A homosexual Catholic priest finds out during confessional that a young girl is being sexually abused by her father, and has to decide how to deal with both that secret and his own.A homosexual Catholic priest finds out during confessional that a young girl is being sexually abused by her father, and has to decide how to deal with both that secret and his own.A homosexual Catholic priest finds out during confessional that a young girl is being sexually abused by her father, and has to decide how to deal with both that secret and his own.
- Nominated for 1 BAFTA Award
- 5 wins & 3 nominations total
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11 years after its release, I finally got around to watching one of 1994's most controversial films. I don't know what took me so long.
This is the story of Father Greg Pilkington, an idealistic young priest appalled by the liberal-thinking, older priest he shares a congregation with. Clashes and airs of superiority from Father Greg set up, almost calculatedly, his crushing and inevitable fall from grace. Try as he might, Father Greg, pious and as intolerant as ever, cannot suppress his sexuality and takes to the gay bar scene. A casual pick up turns into an affair which in turn becomes a personal and professional disaster as an equally intolerant society pushes him towards wrongful arrest and a verdict of "guilty." Father Greg becomes the object of derision and hatred by the bigoted, close minded community, itself a reflection of all the young priest exhibited in but a show of intolerance and sanctimoniousness.
The real heart of this picture occurs in the confessional when a desperate young girl tells of ongoing sexual abuse at the hands of her father. Eventually, this information becomes a test of faith for Father Greg as he questions his spirituality, the laws of the church and God himself.
During all of this the older priest, Father Matthew, preaches of "the trappings of power" that the Church has saddled itself with - and how the trappings have gotten in the way of the message of God, of love, of tolerance, of patience and compassion. As might be expected, the Church's higher ups have little patience for this sort of talk - and the congregation itself shuns Father Greg turning mass into an explosive show of blind eyed fanaticism.
As Father Greg, Linus Roche gives a searing, searching performance as the young tormented priest. His fall and redemption, the center of the story, comes across with an earnestness that steers clear of sensationalism, despite the loaded message of the movie. Tom Wilkinson, as ever, gives a performance that is as natural and believable - and likable - as anything he's done before or since. (Side note: having waited so long to watch this it's interesting to see these two actors with important roles in this year's new and glorious Batman Begins.) A truly remarkable and emotional film.
This is the story of Father Greg Pilkington, an idealistic young priest appalled by the liberal-thinking, older priest he shares a congregation with. Clashes and airs of superiority from Father Greg set up, almost calculatedly, his crushing and inevitable fall from grace. Try as he might, Father Greg, pious and as intolerant as ever, cannot suppress his sexuality and takes to the gay bar scene. A casual pick up turns into an affair which in turn becomes a personal and professional disaster as an equally intolerant society pushes him towards wrongful arrest and a verdict of "guilty." Father Greg becomes the object of derision and hatred by the bigoted, close minded community, itself a reflection of all the young priest exhibited in but a show of intolerance and sanctimoniousness.
The real heart of this picture occurs in the confessional when a desperate young girl tells of ongoing sexual abuse at the hands of her father. Eventually, this information becomes a test of faith for Father Greg as he questions his spirituality, the laws of the church and God himself.
During all of this the older priest, Father Matthew, preaches of "the trappings of power" that the Church has saddled itself with - and how the trappings have gotten in the way of the message of God, of love, of tolerance, of patience and compassion. As might be expected, the Church's higher ups have little patience for this sort of talk - and the congregation itself shuns Father Greg turning mass into an explosive show of blind eyed fanaticism.
As Father Greg, Linus Roche gives a searing, searching performance as the young tormented priest. His fall and redemption, the center of the story, comes across with an earnestness that steers clear of sensationalism, despite the loaded message of the movie. Tom Wilkinson, as ever, gives a performance that is as natural and believable - and likable - as anything he's done before or since. (Side note: having waited so long to watch this it's interesting to see these two actors with important roles in this year's new and glorious Batman Begins.) A truly remarkable and emotional film.
Insightful movie. Makes you reflect a lot on the reality of those who embrace celibacy as priests. There are issues in today's world that affect priests and their commitment as ministers in the Church that this movie brings out very well. It might have been considered a very provocative movie when it came out, but it honestly reflects Church reality in some countries. It makes you realize the humanness of priests and the emotional, moral and spiritual problems they grapple with. I liked the ending the best - the only one in the Church capable of forgiving and accepting the gay priest, was the young girl who had been abused by her father and who had confided in the priest. Very touching and realistic.
a challenge to viewer. because it is one of the films who seems present all in a too honest manner. because it seems have too many themes. because it seems not convince in real sense. in fact, it is a very simple story about vulnerability, faith and courage. about instinct, pray and sufferance. about Christ and wold. nothing new. but enough to be provocative. and this is the basic virtue of it. then, the performance of Linus Roache who gives to the father Greg beautiful nuances who saves the character out of clichés. story about people in delicate situations, about painful secrets and about the impact of truth, it is difficult to see "The Priest" if you are out of the theme. to define it as a film about homosexuality and incest is too easy and far to be enough. or correct. because it is a film about vocation and responsibility, weakness and the choices changing everything. and not the young priest or the young woman are the heroes but the others. and not exactly the others but theirs reactions. a film about vulnerability. one of the most impressive. and useful. maybe, for define yourself.
You need to have watched a few BBC dramas, and like the style in order to really appreciate this film. It may seem slow in the eyes of viewers used with the American cinema approach, but I tremor to the thought of how Hollywood could have spoiled this film, and I am happy that the script fell in Brits hands first. 'Priest' is a complex film, dealing with hard issues of incest and homo-sexuality, but first with the conflict between the priest mission as a moral leader and the Procustian laws of the Catholic church he needs to obeye by. The ideological content may be controversial for many, it was partly for me as well, but I cannot help admiring the well kept balance, the dramatic tension, and the masterful way the excellent team of actors is filling the roles. I wonder how comes that Linus Roache is not a bigger star after having made this film about one decade ago. He certainly deserves to be in the same line as some of his generation colleagues who have succeeded that well in American and world cinema.
Yes, the film is controversial, you may not agree with some of the ideas and it looks sometimes as a cinema manifest, but it is still a good and human film. I less liked the final, which is the only place in the script where art logic seems to surrender to the religious concepts. 9/10 on my personal scale.
Yes, the film is controversial, you may not agree with some of the ideas and it looks sometimes as a cinema manifest, but it is still a good and human film. I less liked the final, which is the only place in the script where art logic seems to surrender to the religious concepts. 9/10 on my personal scale.
This movie was incredibly moving, especially the last 10 minutes. It accurately portrays the struggle one would go through, being Catholic, gay, and a priest, all at once. Yikes. The ending is very VERY powerful, and sends a strong message that we learn and grow through our suffering, and surviving our hardships enables us to help others. If you're up for an emotionally powerful movie, see this movie!! You'll love the ending!
Did you know
- TriviaThe Catholic Church in Ireland were very vocal about their views in having the film banned from theatrical distribution. The film censor disagreed and the film was released with an 18 certificate. This marked a major turning point in the relationship between the church and the Irish Film Censor board.
- GoofsFather Greg holds up a communion wafer which is smooth. The scene cuts to Graham and then back to Father Greg, and the wafer has a diagonal line across it.
- Quotes
Father Greg Pilkington: [addressing Father Redstone in Latin] Abi et futue te ipsum, sordide senex.
[Translation: Go fuck yourself, you dirty old man]
- Alternate versionsThe US version has been cut by seven minutes.
- SoundtracksGreen Green Grass of Home
Composed by Curly Putman
Performed by Tom Wilkinson
Copyright Tree International
by kind permission of Burlington Music Co. Ltd./Warner Chappell Music Ltd.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Actos privados
- Filming locations
- Blundellsands, Merseyside, England, UK(beach scene with boy and coffee)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,165,845
- Opening weekend US & Canada
- $113,430
- Mar 26, 1995
- Gross worldwide
- $4,165,845
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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