Strange Circus

"Strange Circus" starts out as the story of 12-year-old Mitsuko,who's being sexually abused by her father Gozo and terrorized by her jealous mother Sayuri.Mitsuko is imprisoned in a cello case and forced to watch her parents' intimate liaisons through a peephole.The strange abuse causes Mitsuko to blur the distinction between her mother's pleasure and her own pain.When her mom dies after falling down the stairs,Mitsuko starts believing she is her mother.Sion Sono's return to ero-guro tradition is very stylish and sexually perverse.This strange film even offers lashings of paedophilia on display,fortunately they are not graphic.The carnival atmosphere of circus is well-developed and there is a nice amount of grue.Fans of more dream-like transgressive cinema should give it a look.

I started to watch this because Netflix suggested it. I used to love to go to the movies and look for good Hollywood material but nowadays it's scarce. This movie (and the ones like it) are the reason why I still believe movies are art.

This is a piece that will make you struggle to find out what is actually happening. As other reviewers mentioned, it does have its piece of sex, incest and violence, but it is never the focus. The movie uses those resources to make you understand what the protagonist is going through.

It will linger in your mind for several days, and I think that is the greatest compliment a work can get.

It starts a little slow, but it gets better... all the way to the end when you actually think it is going too fast. Do yourself a favor and watch this with an open mind. It's like pure oxygen in the middle of Hollywood pollution.

... if you like this movie. Neither is the director ... at least I don't think he is. If you watch this movie you might ask yourself these questions, because this is not your usual fair, it is extreme and out there.

I don't even know what to make of it. But I do know, that even though I was disgusted at times, I also was amazed by this movie. Which says much about the craft of the director on work here, who will take you on an emotional journey.

This journey will not be an easy one and you probably won't enjoy it (in fact, you are supposed not to enjoy it). And although you know you watch bad things (even with children involved in them, but never explicitly shown), you get the feeling that this movie is great. Not for the faint of heart then, but definitely for people who are open to challenges!

This is a very fine and brave film but so extreme and at times confusing that it lost me at times. I see the film has won awards in Montreal and Berlin but I can safely say that it could not even be shown legally in the UK. Even apart from the extended sequences of implied and actual child sex abuse the degree of violence, especially when shown in a sexual context would have the jolly BBFC boys in somewhat of a lather. With all the effort put in by the director and leading actress, Masumi Miyazaki, who is sensational in her roles, it is a shame that the resulting film is not more coherent. Possibly it is because the material is so extreme that I tended to distance myself a little and thereby lose the plot a little, but only a second viewing will settle that one and I'm not up to that right now!

Being as there is only 1 current review (as of November 2006), and a bad one at that, I feel compelled to write something. If you like to have a director mess with you, don't pass this one up. I'm not sure that this tops 2002's Suicide Circle (or Suicide Club) from Sono, but it's up there. I won't go into the plot here, but if you're into psychological thrillers or even more specifically the recent Asian stuff with those lovable twists like Takashi Miike's Audition or Chanwook Park's Oldboy (which I thought was overrated, though still good), this here's for you. Definitely not for those who would be offended by an underage actress involved in explicit scenes. What else? The cinematography in the first half is good too, as there are some nice shots during the horrific atmosphere of the story of Michuko. The 2nd half is all about the *unfolding* so to speak. I definitely need to watch it again.