Head Over Heels

This movie is a nice lil' gem, and notable for future lumanaries such as Animal House's Peter Reigert, Griffin Dunne (treemendous in After Hours) and John Heard (late of the Sopranos). But, the real steal in the film is Ms. Violet Bick herself, Jimmy Stewart's guilty pleasure in It's a Wonderful Life: Gloria Grahame.

more aptly describes this gem of a movie. Not on cable as much as lesser films, unfortunately.

John Heard is excellent as the unrequited lover, pursuing Laura, a woman in a mediocre marriage, on-again off-again.

What is nice about this film is it sort of imitates life: things happen for no reason, odd characters (Gloria Grahame as mom is very good) People with their own quirks and problems. This was filmed in Salt Lake City Utah, and gives us a nice backdrop of emotion, estranged relationships, hopes for the future.

Peter Riegert (amusing as the unemployed jacket salesman with a physics background). John Heard is quirky and sympathetic at his office job, where he pours a cup of vodka for himself, trying to figure out how to win Laura back. Mary Beth Hurt is also believable, as a confused woman on the fence about her marriage to an A-frame salesman named "Ox".

Joan Micklin Silver is to be commended for her direction in this film. Oddly, I also reviewed an LMN movie she directed, "Hunger Point" with Barbara Hershey. I enjoyed that film. The director seemed to add touches of humanity into that film as well. "Chilly Scenes of Winter" is not to be missed, a nice human film which anyone who has wondered why they can't just have a "normal life", will relate to and enjoy. 9/10.

I am a huge movie fan, and usually am a huge fan of John Heard, but this movie was one of the most depressing I've ever seen. Heard plays a semi-psychotic stalker type character that is extremely unnerving. They need to lock this up and throw away the key. I still think John Heard did a wonderful job of capturing the insanity and depression of the main character though.

I have always loved this film, ever since I first saw it in its re-release as "CSOW" in 1982. I have never seen the "Head Over Heels" version, thankfully. What really hit me then was the parallel to an obsessive love affair I had just experienced. I was dumped by a woman I met at work, and it was several months before I got over it. I had an unfulfilling, drab office job, and an unemployed roommate sharing a house with me.

As a film, what makes this so special is its lack of pretense. The characters are as flawed as they are lovable. The relationship between Charles and his mother is as unsettling as it is comical. Even though Charles is a self-obsessed jerk, his simple devotion to the one wonderful, transcendent thing in his life - the love he and Laura shared - is endearing. He is not so much a stalker as someone who simply cannot bear the thought of returning to the uneventful, empty life he knew before Laura.

I am a little unclear about what moves the female protagonist to act as she does, but since a woman wrote the novel and another woman wrote the screen play and directed the film, who am I to quarrel with that? The male protagonist is older than I was when I suffered the way he does. I sympathize with his pain, and the movie makers are right about the common response to it - trivial violence, rather than the tragedy of commonplace film.

I think it is a very good film. My only reservation is that an excessive amount of it occurs in the man's car, but I guess that's life in Salt Lake City.