Blue Crush

Critic Ebert has a very complete and accurate review, and I will not repeat any of it here. I bought "Blue Crush" as a used rental DVD, real cheap, and it is a perfect disk. The basic story has been told many times, but it is done here better than many. However, there is one thing that moves it from the "ordinary" to "outstanding - the cimematography and the sound.

After most of the first hour of the film sets up the characters and the situations, we are treated to surfing the Hawaii "pipeline" by surfers. One DVD extra shows how they do "face replacement" so that the pro surfer appears to be star Kate Bosworth. With many cameras in the waves, and sometimes under them, we get a unique perspective of being on top of a giant wave, or being inside the wave as it is breaking. All the while a very aggressive sound mix makes you feel like you are there also. This is definitely a good DVD to have for demonstrating the quality of your digital 5.1 surround sound system with good powered subwoofer.

I suspect anyone who saw "Blue Crush" at home, on VHS or DVD, with sound fed into the TV speakers has seen a different movie. That's because the sound track plays such a key role. This isn't a great movie, but a very good one. I believe its most realistic IMDb rating is somewhere around "7" or "8".

I don't understandn the reviews people are giving that sound like they expected so much more from this movie. Pretention, I'm guessing. The cast was great. Plenty of laughs. Stunning shots in and out of the water and a happy ending. It certainly isn't the most profound movie, but I'm pretty sure they werent going for that anyways. I like it for a feel good movie. I've watched at least ten times and I still enjoy it for what it is. If i want a riveting storyline I'll watch something other than a surfing movie, duh.

The best we should reasonably expect from a movie like `Blue Crush' is that we will be treated to some stunning footage of surfers riding the world's greatest waves (along Hawaii's Pipeline, natch) to personal fame and glory. We certainly get that in abundance - but what we have less right to expect, perhaps, is that the film will offer anything else of any real quality. After all, we've been to these kinds of movies before, harking all the way back to those halcyon Bleach Blanket Bingo days when Gidget, Moondoggie and the rest of those addle-brained, teeny-bopper cut-ups aspired to nothing higher than a life of eternal youth spent wallowing in the bleach-white sands of Santa Monica or Malibu. In the case of `Blue Crush,' therefore, I am happy to report that the screenplay - by Lizzy Weiss (based on a magazine article by Susan Orlean) -provides just enough touches of realism to keep this new film both life-sized and interesting. And the majority of the credit goes to the film's protagonist, Anne Marie Chadwick who, much to our surprise, engages our sympathies from first moment to last.

Anne Marie is no bubble-headed, bleached-blond bimbo with nothing on her mind but winning the big Pipeline competition. Although that is, indeed, part of her life's plan, Anne Marie is, also, an intelligent, pragmatic young woman, fully aware of both her strengths and weaknesses and just trying the best she knows how to make her life work for her, the young sister in her charge and the two surf buddy girlfriends she lives and works with. Anne Marie is also riddled with insecurities, as she struggles to overcome the fear instilled in her by a near-fatal accident in that very same spot a few years earlier. Meanwhile, she and her pals work hard trying to eke out a living as maids at a posh hotel, earning just enough money to keep a roof over their heads and pay some of their bills so they will be free to head to the coast at the first sign of prime `Surf's Up' conditions.

The acting in the film is really quite impressive. As Anne Marie, Kate Bosworth lights up the screen with her subtly nuanced, poised and dignified performance. She knows how to use understated facial expressions to convey the thoughts and feelings of the character she is portraying. Equally compelling are Michelle Rodriguez and Sanoe Lake as her fun-loving buddies, Mika Boorem as her little sister, and Matthew Davis as the professional football quarterback who becomes her love interest. Director John Stockwell, to his credit, manages to keep the majority of the scenes intimate in tone and realistic in nature, rarely allowing the narrative to wander into overwrought melodrama or teen-movie farce. Even the obligatory fight scene is kept restrained and believable.

There are occasional weaknesses in the film – a gaggle of snooty football wives and groupies who snub Anne Marie for being too lower class for their tastes are the primary offenders – but, on the whole, `Blue Crush' turns out to be a much better film than its subject matter would ever lead us to expect. That comes as a particularly pleasant and un-looked-for surprise here in the shank of the summer movie going season.

Pretty enjoyable story about beautiful women do extreme surfing to prepare for a competition and one of them (Kate Bosworth) falling in love with a football player. I love that John Stockwell directed this and a few years later directs Into the Blue which is also based around water with a different story I absolutely love that movie! Unfortunate how Blue Crush has a 5.7 it deserves better even a little.

BLUE CRUSH (2002) **1/2 Kate Bosworth, Michelle Rodriguez, Matthew Davis, Sanoe Lake, Mika Boorem, Faizon Love. Better than anticipated surfer flick with the twist on the genre by focusing on a Hawaiian based determined young female athlete (Bosworth) attempting a requiem two years after a near fatal accident while competing is buoyed by her family of friends and a vacationing quarterback (Davis) factoring as an unexpected blossoming romance. The connect-the-dots plotline of social graces hinder the otherwise excellently lensed moments of visceral, adrenalized thrills in shooting a curl with massive walls of water in all its colorful fury by cinematographer David Hennings while director John Stockwell (who co-wrote the screenplay with Lizzy Weiss' adaptation of Susan Orlean's magazine article) balances the melodrama affectively with the totally awesome hydrodynamiques on display. One gripe: would it have killed the filmmakers to show some more of the paradise playland for a travelogue begging to be showcased?