Purgatory

Purgatory is a conscience western you can compare to 'Unforgiven', or more likely 'Pale Rider.' It seems adapted from a scifi short story, meaning it is not dominated by its wild west setting.

Someone at TNT Originals has a great skill for making movies for the small screen. They can port a plot from the big screen and scale it down to the small screen. They reduce it from "larger than life" size to "life" size. That's what you get with this movie 'Purgatory.' It's a TV movie with characters that are serious but not ridiculous, a pace that's neither too fast nor too slow, a soundtrack that unique but not overbearing, and is a story that is epic but understated. This movie is a rare gem in TV viewing: something that makes you feel good about watching TV.

This film starts out with a band of desperadoes led by "Blackjack Britton" (Eric Roberts) who decide to rob the bank in a town called "Sweetwater". What they don't anticipate is that while they are robbing the bank the U.S. Cavalry happens to also ride into town. A gunfight ensues and the bandits hightail it out of town as fast as they can with a large posse chasing after them. The further they ride the more desperate they become and eventually lose all of the money they had stolen. Then they encounter a dust storm and when they finally ride through it they come upon a town called "Refuge" which is well off the beaten path. At first they decide to keep a low profile but then they notice that nobody in the town is armed. Not content with simply accepting the town's hospitality they soon decide to force themselves upon it. But what they don't realize is that this is no ordinary town. And the townsfolk are not run-of-the-mill people either. Anyway, rather than disclosing the mystery of the movie and risk spoiling it for those who haven't seen it I will just say that this is not an ordinary western. The acting is decent and Amelia Heinie (as "Rose") certainly lent some nice scenery. But what made this film so unusual was the unique storyline which was quite intriguing. All things considered then, although the end was somewhat predictable the movie managed to keep my attention for the most part and I rate it as slightly better than average.

After committing a bank robbery, a large group of outlaws led by Blackjack Britton are on the run. So Britton leads his men across the desert, which they come across a quiet little town called Purgatory, where the strange locals don't carry guns, or even curse, but they really make them welcome. This very helpful gesture spurs Britton to stir up a racket and take over the town, but one of his men, a young wannabe, Sonny, doesn't share Britton's idea and he finds himself picking up some unusual hints of something otherworldly about the town and its inhabitants.

What a nice surprise the cable TV movie, "Purgatory", actually turned out to be. It's far from your conventional western. Well, there's some formulaic western stakes within it, but it does have a weird novelty behind it that wouldn't feel out-of-place in a "Twilight Zone" episode. This unique sprinkle and along with a appealing cast made it a very engrossing and delightful viewing, despite that it's pretty much a sleeper when building up the story and the mysterious twist engulfing the presentation forces itself on us too suddenly and rather obviously. I could go on about the whole twist and the story has a few layers to peel off, but its better to just know that it involves a group of outlaws who have made names for themselves. Like Bill Hicock, Billy the Kid, Jesse James and Doc Holliday. Now that's a great line-up! The story kind a follows a redemption angle, where it's all about choice and a chance to make good, but despite this option there are temptations you must face, before accepting your fate. Gladly none of it becomes too overwrought. There are some creative juices flowing here amongst a very solid looking production. The film opens and closes with thrilling and well-staged gunfights. Dynamic wise, the fruitful cast gel impeccably well, involving the likes of Eric Roberts killing it, as Blackjack Britton and then you got Brad Rowe as the naïve Sonny. Peter Stonmore gives a stand-out performance as the crackpot sidekick of Britton, Cavin. Some of the town's folk you see kicking back are played by Randy Quaid, Sam Elliott, Donnie Wahlberg, J.D. Souther and the stunning Amelia Heinle. What got me more than anything, was the production was very well mounted with smoothly displayed photography that captured the vastness and close details that sprawled along the screen and a sulky, fine-tuned score that created an eerie howl, really does lift it out of the very stuffy mould of TV features.

A very curious piece that just doesn't go anywhere big with its fascinating concept, but still it's surely entertaining.

This was a really satisfying story with great performances from the actors, even Eric Roberts who usually annoys me.

The basic story is that a band of outlaws heading for Mexico get waylaid in a town called refuge where no pone carries a gun and everyone welcomes them with open arms. But like the rattlesnakes they are, instead of accepting and appreciating this hospitality the outlaws decide to take the town for all it's worth not realising exactly what kind of place they have ridden into.

This film is exactly the type of thing you get when an interesting premise is properly executed. A real treat that I only found by accident on late night TV!

Purgatory plays like a ninety-four episode of "The Twilight Zone", that despite a few predictable twists, is still a lot of fun to watch and a cut above the usual made-for-television western of the last twenty years or so.

Production values are good and so is the familiar cast of character actors, led by baddies Eric Roberts and Peter Stormare, with Sam Shepherd, Randy Quaid, Donnie Walberg, and R.G. Armstrong in his last western appearance so far. They all do a great job, with Roberts and Stormare playing it nice and rowdy.

Interestingly enough, co-stars R.G.Armstrong and John Dennis Johnston appeared together eighteen years earlier in the southern-fried horror flick The Beast Within.