The Last Minute

The impression I received watching this film, which at times teeters on the brink of unbelievable intensity, is Stephen Norrington's experience making "Blade". It is not exactly a family friendly film, but mature audiences only! Jason Isaacs will wow you in a way you've never seen him before, I thought "James Bond!" right away. His features are just slightly on the side of pretty to be a proper James Bond but he oozes menace with those eyes! He is easily the best thing about this movie. The film almost loses its way with the Oliver Twist second act (and I know people who love the film only because of that... go figure). The ending is quite memorable and I applauded. I hope to see the magnificent Norrington rise from the ashes of LXG and kick my cinematic a** again.

The Last Minute had the potential become something great. The synopsis of the film cited other titles such as "Fight Club" and "Trainspotting" yet I failed to make a connection. Yes, the main character is an overnight success. Yes, he wakes up and it's all gone. And yes, he falls into a life of crime and drugs all the while wanting to return to his cozy life as a star. So where does the Fight Club come in? The only thing I found to even be remotely like Fight Club was the main menu on the DVD. I could see a slight Trainspotting influence with the heroin but just because a movie has heroin doesn't make it a Trainspotting-esque movie. If they had let the movie stand on it's own instead of trying to cite all those past hit movies like "Bruises you like Fight Club", "Injects you like Trainspotting" etc. What is that? It's almost as if the director wanted you to compare his movie to those. And sorry mate, those are the future cinematic classics of our time. Anybody would be a fool to plaster all over their own movie that it's like Snatch and Lock,Stock and Resovoir Dogs etc. Those movies have huge cult followings so even if The Last Minute was a decent movie, the fact that the director was so hell-bent on drawing the Tarantino/Ritchie/Lynch crowd he in reality just drew a crowd of critics. I'm ranting now. As you can see, I didn't like this movie. No, I really didn't go into why, but that's only because it had so much potential. My review would better resemble a "woulda, coulda, shoulda". Bad movie.

It's late, it's extremely humid, every breath is like a drink of city soaked in smog water. I pop the DVD into my player and was transported to a late feast of clever visual effects, smart script lines, and a wicked soundtrack. So wicked that I immediately started to hunt the internet for it.

I was impressed by the very fine acting of Max Beesley, very convincing character transformations throughout the film. Not since discovering Christian Bale did I feel like wanting to see more films from someone.

Even though this movie centered around London's Underground, I felt like this could've been any city...reminding me of it's inhabitants running about half-asleep, forgetting (ignorance is bliss) about existence and valuing life.

The movie made me feel guilty for feeling guilty about wanting to indulge and live a little in life.

I recommend this movie anyone who likes movies that give you that feeling of "there's a message here for me".

A really weird, unknown and rare film that attacks you out of no where and strikes you to the bottom of the unpredictable downer pit.

Long story short, it is about a guy who is the new and hip guy, until he isnt and falls down to obscurity, including becoming a Junky. As you might already have written a couple of times about this film, there isnt much to read about it out there, it seems to be a semi autobiographical piece of work about its director Stephen Norrington (Blade, Death Machine, League of....), which even though i hope he didnt became an addict, who left directing & directing right after "League of... ", due to having again being traumatised and shattered by the studio system (you can look it up for yourself what went down). The film could and should be seen as a metaphorical dream turned nightmare turned re-awakening. Its themes of Fame, celebrety cult, creativity, ego centrecism, exploitation and much more couldn't be more relevant today, in the age of social media reality tv and talent shows where most of the western and eastern world seems to seek fame and attention like heroin addicts to an absurd extreme. We live in an age of people becoming famous for the sake of it without having any talents whatsoever and others for having video channels with millions of followers without doing anything more than reacting to other videos infront of the camera, people watching other people play video games and so on. The film indirectly predicts that obsession for attention and shows its aftermath that will come someday to whomever seeks that attention for whatever. What surprised me about this film was its sheer nihilistic madness and chaotic nature that until the very end doesnt quite seem to match up, by the end you'll understand and as only a few movies do this flick gets better the more you watch it.

Be warned this film ain't for the faint heart and especially is not for the traditional moviegoer, at times it reminded me of the spontaneous chaotic nature of Godard' s Breathless (make no mistake it is not near as good as Breathless). This film surely deserves more attention and a cult following, not many people have seen or do even know about that film, so i say spread the word for this bizzare and unique experiment called film

outside of seeing this as auto-biographical for Norrington I can see it deals with his traumatic experiences with Blade. Then it got worse. On LXG. OK, Last Minute is not The Divine Comedy and it's flawed, but wow, what a trip !!! and sure it's personal, though i got turned off a bit by the whole techno approach.. One of the best scenes in a film I've seen in the last years is Jason Issacs doing his "I got you under my skin". It's an update of Malcolm Mc Doewll doing his "Singin' in the Rain" in Clockwork Orange. Or it's not. Then later Norrington pushes further repeating it with "when a man loves a woman". Anyway, as Gene Kelly was shocked, Frank must be spinning in his grave. Or he might get the sick fun. And I am not sure Dickens would have liked the Oliver Twist bit... As for this being put in the same category with Trainspotting, Clockwork Orange and Fight Club, I can't see why people are bother, try to describe a film using normal words. Coke, acid, Ecstasy gone bad or just anger and frustration puked out ?

all fueled out and hyper-pumped out, ah, and poetry finally... ///// as for latest rumors that Norrington quit making movies, hey Steve, don't get mad, get even ! ah, and one more thing-just don't get confused about Udo Kier's performance, it's a great cameo but just a cameo, same with Stephen Dorff.