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Why I couldn't recall practically anything from this film, is really beyond me. I saw it once during the late 90's, and the only thing I still remembered was that I thought it was pretty good. With this second time viewing, I can only conclude the same thing: It's beyond me, as this really is a fine film and pretty memorable while at it too. A blackout causes fear and distress in a small city. In the suburbs, the inhabitants of one street try to make the best of it. When a burglar breaks into Matthew & Annie's house, someone dies. And things go from bad to worse. And from a small town thriller with various characters, into a sudden road-movie with three protagonists taking the lead and an unpleasant (but worthwhile) Michael Rooker popping up by surprise. A cool little thriller that keeps you on your toes, towards an ending that's not all that horrible as you might expect it to be. Especially Kyle MacLachlan & Elisabeth Shue (as Matthew & Annie) give fine performances, though sadly Shue's character (splendidly portrayed in the first half) becomes a bit under-used in the second part of the movie. Still, check out this film if you have the chance. Reading some of the harsher comments on here, I wonder what people were expecting from this film... A profound piece of emotional drama? A Tarantino-like blabber-fest with many über-cool characters? Whatever. I didn't know what to expect - even this second time - and "The Trigger Effect" had me once again entertained. The characters were okay, the leads were fine, well-photographed and it turned out to be a sort of 'two-in-one' kind of deal. At least you get to choose which half of the film you liked better.

I love Elizabeth Shue. Once I saw her on the cover of the video box, I had to get this film. But my wife said that if I ever rent such a "senseless, pointless, useless waste of two hours" again, I'll have to find a new wife to watch it with.

One of those movies that could have been good, if Alfred Hitchcock was still alive. Everybody was in a bad mood anyway if the opening scenes were anything to go by. The opening scenes were good, by the way, which was one reason I kept watching, but to no avail. I agree, it gets worse as it goes along, as if the writer had one good idea then didn't know where to go with it, so it didn't go anywhere. If you're about to rent this movie anyway, think about why you've never heard of it.

The opening sequence of how other people effect the flow of our natural day opens up the idea to the audience that like the Trigger Effect, other people during the course of our "normal" days can end up making us go crazy and even doing some drastic stuff. The Trigger Effect opens up "Touch of Evil" style with a wonderful sequence of no name actors who end up playing a huge role on the story line of what the Trigger Effect is. Almost by mistake, we are brought into the lives of the main characters, and from there the story begins. The movie holds some amazing moments and some excellent scenes with the 3 leads. Still, the movie falls short with an ending, nobody wanted to see. A thriller that builds and builds and builds and goes nowhere. The struggle between the characters grow and then end up going off on a detour and nothing else. Sad, the movie could have been a timeless story how the slightest things in our day could end up killing ourselves if not killing others. The story was terrific and could have been an excellent movie. But overall, the movie is worth watching just for the moments it has.

This morning, as I perused the IMDB bottom 100, I realized that my own personal worst movie ever wasn't there...The Trigger Effect. Now, in retrospect, this was a harsh assessment to make as a teenager, but I still haven't seen anything else -- and this is after YEARS of MST3K -- that has compared to this. A Rod Serling premise delivered with Ed Wood execution -- this was an absolutely pitiful waste of celluloid and a couple of generally decent actors. The Trigger Effect is boring and lame, feeble and implausible, derivative and lousy. It doesn't even qualify in the "so good, it's bad genre"... it's just bad, which is why I rank it below about a hundred other old sci-fi or spy films that at least aspired to a lower standard. The Trigger Effect aims to be a thought-provoking thriller and isn't anything close. Has anyone else noticed that David Koepp (who wrote and directed this, in addition to penning bad scripts for The Lost World and Snake Eyes, to name just two) is the worst well-paid screenwriter in Hollywood?