Kandahar

The comment on the Indian music is off base - Indian music and DVDs are common in Afghanistan as the local entertainment industry is still recovering from the Taliban.

Bollywood film DVDs are sold in Kabul. Pictures and posters of Indian actresses are popular here. It isn't unusual to hear recorded Sitar music here in Kabul.

Afghan and Indian music was distributed secretly at great risk during the Taliban reign.

There is just not enough Afghan material yet and Afghans love music, even if they don't understand Urdu.

There is a scene in the movie where an instrument is seized by the Taliban before the wedding.

So the soundtrack was completely appropriate for me.

Hopefully we will see a feature film made inside Afghanistan someday. Its a beautiful and fascinating place and holds fascinating stories.

If you really want to know, especially if you are a woman, how it was and in many ways probably still is, to live in Afghanistan, you should see this movie. This is truly shocking, without any seen physical violence. But the violence here is anyway bigger than in most "action movies" together.

The plot is about the Afghanian woman who is living in Canada. She has, through un-official ways, heard that her sister, still living i Kandahar, is planning to commit suicide. The Canadian/Afghanian woman tries to reach her sister and Kandahar. But there are obstacles, so to say.

This is like seeing a documentary and you get a real illusion of the terrible Afghan life. It deforms everyone, but it's also clear that it's not only the Taliban regime which is to blame for everything. Poverty deforms people morally. It even deforms the war victims without legs, who tries to cheat in rough ways to get prosthesis, obviously in order to sell them.

This is to be recommended. Definitely not a mainstream film.

Filmed on the Iran/Afghanistan border, KANDAHAR is a semi-documentary style movie that chronicles the perilous journey undertaken by an expatriate female journalist, Nafas, to reach the city of Kandahar, where she hopes to rescue her sister from committing suicide during an impending eclipse. However, Nafas's odyssey is really little more than a device to lift the veil on the poverty and hardship of life in Taliban-controlled Afghanistan.

Through a series of vignettes, the movie succeeds beautifully in revealing insights that are both fascinating and harrowing. It is almost impossible to imagine a culture so far removed from the relatively comfortable life enjoyed by more ‘civilised' nations. Young boys rock back and forth, reciting the Koran while learning to become Mullahs, pausing only to recite the meaning and purpose of the sabre and semi-automatic machine gun when prompted by their teacher; young girls have lessons in how to resist the temptation to pick up possibly booby-trapped dolls; a doctor treats his female patient by speaking to them via children as they sit either side of a makeshift screen, and conducts his examinations through a small hole in the screen; the threat and consequences of land-mines pervade everybody's life, and year-long waits for prosthetic legs are commonplace, so that prosthetics become a black-market currency.

True, the acting is poor – most of the cast are non-professionals, many never even having seen a moving picture before appearing in this film – but, the purpose of this movie was not to dazzle us with superior acting; it was to open an eye to the hardship endured by both men and women in an oppressive regime, and, at this, it succeeds beautifully.

When I watched this film, I did not think about the recent events of 9/11. Instead, what I saw was art, philosophy and universal human conditions being displayed extremely well on the screen. It maybe about Kandahar and the people there, but what I saw was a universal message about everyone in all countries. When it comes to the end of the road, and there is nothing else to live for, hope becomes the meaning. I don't think it is a good idea to watch this film as a source of documentary, I think it is better to watch this in the state of mind of watching something beautiful/sorrowful/artful/philosophical all at the same time. I don't think this film is a comment on 9/11, but a comment on the human conditions that is common to all of us.

Nafas is an Afghan refugee in Canada, separated from what remains of her family. When she receives a letter from her sister in Kandahar saying that she intends to kill herself at the next eclipse, Nafas sets out to enter Afghanistan and find her sister in order to rescue her. Joining a family traveling across the desert she quickly remembers why she fled the country in the first place as her status as a woman is as dangerous as the unseen landmines as she tries to find her sister before time runs out.

I knew little about this film prior to watching it apart from that it was popular mostly due to its unfortunate relevance. Watching it from the start to the end I must admit that, as a film or a story it was not as good as some viewers have said. The narrative is simplistic and seems to alter the passing of time to suit itself, while major holes in plotting are rather annoying if that is what you are focusing on. The film also struggles in terms of characters, with Nafas being rather bland and hard to care for, her sister being unseen and not in any more danger than those we do see (ie minimising our passion for the quest) and even the noble Talib Sahid came across as rather an unlikely character to stumble upon.

However, I still consider this to be a film worth seeing even after all that. Why? Well, simply because of the view it gives us of Afghanistan – a view that not even the British media did a good job of giving us when the conflict started. I watched this thinking 'this is the country we have been bombing for several years now?' and, while I knew it was hardly the most technologically advanced country, it doesn't really hit home until you see it and, with US news coverage of this side of the country being limited to hyped-up soldiers then this film should be seen to help balance it all out. So Nafas' journey is little more than an excuse to show many aspects of the country within a sort of story and, as that, it is worth seeing – it is hard not to feel for the people as you see the treatment of women, the poor facilities, the horrors of landmines and so on.

True to the weakness of the plot, the ending just sort of 'happens' and those who had been holding to the hope of the vague narrative becoming stronger will also be let down. This is not a film to come to for a story or a strong plot because in these areas it is pretty weak and not very good as a film as you'd expect one to be. However it provides insight into a country that we have all heard a lot about over the past few years and, for that and that alone, it is valuable and worth seeing if you can get the chance.