Alex is a television station intern and ambitious to further his career when he scoops an interview with the shock-video artists Jon & Marta Henley. It seems like the break he's been hoping ... Read allAlex is a television station intern and ambitious to further his career when he scoops an interview with the shock-video artists Jon & Marta Henley. It seems like the break he's been hoping for until the couple entices him into their lurid world of violence, deception, and sexual... Read allAlex is a television station intern and ambitious to further his career when he scoops an interview with the shock-video artists Jon & Marta Henley. It seems like the break he's been hoping for until the couple entices him into their lurid world of violence, deception, and sexual game-playing. Alex's pursuit of success turns into a desperate attempt to clear his name ... Read all
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OK, but a bad film shoot experience doesn't necessarily mean a bad end product so I'll stick to JUST the movie review. First of all, it's not a disturbing film because of the material: You hardly see any of the "execution" footage and the characters are so laughable and unconvincing you don't find the premise convincing either. The plot of execution footage for art was the plot of an old episode of "Doomwatch" back in the early 70's. Just rip off Doomwatch, no one will notice..... The script is also littered with inappropriate swear words in the wrong places, much like Spock's "they're not the hell your whales" line in Star Trek IV. "If you think the f*** you can sleep with my wife..." And they try to add a love triangle/quartet plot in there which is frankly, the f***, is hard to believe...as if any of the main characters could find each other attractive.
I mentioned the characters and unconvincing characters are made worse by having inept acting. It's saying something when the two best performances come from "cameos" from Christopher Biggins and Rose Marie. The supposedly "sinister" couple are straight from an amateur dramatics company with the least threatening villain since the con man from "Bodger and Badger" (the gun up the bottom scene raises many unintentional laughs) making threats in a totally wooden delivery. Oh, speaking of wooden, I forgot to mention Jon-Paul Gates. What is with his accent? It's high pitched, whiny and somewhere between the West Country and the land of the Chipmunks. He's supposed to be a virile, dedicated newshound and sex machine and yet....with his strangulated accent and tendency to go cross eyed when he's concentrating, I end up trying to curb my laughter.
The lighting is also all over the place...massively overlit for the most part and with smoke machines pouring out pointless smoke effects through white light to give it that 80's Duran Duran video look. Only it doesn't quite pull it off. I say doesn't quite but I really mean to say it overshoots it and crash lands in a burning, twisted mess.
It's a shame they're not making any more episodes of Mystery Science Theatre 3000 because it's prime fodder for them. Oh, and Dave 777 from London really likes this film so much he's written 3 different reviews of it! And 3 people have voted this movie a 10! And the director's first name is David...wow, what a coincidence.
The second problem was the supposedly shocking and edgy subject matter. Well, maybe I'm acclimatised to this sort of thing, but it seemed no more risky than watching the BBC evening news. Yes, they used archive clips of genuine executions and disasters; but these have been played a hundred times over already on TV and in documentaries, and their use in a film seemed nothing more than repetitive. By the end I was wondering what content was supposed to justify the 18 rating of the film.
Overall, the plot is interesting enough to sustain you for an hour and a half, and whilst the denouement is rather predictable, it's not that bad a film; just a bit lacking in places and severely restricted by the clearly very low budget.
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- Soğuk Nevale
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- £1,800,000 (estimated)
- Runtime1 hour 31 minutes
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