The Emperor's New Clothes

First off I need to say that Ian Hom is amazing. To be able to play two different characters of two different persuasions and bearings is mind-blowing. This film is whimsical and fun and a very good "what if" of history. Parts of it are sad and parts are humorous and all of it is good. A human element is given to characters whom are known to history solely for their deeds and every character in the film has depth of field and a real personality. Many of the scenes are played out in textbook fashion with a beginning a middle and an end with rising and falling action and yet each scene propels the story line further and is a driving force to the film as a whole. My personal favorite moment in the film is the melon scene where Naploean as an exile in his own country still becomes a general of a an army of melon merchants. Sheer brilliance and very beautiful in its humanity. This film shows that although a person can't change whop they are, everyone can change direction and find love.

"Emporer's New Clothes" is a well done romance. It beguiles the mind of the audience. One can become lost in the reality of the era. He paranoia involved in Napolean's being is revealed in his character performance as well as this unusual story line. There is a very revealing scene toward the end of the picture in which he is thrust into a psychiatric "prison" and realizes his fate. The empathy that is developed by those surrounding him is remarkable. Cinematography is adequate, but it is not spectacular. The acting is superb. Costuming and set design is well done. It is a film that is definitely worth viewing. I give it a 7 out of 10. It quietly sipped by me when in the theaters, but is now available on DVD.

This is a charming movie, a shame it didn't get more notice when it was in the theaters.

Ian Holm plays Napoleon who uses the old "switcheroo" to escape St. Helena.

But his substitute enjoys the job so much that Napoleon's escape is never announced, and he eventually dies leaving "the real Napoleon" loose in France without an army.

Magical arthouse gem (released here on Paramount's "Classic" label) which deserves a wider release...and rescue from the curse of small theater presentation...(I saw it improperley masked on a tiny screen which appeared to have a very vociferous nest of fledglings behind it...and the film still glowed...my first raves have to be for the superb photography and inspired digital wizardy which made the audience's journey back to 1821 so enchantingly real). Very clever and charming script manages to manipulate the myths, legends, and cliches surrounding Historys favorite mini meglomaniac and find a spark of humanity missing from most movie representations (except for Abel Gance's masterpiece...which is beautifully saluted in this movie's final snowy scene). Ian Holm sinks into the role of the exciled emperor and the burlesque turn of the galley swabber recruited to impersonate him with equal aplomp...(to be honest I would have relished a bit more of the impersonators delicious descent into debauchery). Excellent supporting performances, beautiful score, and unique unsentimental portrait of the period (with unvarnished representations of 1820's undertaking, hygine, and nontreatment of mental illness). A film to treasure if just for the gentle subtlety of it's central romance...including a tryst on a rooftop overlooking Paris during a thunderstorm which ranks as one of the loveliest shots in years. A sweet smart little gem which belongs in the collection of every cinema connosuire

This movie was outstanding! A neat little conspiracy theory about the true last years of Napoleon Bonaparte. Ian Holm is fantastic as both Napoleon and Lenormand. The military strategy of watermelons is hilarious. If you missed this in the the theaters, you've got to rent it! 10/10!