Down from the Mountain

This is a concert film about musicians enjoying to make music. At last a concert film where a shot can be longer than 30 seconds. No special effects, dazling camera movements or superfast cutting here. But a crew of talented cameramen trying to capture the emotion of a concert by concentrating on the faces of the musicians. Take also notice of the incredible sound quality. The sound engineer took the risk of using only a few high quality microphones and let the musicians do most of the balancing. The clarity and transparency is remarkable.

Unfortunately, I missed the actual concert at the Ryman, despite the fact that I live in Nashville. My young son is a Coen Brothers fanatic, I always found their work to be slightly off target with respect to my own tastes.

That was, until, I saw "O Brother..." which I saw several times. When "Down from the Mountain" was shown here in Nashville I also visited it several times.

What music is shown is excellent, I'm a big fan of watching music being created-- I believe that seeing the performers interact adds a depth of understanding of the music. Unfortunately, not every song presented during the concert is in the film, but what's there was very satisfying.

It looked like the film was shot on Digital Beta, or some video format and then transferred to film. As such, it looked a little flat, but the photography itself and the sound recording were both beyond reproach. I'm hoping when I get the DVD release of this film that they've skipped the film transfer and given me the pure video version.

For what it is this is pretty good. It has musicians playing and audience enjoying with no film-trickery or SFX. I was a bit disappointed that the song "I'll Fly Away" wasn't shown complete but as a track over the credits.

The documentary section could have been way better, perhaps with more history of the songs and musicians for them folks of us who don't know nobetter! The bits about how they learned to sing and play were very interesting and more would have been appreciated.

However, as a record of some fine, ole time music it hits the spot nicely.

It's almost impossible to describe the colourful quality of this film, not because it has or lacks special merit in the normal measures of cinema, nor should it be so evaluated, but because it comes out of nowhere to reach parts of you that you don't expect a movie to reach.

Co-incidentally, last June I drove to Charlottesville, VA to visit Monticello and see UVA. On that evening I stumbled into a performance of Gillian Welch and David Rawlings at a local brewpub and had a very similar experience to that of the film. The music was just so good that it almost brought tears to my eyes. Like the firsthand joy of getting a glimpse into the souls of Welch and Rawlings, the footage of Down from the Mountain, especially the unpretentious commentary and dialogue between the performers, both onstage and behind the curtains, revealed their genuinely good nature. This greatly enhanced the earthy loveliness of some brilliant bluegrass.

I would love to have been at this stunning concert, but sadly was not. Having missed it, I can perhaps take some comfort in the film's additional insights and experience that the live audience did not have. The camera work backstage might not win an Oscar, but accomplished much in capturing some of the character of its subjects. This added dimensions of warmth and appreciation to their performances which would be difficult to imagine that the audience could have shared.

This is a film for music aficionados, not cinema buffs. Doubtless a film critic could find some artistic merit in the work, but it seems much safer to simply wholeheartedly recommend it as pure musical ecstasy.

As concert films go, "Down from the Mountain" is neither the most stunning nor the most creative. Other filmmakers, surely with more time to prepare and film, have captured musical performances with more flair. Nevertheless, "Down from the Mountain" is an exceptional film, a complete joy for those of us who loved "O Brother Where Art Thou?" and the "old-timey" music it showcased. Without exception, the artists participating in this Nashville concert last year are shown to be kind, good-natured, and incredibly talented. How unusual to see on film a group of artists, characters all of them, who have limitless talent, and yet are not shown to be arrogant or overpaid. Emmylou Harris, Chris Thomas King, and Ralph Stanley in particular shine like the stars they are.