Un seul deviendra invincible

Seems like an eternity since director Walter Hill ("48 HRS.", "Streets of Fire", "Southern Comfort") made a really good movie and his latest offering "Undisputed" shows that Hill still has the skill to create a clever movie.

"Undisputed" is the second movie about boxing that Hill has done, the first being his feature debut "Hard Times" that starred Charles Bronson and the late James Coburn in the mid-seventies.

The tale takes place at an isolated Arizona maximum security prison where a former heavyweight boxing champ (Rhames) is sent to serve a sentence for rape meets a counterpart (Snipes) who is an undefeated champ in the prison ranks and the opportunity to have the two fighters face each other in a bout arranged by a former mobster (Peter Falk) who still has mob connections outside the prison and a devoted fan of the sport.

And the result is a sharp and hard-hitting boxing drama with the fight being the center piece. Snipes and Rhames are terrific here and the supporting performances are just as good especially Michael Rooker, Wes Studi, and Falk, too.

"Undisputed" may not top "Rocky" or "Raging Bull" in being the best movie about the sport, but it deserves some mention.

Undisputed (2002)

*** (out of 4)

Heavyweight champion George 'Iceman' Chambers (Ving Rhames) is convicted of a rape he says never happened and is sent to prison in the prime of his life. Inside the prison is a boxing ring where Monroe Hutchen (Wesley Snipes) is the champ. It doesn't take long until mob boss Mendy (Peter Falk) talks the men into a battle between the undisputed champs.

For some reason, UNDISPUTED turned out to be yet another box office disappointment for director Walter Hill, which is really too bad because this here is a rather fun movie for what it is. Perhaps what it is is why it didn't catch on with the public but, again, that's too bad because the film is actually a lot of fun as long as you don't take it too serious.

The film really plays out like one of those Warner prison dramas from the 1930s. Not the "A" list ones but a low-budget "B" movie where you got a nice cast, threw them behind bars and then let everything play out. If you're looking for messages or heart-warming drama of character being built then this isn't the movie for you. Everything happens rather quickly and without too much reason but both Rhames and Snipes are so fun that you can overlook any flaws.

Hill does a great job at slowly building up the anticipation to the fight. There are some really fun mini-battles between the two men and all of this really gets you pumped up for the eventual fight. Once the fight happens the entertainment continues as it certainly lives up to everything the director has built up. Not only do Rhames and Snipes do a nice job in their roles but we also get good support from Faulk, Michael Rooker and Wes Studi.

Again, if you're expecting some sort of hard hitting drama then you're going to be disappointed. This is the type of movie where you just turn your brain off, kick back and have a good time with it.

In a character with Mike Tyson resonance , Ving Rhames plays the heavyweight champ moved and locked to Sweetwater high security pen on a rape conviction. Awaiting him is his contender Wesley Snipes , one time ranked fighter who's beaten all-comers in the prison boxing programme and given the presence of the always sympathetic Peter Falk, as a noted student of the boxing sport , the rest is given . The biggest fight of their lives ! . One man fighting for his honor , one man fighting for his future ..two enemies ..the Mob ..the ultimate Showdown. At Sweetwater prison .The World Heavyweight Champion is about to meet his Match .

A crossover of boxing film along with prison flick with usual ingredients . The outcome , however , is not entertainment enough , though both protagonists , Rhames and Snipes , are utterly convincing in the chinches. Containing credible and violent fight scenes , confronting brute force , pitching , big punch from Ving Rhames against speed , ferocity from Wesley Snipes .Along the way , there's a nod to the traditions and achievements of past title holders . The stunning starring , Wesley Snipes and Ving Rhames , are well supported by a good secondary cast with plenty of familiar faces, such as : Peter Falk, Jon Seda , Wes Studi , Fisher Stevens , Dayton Calle , Amy Aquino , among others. The motion picture was well directed by Walter Hill , though a little bit boring .

It followed various sequels : Undisputed 2 Last Man Standing 2006 by Isaac Florentine with Michael Jai White , Scott Adkins . Undisputed 3 Redemption 2010 by Isaac Florentine with Scott Adkins , Mykel Shannon Jenkins .Boyka: Undisputed 2016 by Todor Chapkanov with Scott Adkins , Julian Vergov .

Monroe Hutchens (Wesley Snipes) is the heavyweight champion of Sweetwater, a maximum security prison. He was convicted to a life sentence due to a passionate crime. Iceman Chambers (Ving Rhames) is the heavyweight champion, who lost his title due to a rape conviction to ten years in Sweetwater. Of course they will fight against each other, in a very predictable and full of clichés screenplay.

The story of Iceman Chambers is basically what happened with Mike Tyson. Movies about prison are attractive most of the time and this one is no exception to the rule. The choreography of the fights are perfect, therefore fans of this sport will like it. Wesley Snipes looks indeed like a real boxing fighter. My vote is six.

Title (Brazil): "O Invencível" ("The Invincible")

UNDISPUTED (2002) **1/2 Wesley Snipes, Ving Rhames, Peter Falk, Michael Rooker, Fisher Stevens, Jon Seda, Wes Studi, Denis Arndt, Ed Lover. Hard-hitting yet formulaic boxing-in-prison flick with professional pugilist and heavyweight world champ Rhames facing off with the maximum security's current in-stir (and undefeated) competitor Snipes (both in amazing physical shape and displaying enough testosterone for two flicks). Falk, at his crustiest, is a scene-stealing hoot as the aged Mafioso con that sets up the grudge match and gets the grease to the wheel. Filmmaker Walter Hill (who co-wrote the lean, mean screenplay with frequent collaborator David Giler ) proves to be a formidable genre helmsman but offers the viewer wanting more.