Les Enfants de Dune

8.5 out of 10

This review comes for the first part of the Children of Dune miniseries, which is actually the adaptation of Dune Messiah. And after viewing this hour-and-a-half rendition, I must say I'm immensely pleased and impressed. It's every bit as compelling as the Dune miniseries was, and from a technical viewpoint, is actually far superior. The production design, the special effects, the cinematography are all a distinct improvement over both the original miniseries and the David Lynch disaster.

The story picks up twelve years after the conclusion of Dune; war continues to ravage the galaxy, Paul "Muad'Dib" Atreides (Alec Newman) is now seen as something of a curse by the people, as his name is now associated with bloodshed and violence. Conspiracies grow around him, his life is threatened at every turn. At the heart of it is Princess Wensicia (Susan Sarandon), daughter of Emperor Shaddam IV and sister of Irulan (Julie Cox). Her plans include preventing a new heir on the Atreides throne, sending a ghola of Duncan Idaho (Edward Atterton) to kill Paul, and to have a giant sandworm captured to begin a new spice cycle. With so many plots, Paul's main concern still centers around Chani (Barbara Kodetova) and her accelerating pregnancy.

Children of Dune's biggest asset is its talented cast. Alec Newman, who was very good in the original, has matured the past three years, his performance as Paul Atreides is excellent. Those who had doubts about him before will have them silenced with his great performance here. Daniela Amavia makes for a spirited and appealing Alia, Edward Atterton is definitely superior to James Watson in the role of Duncan Idaho, and Julie Cox is terrific and sympathetic as the conflicted Princess Irulan. Steven Berkoff, Barbara Kodetova, Alice Krige, and P.H. Moriarty are solid in their roles, with Kodetova showing improvement over the last miniseries.

Children of Dune's compelling plot is executed with precision by director Greg Yaitanes, who does a bang-up job over his predecessor, John Harrison. As a matter of fact, though Dune Messiah's story is naturally a bit weaker than Dune's, the superb execution here makes it superior to any previous adaptations of Dune (it's at least as good as the terrific miniseries, far better than the horrible Lynch film). The cinematography distinguishes itself with darker colors, while still maintaining the vibrancy the original miniseries had. Brian Tyler's beautiful score is evocative, particularly during a wonderful montage segment of literal birth and death.

The special effects are the best I've ever seen for a made-for-TV sci-fi project. The city and planetscapes are dazzling and the desert bluescreens are convincing, wisely ridding of the painted backgrounds that marred the original. There's an absolutely magnificent, visually breathtaking sequence in which the Space Guild kidnaps a giant worm from the desert, doing so in a rather clever and believable manner. So far, that has been this miniseries' highlight. All this builds to the suspenseful finale, which is a conclusion in its own right and paves the way for the next part of the miniseries. I, for one, cannot wait.

Long live the Golden Age -- we need more movies based upon the classics.

COD is good, better than Soderberg's Solaris (I know, I've got a chip on my shoulder).

I did not enjoy the sequel novels as much as the original Dune novel, and so I had no real hopes for this SciFi Channel Production.

It was head and shoulders better than the original mini-series for the following reasons:

1) Better casting -- in particular James McAvoy, who brought power, emotion, and sensitivity to his role. An almost Shakespearean hero. 2) Stunningly beautiful score -- thanks to Brian Tyler.

I'm not going to beat up on the story, original or screenplay, I have no real complaints, it was well paced and well told.

The film seemed very sumptuous, although I agree that, at times, COD had a very 'filmed on the set' feel to it, particularly the deep desert scenes, the true character of Arrakis still has yet to be realized on screen, and computer effects still have a long way to go (on any film) to lose the sterile feel.

Because of the better casting and score, I found it very easy to suspend disbelief, allow myself to be drawn in, and become emotionally interested, something which science fiction films seem to have trouble doing (Gattaca is an exception).

On that note alone I would give COD a very high rating and call it the best science fiction film I have seen in a couple of years.

After reading the first two of Frank Herbert's Dune books I had to wonder whether the story of the water forsaken planet still had some potential. Consequently, although I bought Children of Dune, I didn't get to read it to the end. And all the time I was thinking: why didn't anyone do a really cool movie about Dune, as it deserves? Obviously, the moment I laid eyes on "Children of Dune" (the mini-series this time) I felt a terrible urge to acquire it, despite being tempted by more reputed films. In the end, I didn't have any regrets.

That is because the film is not only easy to follow, as long as you've either read the first book (and a bit of the second) or seen the first part of the mini-series (which I haven't), but it's also visually delightful, doing some justice to Frank Herbert's saga. It does not bore but it does not truly have a mesmerizing effect either. Nevertheless it does keep you pretty glued to the chair/sofa for as long as it takes to see the outcome. Unfortunately "Children of Dune" goes along the path I assumed the books would: it simply loses its charm as it becomes a bit too foreseeable. This doesn't necessarily mean it's not worth its hours, but it means it's definitely not as enchanting as the first part of the Dune saga - where everything was still fresh and authentic, original and innovative.

All in all, as a fan, I can't say I've been displeased by the series. It's fun to watch as it delivers certain chills and thrills along the way - just that it's not really the uniqueness of Dune that conquers you, but the fine work behind and in front of the camera.

The production value on this installment of the Dune series is more than I could have hoped for. Thank you for getting rid of those awful painted backgrounds. I had been contemplating how a real movie version of the Dune books would look for years. I liked the sets on the DL version but the lack of story was just too confusing for anyone that hadn't read the books and disappointing for those that did. When I heard about the SciFi channel doing the movie 3 years ago I was all jazzed up and ready to be dazzled. And while the story was more consistent with the book and the acting was good, I was rather disappointed with the sets. Now with Children of Dune I think we've seen what should have been done from the get go. The special effects are right on target as are the performances in this one. In the first installment it seemed more like a filmed stage play. This one is more like the full-on, glossy, Hollywood production these stories deserve. That said, I (and some of my friends) still feel that these movies are not going to be very comprehensible to anyone that hasn't read the books but I don't mind that much as I am a selfish and self-serving person at heart. I also have lost faith that anyone will do the Lady Jessica character justice. DL's Jessica was horrible.. beautiful, yes, but what a simpering little weakling she was. Not so in the book… Jessica was more solid, calculating and strong. The miniseries did a little better but she still seemed weak in comparison to the novel. Hopefully Alice Krige will prove to be better. Since she was barely in last night's part, we'll have to wait and see. All in all I am very pleased with what the makers have done with this part of the series. I can't wait until tonight and the next night and especially (hopefully) for ‘God Emperor of Dune' and ‘Chapterhouse'. If they don't do the whole series, I will be sorely disappointed. Bottom line: Keep up the great work!

This four hour miniseries actually covers two books, the shorter sequil to <i>Dune</i>, <i>Dune Messiah</i>, and the next (longer) <i>Children of Dune</i>. I was stunned by how well it was able to capture such complex concepts as were introduced in the books in the visual medium. There were very few times I felt the film hadn't stayed true to the book, most of which were minor. I think anyone who hadn't read the books or at least seen the previous movie would be a little lost, so I recomend this as complimentary to the books; but as such it was a wonderful treat. Actors, make-up, set design were all perfect. I think I liked David Lynch's stillsuits better, these ones don't look like they'd do the job very well, but I suppose it was a trade off with seeing some of the wonderfully figured women =)

The part that would be the end of <i>Dune Messiah</i> had me nearly in tears. Wonderful job. For anyone who's read the books, a must see.