Un mystérieux étranger

I found this movie to be very entertaining. Fans of Tim Daly do not want to miss this one. Although there are inconsistencies and unanswered questions in this film, i.e., they never explained how Johnny became wounded and in the area... But overall, the movie touched on a variety of issues, centering around Rebecca's religious beliefs. Rebecca was torn between her love for God and family and her unexpected yet forbidden love for Johnny. Her religion taught her that she couldn't have both. Johnny didn't alienate her...he didn't even try to win her over...their love just happened. Johnny was attracted to Rebecca's quiet beauty, both outward and inward. He was also enthralled by Benjo and the "idea" of a great family life. Johnny presented himself the way he was - faults and all. Rebecca found Johnny oddly entrancing despite his faults and lack of religious conviction. The movie was action-packed when necessary and dealt with Rebecca's religious beliefs in a compassionate and moving way. It was a bit unbelievable toward the end (I won't spoil it for you), but given that, I loved the movie and plan to watch it again.

Not just another rehash of Witness or Shane, and in some ways better than either of these classics with the amazing acting talents of Tim Daly and Naomi Watts. Throw David and Keith Carradine into the mix and you have a wonderful, touching film that doesn't rely so much on story as on the characters themselves. From the tearful acceptance of cruel murder at the beginning to the raw emotion carried throughout by the expressive emoting of Tim Daly (when did he get so GOOD?) I thoroughly enjoyed watching and could not tear myself away from the screen. Naomi Watts is a wellspring of sweetness not to be missed, so well does she capture the agony of woman torn between home and heart. David Carradine as the world-weary but caring town doctor is a pleasing surprise. Keith Carradine as the spurned "plain" man also works very well here. If you're a western fan, take the time for this one. If you're a Tim Daly fan or a Naomi Watts fan, make this a must see.

Nope, it ain't a Clint Eastwood western. No deeply wrought moral tales or stoic heroes herein.

But it is a better than average take on the dime-a-dozen romance novel genre. First of all, gone are the distracting subplots that dot the novel written by Penelope Williamson. Second, this version is long on visual poetry. A lot can be conveyed by simply letting the camera stay on the principle characters as they convey the emotional content of the story. Third, the director takes advantage of a much better than expected cast. Naomi Watts has emerged as a powerhouse of an actress in the last few years and she does not disappoint in this role. Tim Daly is restrained and manages to convey more than a touch of humor to what could be a well-worn stereotype of the world weary gunfighter.

If you're in the mood for a simple story, well acted and pretty to look at, this one will serve you well.

The Outsider (based on a novel by Penelope Williamson) A film review by Joan Mostert

The Outsider, Johnny Gault (Tim Daly), arrives as a wounded stranger in an Amish-like community and is tended by Rebecca Yoder (Naomi Watts) who is a daughter of the 'plain' people. Doc Henry (David Carradine) wonders 'what kind of marks were left on his soul' when he sees the old wounds that were inflicted on Johnny's body. Although Johnny is seen as a 'shootist' and a dark, dangerous man, Rebecca has faith in the good of people.

The 'plain' people are intolerant of strangers and Noah Weaver (Keith Carradine), who is a potential suitor, resents the stranger. It is ironic that the 'plain' people do not realize that they too are Outsiders. Hunter, the cattle baron (John Noble) tells them that his family worked the land for three generations and he will not yield. Noah resents Rebecca's independence of thought. Although she belongs to the community, she does not share their herd instinct.

Rebecca experiences transcendence when she is in harmony with nature, it is then that she hears her inner music. It is pleasant for her to see the sun while Johnny knows how to read eyes because he is a 'shootist'. Because music is forbidden by the 'plain' people, except for the singing of hymns, she does not speak of her inner music to anyone except Johnny.

Johnny is a strong, passionate man and his facial expressions reveal his inner moods of anger, love and hate. He often reveals a sense of humour when, for instance, Rebecca asks him why he is buying a horse he replies, 'because you are the one that promised that I was gonna be gone.'

The preacher and the 'plain' people do not practice what he preaches: 'he who loveth God love his brother.' They see Johnny as the Outsider, not as a 'brother' within their closed community; Johnny sees them as 'kind folk.'

Doc Henry is a perceptive man who, in his quiet, understated way, understands people. The contrast of sun and rain, light and dark during the scenes of emotional intensity underscores the drama. The fine interactions of the ensemble cast all contribute towards the excellent film which is 'truly a pleasant thing to behold.'

Aw, shucks, so "The Outsider" (a Showtime original so it will eventually show up in video stores) is based on the kind of a romance novel (by Penelope Williamson) that probably has a flower on the cover.

But beautiful Queensland, Australia fills in quite nicely for Montana as the usual isolated farmhouse works romantic wonders on a hardened gunman (Tim Daly, in a surprisingly convincing tough guy undergoing physical and slow psychic rehabilitation turn) and a kind, religious yet horny widow (Naomi Watt with an excellent American accent) threatened by evil cattlemen.

From the opening shots, the twist is that she makes the significant moves and decisions in her relationships, and the two leads have dynamic chemistry together.

Another twist is that we get to see two Carradines not playing brothers, and neither gets the girl.

Credit to director Randa Haines for the combination of emoting, setting, cinematography, and editing to emphasize the characters' conflicts and changes.