IMDb RATING
7.2/10
5.8K
YOUR RATING
A Lower East Side teen-ager struggles to find some sanity while surrounded by an eccentric grandmother, a crazy new girlfriend, and a longing younger brother.A Lower East Side teen-ager struggles to find some sanity while surrounded by an eccentric grandmother, a crazy new girlfriend, and a longing younger brother.A Lower East Side teen-ager struggles to find some sanity while surrounded by an eccentric grandmother, a crazy new girlfriend, and a longing younger brother.
- Awards
- 4 wins & 14 nominations total
Jeff Knite
- Pool Boy #4
- (as Jeff Asencio)
Featured reviews
True fans of film will love this authentic movie.
I disagree with the trolls who are rating this movie a one-star and calling it unrealistic. While I don't have the background or come from the environment of the protagonists, I've spent many years working in lower income and working class neighborhoods and feel the acting was very real and representative of how teenagers behave. I don't know what the basis is for others' comments that the film is "unrealistic". The dialog is great.
The low budget production value didn't bother me a bit. I felt that the natural lighting enhanced the character of the film. The focus was entirely on the story line and character development and not glitzy Hollywood propping or melodrama.
I completely bought into the character's motivations and reactions. The acting was believable and impressive for new and non-actors.
If your idea of good film is Transformers or Fast & Furious, then skip it. If you enjoy good character driven dramas, then see it.
(Regarding the negative commenters being "trolls": click on their names and you will see most have no other reviews or only negative reviews.)
I disagree with the trolls who are rating this movie a one-star and calling it unrealistic. While I don't have the background or come from the environment of the protagonists, I've spent many years working in lower income and working class neighborhoods and feel the acting was very real and representative of how teenagers behave. I don't know what the basis is for others' comments that the film is "unrealistic". The dialog is great.
The low budget production value didn't bother me a bit. I felt that the natural lighting enhanced the character of the film. The focus was entirely on the story line and character development and not glitzy Hollywood propping or melodrama.
I completely bought into the character's motivations and reactions. The acting was believable and impressive for new and non-actors.
If your idea of good film is Transformers or Fast & Furious, then skip it. If you enjoy good character driven dramas, then see it.
(Regarding the negative commenters being "trolls": click on their names and you will see most have no other reviews or only negative reviews.)
An inner city neighborhood trial and tribulations put to film of a poor Latino family in New York would seem to be nothing more than a setup for hard ship and perhaps gang violence. However, the beauty of a film like Raising Victor Vargas is it can stick with a simple story of a young mans attempt at coming of age while sidestepping the usual affairs that such an environment is not conducive or even believable to a childhood romance.
We first meet Victor in the room of some young girls apartment. It soon becomes apparent that Victor's reasoning for being in this room is to loose his virginity simply for the fact that when he brags to his friends that he's not a virgin he can finally be telling the truth for once. As a 16 year old this important in the macho culture that pre-dominates around his neighborhood.
It soon comes apparent though, that Victor won't have sex with this young girl, and more importantly Victor discovers a poolside young beauty named Judy that he would like to charm. However, it's up to Victor to prove himself capable of being a decent man as Judy has to endure constant harassment and has given up on the idea of men in general.
Some other relationships develop between some of the other younger kids around the neighborhood and they all feel distinctly genuine. But it's Victor's ability to try to learn how to treat people right while respecting his Dominican grandmother that become the center and highlight of the film. Victor (played by Victor Rasuk) embodies a youthful charm in this film that is so natural and can't be faked. The grandmother (played by Altagracia Guzman) is amazing as the old fashioned family protectorate who has to keep everyone in line. Your heart just aches for this old woman who sees in Victor perhaps her own previous husband and fears only the worst.
Peter Sollet has really worked a gem of a film showing these kids as without much but truly blessed with the gift of caring and that's what makes the film so unique. There's even a great scene where the grandma takes Victor to social services simply to say I have had enough of him, he's trouble, he's a bad influence' and that she just can't take it anymore with his antics. In the end the social worker just tells her to go home and stop complaining. Any other film would instead make it an overdramatic tug of war.
Without spoiling anything, the courting of Judy ends in a way that for the most part works in the context that Victor and the other characters inhabit. It's a wonderful tale of youthful love in a setting that probably happens more often than you think.
Rating 8 out of 10
We first meet Victor in the room of some young girls apartment. It soon becomes apparent that Victor's reasoning for being in this room is to loose his virginity simply for the fact that when he brags to his friends that he's not a virgin he can finally be telling the truth for once. As a 16 year old this important in the macho culture that pre-dominates around his neighborhood.
It soon comes apparent though, that Victor won't have sex with this young girl, and more importantly Victor discovers a poolside young beauty named Judy that he would like to charm. However, it's up to Victor to prove himself capable of being a decent man as Judy has to endure constant harassment and has given up on the idea of men in general.
Some other relationships develop between some of the other younger kids around the neighborhood and they all feel distinctly genuine. But it's Victor's ability to try to learn how to treat people right while respecting his Dominican grandmother that become the center and highlight of the film. Victor (played by Victor Rasuk) embodies a youthful charm in this film that is so natural and can't be faked. The grandmother (played by Altagracia Guzman) is amazing as the old fashioned family protectorate who has to keep everyone in line. Your heart just aches for this old woman who sees in Victor perhaps her own previous husband and fears only the worst.
Peter Sollet has really worked a gem of a film showing these kids as without much but truly blessed with the gift of caring and that's what makes the film so unique. There's even a great scene where the grandma takes Victor to social services simply to say I have had enough of him, he's trouble, he's a bad influence' and that she just can't take it anymore with his antics. In the end the social worker just tells her to go home and stop complaining. Any other film would instead make it an overdramatic tug of war.
Without spoiling anything, the courting of Judy ends in a way that for the most part works in the context that Victor and the other characters inhabit. It's a wonderful tale of youthful love in a setting that probably happens more often than you think.
Rating 8 out of 10
If I had known this movie was about teen sex I never would have gone. Fortunately, I didn't, because I would have missed a rather remarkable film at Sundance. Raising Victor Vargas is about a non-traditional Hispanic family in New York's lower east side. Victor Vargas is a hormonally charged teenager with one thing on his mind. (If we believe the film, every young male in Spanish Harlem is preoccupied with similar thoughts.)
Then Victor meets Judy. Unable to make a sexual conquest, the relationship develops into something more meaningful for both of them. It is this process of discovery which is so encouraging and uplifting, as Victor learns, with the help of a firm and loving (if sometimes misguided) grandmother, a deeper set of values-genuine caring, friendship and family. As his façade of cultural expectations wears off, the vulnerable but inherently well-meaning Victor emerges with a more mature outlook, strengthened principles and firmer moral grounding. You might argue that the transition is a bit forced and happens too suddenly. Nevertheless, it is cause for celebration.
This is not to say that the movie is a propaganda piece for pre-marital abstinence. There is enough promiscuity to make parents think twice about letting their teens see the film. But the over-riding theme of the movie builds the case that the sexual preoccupation of youth is selfish and immature.
Director Peter Sollett employed inexperienced actors with an improvisational style, and managed to elicit extraordinarily real and believable performances from Victor Rasuk (Victor) and Judy Marte (Judy). By focussing intently on the individual, and encouraging freedom of expression, Sollett is able to capture truth on film, without too much embellishment. He takes us to a world where we expect to find despair, and leaves us with hope and faith in the spirit of youth.
Then Victor meets Judy. Unable to make a sexual conquest, the relationship develops into something more meaningful for both of them. It is this process of discovery which is so encouraging and uplifting, as Victor learns, with the help of a firm and loving (if sometimes misguided) grandmother, a deeper set of values-genuine caring, friendship and family. As his façade of cultural expectations wears off, the vulnerable but inherently well-meaning Victor emerges with a more mature outlook, strengthened principles and firmer moral grounding. You might argue that the transition is a bit forced and happens too suddenly. Nevertheless, it is cause for celebration.
This is not to say that the movie is a propaganda piece for pre-marital abstinence. There is enough promiscuity to make parents think twice about letting their teens see the film. But the over-riding theme of the movie builds the case that the sexual preoccupation of youth is selfish and immature.
Director Peter Sollett employed inexperienced actors with an improvisational style, and managed to elicit extraordinarily real and believable performances from Victor Rasuk (Victor) and Judy Marte (Judy). By focussing intently on the individual, and encouraging freedom of expression, Sollett is able to capture truth on film, without too much embellishment. He takes us to a world where we expect to find despair, and leaves us with hope and faith in the spirit of youth.
Why anyone would rate this unfavorably is beyond me? Loved this movie. All the talk about ethnicity I think was out of place. To me it was more a story of a grandmother trying to raise kids going into puberty yet still holding fast to her values, though she learns eventually to be flexible. And for those too crass or wounded to remember what innocence was like and coming to terms with trying to mature as a teenager, maybe they should watch this film till the'penny drops'and they 'get it!' Superb film, especially from a filmmaker just starting out.
Judy Marte was extraordinary. Her eyes captivate and her face gives off this air of mystery. I found myself wanting to delve more into the character she was portraying by her acting. I hope more good roles come her way to showcase her talent. The entire cast were enjoyable.
Judy Marte was extraordinary. Her eyes captivate and her face gives off this air of mystery. I found myself wanting to delve more into the character she was portraying by her acting. I hope more good roles come her way to showcase her talent. The entire cast were enjoyable.
i like it a lot.i like it more because i am latin and its not many latin show out there. But the real reason why i like it because it was a great movie and it was well written. Also because it show how most people live in ny and what happens in family, how older people try to raise young kids, how young kids co-with trying to have a relationship and the part how the brother is teaching his sister and his brother about what happens while you growing up to your body and about sex. You dont see that in any movie or tv show.But what i would like if the writer will turn that into a tv show like the soprano or sex in the city something like that i know i watch everytime and i know a lot of people will watch it, it be a hit on tv. It would be a hit because the cast,that cast was great and they're latin. So if you can do the latin people a favor and make it a tv show and with those same people and that kinda writing. thanx
Did you know
- TriviaDirector Peter Sollett drew most of his cast from the housing projects of South East Manhattan by advertising on flyers. As most of his final cast were non-professional, he encouraged them to improvise.
- ConnectionsFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- SoundtracksCasado y Cansado (No Puedo Mas)
Written by Coati Mundi (as Coati Mundi Hernandez)
Produced by Coati Mundi
Performed by ManicPhonic Meltdown
- How long is Raising Victor Vargas?Powered by Alexa
Details
Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $2,078,661
- Opening weekend US & Canada
- $33,166
- Mar 30, 2003
- Gross worldwide
- $2,816,116
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