Amarelo Manga

In a poor neighborhood in Recife, the lives of exotic and bizarre characters entwine in a bar and in a very low-budget hotel. The queer Dunga (Matheus Nachtergaele) works in the hotel and has a crush on the butcher Wellington (Chico Diaz) that is married with the religious Kika (Dira Paes) and has an affair with his mistress Dayse (Magdale Alves). The sick necrophiliac Isaac (Jonas Bloch) owns a yellow Mercedes Benz and wants to have sex with Lígia (Leona Cavalli) that owns of Bar Avenida.

"Amarelo Manga" is practically the debut of director Cláudio Assis, at least this movie made him famous in Brazil, but actually is a boring exploitation of sex and low level situations. The nudity and sex scenes are absolutely unnecessary and have only the intention of shocking the audiences and most of them are free, like for example, the scenes of the asthmatic fat woman in the hotel; of the sex scene between Kika and Isaac with the hair brush; or Lígia taking her clothes off after closing her bar. I do not like this Brazilian director but many professional critics love him. The cast has great performances but the story is terrible. My vote is five.

Title (Brazil): "Amarelo Manga" ("Mango Yellow")

If you are looking for a mellow, soft, blockbuster movie, certainly amarelo Manga is not the one. No one is assassinated in this movie, but there are really strong scenes. This does not mean that the movie is only for the strong hearted. NOT! Amarelo Manga shows how life can be yellow, not golden beautiful yellow, but mango rotten one. The plotline happens in the outskirts of Recife, capital of Pernambuco, one of the biggest cities in the Northeast, and one of the poorest region of Brazil. Five people connected in stories of love, betrayal, work, and desire. Each one with his own problems and crazyness, something that is not for from our daily reality. Even though 80% of the directing, acting, photography is amazing, the other 20% of extremely bad moments can put some people off. But, movies lovers will like this different style, something that cannot be found not only in Hollywood mainstream movies (all exactly the same), but also is not found in Woody Allen, Kiarostami, Almodovar, Rohmer, Dardeene, etc. movies. And this is why worth a lot seeing this movie: is something that is different from what you have already seen before. The whole experience is new and worthwhile, in the last 5 minutes of the movie one will have an excellent surprise, with one of the best editing and directing in Brazil film history. This movie is receiving excellent reviews from critics, and I hope it gets to theathers around the world, to open more the doors of brazilian cinema to everybody who wants to experience it.

I do not recommend this film and as another reviewer has stated, it is not a good representation of the country or even the city of Recife, Brazil. It is needlessly depressing. If you can take the movie as a criticism of life itself, it could have more meaning. The stereotypes and innuendos depicted about Brazilian life are not characteristic of the subject. The spiritual journey of the main character is depicted as a positive one, but it suggests that the only escape available for her is to have a solitary life.

To comment on the moribund nature of society? If that's what you're into then watch the evening news and save two hours of your life. It is rare that I watch a movie and feel that it fails to portray any kind of worthwhile social commentary--especially when the movie, from the beginning, seems determined to try to do so. Amarelo Manga becomes an unintentional parody of sweeping social commentary and fades, instead, into fascination with the sexually deviant. I give it three stars because Matheus Nachtergaele gives a memorable performance as a gay hotel tramp who is always trying to involve himself in others' affairs (and get them involved in his). His performance notwithstanding, this movie is not worth the time.

This was a thoroughly disgusting and pointless film and I am not sure how folks could watch and praise it. The movie is filled with disgusting and wretchedness. Were these sentiments strong enough to hopefully keep you from seeing this film---I sure hope so! My thorough disgust for the film isn't because it shows the lowest elements of Brazilian society-- after all, I was quick to praise films like CITY OF GOD and CENTRAL STATION--and these films were violent and scary. However, their portrayals of the violence and cheapness of life in the lowest social strata were meant to be eye-opening and document the horrors--not provide a voyeuristic chamber of horrors meant only to turn our stomachs. I won't even begin to describe all the viscerally vile images from MANGO YELLOW--partly because they make me ill just thinking about it and partly because I could only take the movie to a certain point, then I made myself get up and turn it off! It truly seems to try to alienate much of its audience.

If you want a similar experience, go to a slaughterhouse (it's already in the film) or stare at feces (it's also in the film and is apparently eaten by one of the scum in the film). Yuck.