Miles, a high-profile divorce lawyer, wins a case for his rich but adulterous client Rex Rexroth. But Rex's ex-wife, Marylin, who is no saint and is a gold-digger, plots to take revenge on M... Read allMiles, a high-profile divorce lawyer, wins a case for his rich but adulterous client Rex Rexroth. But Rex's ex-wife, Marylin, who is no saint and is a gold-digger, plots to take revenge on Miles.Miles, a high-profile divorce lawyer, wins a case for his rich but adulterous client Rex Rexroth. But Rex's ex-wife, Marylin, who is no saint and is a gold-digger, plots to take revenge on Miles.
- Awards
- 3 nominations total
Cedric The Entertainer
- Gus Petch
- (as Cedric the Entertainer)
Featured reviews
I am amazed at the lack of true movie knowledge that is displayed in these boards sometimes. If I had to guess at the age of the writers of bad reviews this particular movie has garnered in the reviews preceding mine, I would say at best 18. Not a single one of these unknowing boobs remembers Cary Grant, nor the fast-talking zany comedies like Bringing up Baby, and again nor the romance comedies of Hepburn & Tracy.
The Coen Brothers like to do re-hashes, ie. Miller's Crossing/Blood Simple/Big Lebowski are their different takes on film noir. And now they made an amusing film of a different era again. Sexiness/chemistry does not mean bare flesh, nor does action or cursing make a modern classic. The one fault of the Coen's in making this movie was a lack of close-ups - a dead giveaway for what they were trying to achieve.
At best, this is a funny romantic black comedy, with witty dialogue. At worst, it is absurdist black comedy.
The Coen Brothers like to do re-hashes, ie. Miller's Crossing/Blood Simple/Big Lebowski are their different takes on film noir. And now they made an amusing film of a different era again. Sexiness/chemistry does not mean bare flesh, nor does action or cursing make a modern classic. The one fault of the Coen's in making this movie was a lack of close-ups - a dead giveaway for what they were trying to achieve.
At best, this is a funny romantic black comedy, with witty dialogue. At worst, it is absurdist black comedy.
I wouldn't have commented, except that I read too many reviews that mislead potential movie watchers.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
Miles Massey is an amazing divorce lawyer who has a well-earned reputation. When he takes on the case of Rex Rexroth, who was caught on video cheating with another woman, he successfully wins the case and leaves the wronged wife, Marylin, with nothing. However he also falls for her, but she is planning his downfall in return for her losing everything she had.
With a big name pair of leads, it does look very much like the Coen's were looking for a big screen hit that would support their work to a greater extent than the loyal fan base does. As that sort of film, it seems to be doing OK, but, I wondered, at what cost to the product? The film starts well enough with an interesting case which we actually see little of, however the character of Miles is enough to hold the film together. The film contains the usual mix of larger than life characters and quirky humour, but the central romancing doesn't always hold true and there are stretches where the humour dips away to find that there is very little left without it.
Having said that, this doesn't occur often enough to be a problem and the film is still pretty good fun. The characters are it's making and there are enough of those to make it work. Clooney excels in the lead with a strange sort of humour - the same sort of character he played in "O Brother" if you ask me, but he does seem to have a touch for the comic stuff. Jones is less assured and her character has less of the humour I expect from the Coens and is more of a straight role. The support cast is all good as they provide small snippets of humour, whether it be Wheezy Joe or the rude waitress.
Overall it is not the cleverest film the Coen's have done, nor the funniest or most satisfying but, as a multiplex pleasing romance with quirky humour, it does work and should be enjoyed as that.
With a big name pair of leads, it does look very much like the Coen's were looking for a big screen hit that would support their work to a greater extent than the loyal fan base does. As that sort of film, it seems to be doing OK, but, I wondered, at what cost to the product? The film starts well enough with an interesting case which we actually see little of, however the character of Miles is enough to hold the film together. The film contains the usual mix of larger than life characters and quirky humour, but the central romancing doesn't always hold true and there are stretches where the humour dips away to find that there is very little left without it.
Having said that, this doesn't occur often enough to be a problem and the film is still pretty good fun. The characters are it's making and there are enough of those to make it work. Clooney excels in the lead with a strange sort of humour - the same sort of character he played in "O Brother" if you ask me, but he does seem to have a touch for the comic stuff. Jones is less assured and her character has less of the humour I expect from the Coens and is more of a straight role. The support cast is all good as they provide small snippets of humour, whether it be Wheezy Joe or the rude waitress.
Overall it is not the cleverest film the Coen's have done, nor the funniest or most satisfying but, as a multiplex pleasing romance with quirky humour, it does work and should be enjoyed as that.
I saw it recently for the second time, and even though the huge holes in the plot are still there, I liked it much more than the first time. Thinking of the holes, Coens are very talented artists - perhaps we, the audiences are supposed to be smarter than Miles Massey (George Clooney - perfectly cast) - the very successful, always victorious divorce attorney for the rich and famous? Massey is the author of unbreakable "Massey's Pre - Nup" but he is so bored and restless than maybe he is waiting for someone who would be able to break it? Enters cool and sensual Marylin Rexroth (who looks exactly like Catherine Zeta-Jones), the woman who is after "wealth, independence, and freedom" and who "eats the men like Massey for breakfast" with the glass of French red wine Château Margot, 1954. Thus starts the game of wills, wits and desires with twists in every turn. Some of them are surprising and clever, some - predictable. "Intolerable Cruelty" may not be the best Coens' film but it is enjoyable, stylish, and funny. At least two scenes closer to the end of the movie are absolutely hilarious.
A surprisingly smart comedy from Joel and Ethan Cohen, INTOLERABLE CRUELTY is a deft and entertaining comedy about the relationship that develops between a fast talking attorney (George Clooney) and a man-eating gold digger (Catherine Zeta-Jones)who pretty much eats husbands for lunch. This delightful throwback to the Tracy-Hepburn, Grant-Russell comedies of the 30's and 40's moves at a nice pace and is anchored by a razor sharp performance by Clooney, who has rarely been more appealing on screen. Clooney does everything right here and his performance alone makes this film worth seeing, but Zeta-Jones never allows herself to be overshadowed by him in one of her more venomous characterizations. Worthwhile bits are also contributed by Geoffrey Rush, Billy Bob Thornton, Richard Jenkins, and Edward Herrmann. One of the most underrated comedies ever made which is a definite must-see for Clooney fans.
Did you know
- TriviaCatherine Zeta-Jones' style of acting in this movie was modeled upon Katharine Hepburn's romantic roles.
- GoofsMuch of the film's plot is driven by inaccurate representations of California divorce law. Under the community property theory, factors like infidelity are virtually irrelevant to the distribution of property upon divorce.
- Quotes
Freddy Bender: Objection, Your Honor: strangling the witness.
Judge Marva Munson: I'm going to allow it.
- ConnectionsEdited into A Look Inside 'Intolerable Cruelty' (2004)
- SoundtracksThe Boxer
Written by Paul Simon
Performed by Simon & Garfunkel (as Simon and Garfunkel)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
End Credit Performance by Colin Linden
Details
- Release date
- Country of origin
- Languages
- Also known as
- El amor cuesta caro
- Filming locations
- Norm's Restaurant - 470 N La Cienega Blvd, West Hollywood, California, USA(lunch scene: as "Nero's")
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $35,327,628
- Opening weekend US & Canada
- $12,525,075
- Oct 12, 2003
- Gross worldwide
- $120,802,239
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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