , during China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest . On the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor (Chow Yun Fat) returns unexpectedly with his second son, Prince Jai (Jay Chou). His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress (Gong Li), this seems disingenuous . The control of emperor over his dominion is complete, including the royal family itself . For many years, the Empress and Crown Prince Wan (Liu Ye), her stepson, have had an illicit liaison and unspeakable secrets are hidden within the Forbidden City. Feeling trapped, Prince Wan dreams of escaping the palace with his secret love Chan (Li Man), the Imperial Doctor's daughter. Meanwhile, Prince Jai, the faithful son, grows worried over the Empress's health and her obsession with golden chrysanthemums. The Emperor harbors equally clandestine plans; the Imperial Doctor (Ni Dahong) is the only one privy to his machinations. When the Emperor senses a looming threat, the emperor relocates the medic's family from the Palace to a remote area . While they are en route, mysterious assassins attack them. Chan and her mother, Jiang Shi (Chen Jin) are forced back to the palace. At the night, thousands of soldiers are trampled as blood spills across the Imperial Palace in a spectacular final battle .

This luxurious epic film was marvelously filmed with impressive production design , colorful cinematography and breathtaking scenes . The picture is full of tumultuous sequences with dark surprises , thrills , fierce combats and groundbreaking battles . Amid the glamour and grandeur of the scenarios is developed a familiar intrigue in Shakespeare's King Lear style , including betrayal , incest , crime and exploring the dark side of Chinese empire . Impressive and rousing fights with thousands of golden armored warriors reenacted by lots of extras . Overwhelming attack on the fortress where is relocated the doctor's family , being subsequently copied in ¨Kung Fu Panda¨ . Wonderfully photographed especially when against a moonlit night, thousands of chrysanthemum blossoms are trampled as blood spills across the Imperial Palace. The motion picture was glamorously directed by Yimou Zhang who often works with the actress Li Gong and as well as most of his films , it begins with the title displayed in Chinese calligraphy style. Zhang forms part of China's Fifth Generation of filmmakers, who began making films after the Cultural Revolution , others from this group include Chen Kaige and Jinzhan Zhang . He is an expert on Chinese epics such as ¨Shanghai Triad¨ , ¨Hero¨ ,¨House of Flying Daggers¨ , ¨The flowers of war¨ and of course the Oscarized and successful ¨Crouching Tiger Hidden Dragon¨ . Rating : Better than average . Worthwhile watching .

I had the pleasure of seeing this film with special personal appearances by Zhang Yimou and Gong Li... I have to say I was blown away by it! I was not expecting a story with such depth...The cinematography, the art direction, and the sheer enormity of the visuals were staggering. Great sword work... exquisite wire sequences... and HUGE battles - but all done with an intensity that's stunning. And even more, the acting was superb - Chow Yung Fat is a master, and his scenes together with Gong Li are beautifully emotional. Gong Li is more beautiful than ever in a role that demands huge range from the first scene and never lets up... She does her best work ever! I have nothing but praise for this film. I can't wait to see it again.