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6.5/10
1.1K
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A recently-released prisoner and a troubled young boy share a pen-pal relationship, both connected by their past.A recently-released prisoner and a troubled young boy share a pen-pal relationship, both connected by their past.A recently-released prisoner and a troubled young boy share a pen-pal relationship, both connected by their past.
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I try not to have great hopes for movies, however I was pleasantly surprised.
I was afraid that it was going to dark, but instead it offers a very strong main character. Not like a action bondy type, but a rare inquisitive thoughtful man. There are some dark elements to it where people are just cruel.
The story time line is not linear, and I was impressed at how well the whole thing ended. Its not really a feel- good type, definitely was a cure for the common movie. While not being perfect, I really enjoyed it.
I was afraid that it was going to dark, but instead it offers a very strong main character. Not like a action bondy type, but a rare inquisitive thoughtful man. There are some dark elements to it where people are just cruel.
The story time line is not linear, and I was impressed at how well the whole thing ended. Its not really a feel- good type, definitely was a cure for the common movie. While not being perfect, I really enjoyed it.
Joseph Fiennes is a fine actor, and the consistency of his performance is very much the centrepiece of this movie. There are elements of the script which don't seem as coherent, but I could gloss over these because of his consistency.
I like the look of the movie, and the direction costumes and sets complemented each other well, and this was maintained in recounting present day and 'flashback' experiences.
There are comparisons to other films which could be made, especially to Blue Velvet. Indeed Dennis Hopper could have made the two films without changing stride. And Fiennes' character is similar to that played by his brother Ralph in Cronenberg's masterpiece Spider, without the same degree of madness.
I picked up fairly early on the way the plot would head, and I was right. The late novelist Kurt Vonnegut used to often tell the reader how the book would end in the first chapters, and yet the books were compelling. I found this equally so.
I like the look of the movie, and the direction costumes and sets complemented each other well, and this was maintained in recounting present day and 'flashback' experiences.
There are comparisons to other films which could be made, especially to Blue Velvet. Indeed Dennis Hopper could have made the two films without changing stride. And Fiennes' character is similar to that played by his brother Ralph in Cronenberg's masterpiece Spider, without the same degree of madness.
I picked up fairly early on the way the plot would head, and I was right. The late novelist Kurt Vonnegut used to often tell the reader how the book would end in the first chapters, and yet the books were compelling. I found this equally so.
A quiet man who's a gifted writer (Joseph Fiennes) gets out of prison in Mississippi and immediately starts writing in his motel room while working at a nearby restaurant where he has to deal with the local loudmouth (Dennis Hopper). Meanwhile a woman struggles with her moral failings as she lives in an antebellum mansion (Elisabeth Shue). Sam Shepard, Justin Chambers, Deborah Kara Unger and Mary Stuart Masterson are also on hand.
"Leo" (2002) is Southern Gothic that mixes elements of "Sling Blade" (1996), "Blue Velvet" (1986) and "Two Moon Junction" (1988) with a little "Forrest Gump" (1994). While nowhere near the entertainment level of "Forrest," it's arguably on par with the others. It was Mehdi Norowzian's only feature-length film and his (currently) last one, which is a shame because it certainly shows that he knows how to make an aesthetically appealing motion picture.
If you appreciate those movies, give it a try. I value it for its artistic style and the quality cast, but the storytelling could've been more compelling and less ambiguous on certain points. I'll have to view it again soon to try to figure out those muddy aspects. I'd say more, but I don't want to give anything away.
The film runs 1 hour, 43 minutes, and was shot in Oxford, Mississippi, and Charleston, South Carolina.
GRADE: B-
"Leo" (2002) is Southern Gothic that mixes elements of "Sling Blade" (1996), "Blue Velvet" (1986) and "Two Moon Junction" (1988) with a little "Forrest Gump" (1994). While nowhere near the entertainment level of "Forrest," it's arguably on par with the others. It was Mehdi Norowzian's only feature-length film and his (currently) last one, which is a shame because it certainly shows that he knows how to make an aesthetically appealing motion picture.
If you appreciate those movies, give it a try. I value it for its artistic style and the quality cast, but the storytelling could've been more compelling and less ambiguous on certain points. I'll have to view it again soon to try to figure out those muddy aspects. I'd say more, but I don't want to give anything away.
The film runs 1 hour, 43 minutes, and was shot in Oxford, Mississippi, and Charleston, South Carolina.
GRADE: B-
Actually, I likened Leo to the Mickey Rourke film Angleheart as both films turned out to be a search for self.
In Leo you have a young, troubled boy named Leo who as part of a school assignment begins writing to Joseph Fiennes, who plays a convicted felon in prison.
When released from prison, Fiennes character sets out to meet the boy, Leo,and help both himself and Leo in the process.
Outstanding performances by Elisabeth Shue, who reprises her role as an alcholic from Leaving Las Vegas and Dennis Hopper who rules the small town's diner as Capt. Bligh ruled the HMS Bounty only with a lot more violence and sexual tension thrown in.
Sam Shepard's role serves as the Greek chorus and keeps the viewer aware of the progress of the other characters.
All in all a very good film that will captivate and entertain.
In Leo you have a young, troubled boy named Leo who as part of a school assignment begins writing to Joseph Fiennes, who plays a convicted felon in prison.
When released from prison, Fiennes character sets out to meet the boy, Leo,and help both himself and Leo in the process.
Outstanding performances by Elisabeth Shue, who reprises her role as an alcholic from Leaving Las Vegas and Dennis Hopper who rules the small town's diner as Capt. Bligh ruled the HMS Bounty only with a lot more violence and sexual tension thrown in.
Sam Shepard's role serves as the Greek chorus and keeps the viewer aware of the progress of the other characters.
All in all a very good film that will captivate and entertain.
10whpratt1
This film held my interest from beginning to the very end with Joseph Fiennes, (Stephen) leaving a prison after serving a sentence of murdering a man and has been given a job at a dinner with some very strange people running the establishment. Dennis Hopper,(Horace) plays the role of a very dirty filthy old man who abuses a young waitress in sexual ways to degrade her. There are two central characters who appear in this film which has flashbacks with Elizabeth Shue, (Mary Bloom) who is a very attractive young woman who is married to a professor and lives in a very comfortable home and has a young girl. Mary Bloom is told that her husband is having an affair and Mary reacts by making love to a man who is painting her home and from this point in the film everything begins to turn into many different kinds of mysterious events. Great acting by the entire cast and especially the performance of Elizabeth Shue. Enjoy
Did you know
- TriviaCaroline Day and Sylvia Jefferies's debut.
- GoofsA letter addressed to Oxford, Mississippi, clearly has the ZIP Code 64933. The ZIP Code for Oxford, Mississippi, is 38655. There is no city with the ZIP shown in the film; ZIP's beginning with "649" would be near Kansas City, Missouri.
- SoundtracksLoss
Written by Waz
Performed by Waz
- How long is Leo?Powered by Alexa
Details
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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