La princesse du désert

There are several kinds of War movies. Some most interested in the romance (I do not know why but there are a lot of them) using the war as a background and others only in the facts and history.

MUSA or THE PRINCESS WARRIOR is probably in between. Because this war and almost everything that happens here is related to an unfinished love story between three characters (if you think is stupid, remember Homer's ILIADA and the reason of the Trojan War).

About seven centuries ago, Chinese got divided and a diplomatic mission from the Koryo kingdom (protected by small group of soldiers), try to make peace with the Ming dynasty. The Ming's army refuses to accept the ambassadors and escort the whole group out of the country. In the dessert, Mongolian's forces attack and kill the Ming's soldiers releasing the Koryo people in the dessert.

An ambitious, very tough (and young) Koryo general, tries to lead his people back to his country, until they found a Mongolian group carrying a Ming's princess prisoner. Engaged by the woman's beauty, he decides to rescue her, justifying his actions as a political opportunity.

Meanwhile, an ex-slave (released by the noble Ambassador before dying in the dessert), itself a great but silent warrior, gets involved in the rescue and after showing his courage and ability in combat, is forced to protect the Princess, creating obvious jealousy on the young general.

Mongolian's of course, will not accept being defeated, so they run after the small group, to recover the princess.

What happens after (the movie is more than two and a half hours long but never boring) is somehow predictably; however this is a Korean movie, so do not expect the silly and forced happy ending. What make the movie worth (a 10 / 10) is the way things are told, the beauty of the images and the poetry surrounding the story.

This movie war movie, but is not glorifying war, but the honor of people fighting for their countries. This is a love story, but a real one, were words are unnecessary and everything that happens is inside every character, but just looking at their eyes, we know what exactly are their feelings.

Halfway through the film, we realize that the line between bad and good guys is not really clear. That the real enemy is sometimes on the same side.

There are a lot of small characters, and everyone gets enough screen time, to make us care about them; sometimes even more than the main characters.

A special mention deserves the numerous war scenes. Using a slow motion, first person shots, quick editing and almost every camera trick you could imagine, you will feel in the middle of the battlefield (and a very scary one ). The blood and violence are much more realistic, than BLACK HAWK DOWN or WHEN WE WERE SOLDIERS, and the impression created is more than those two plus any other recent war related.

In brief; as far as I know this movie did not get a cinema release, but you can find it in EBAY or in some special video stores. DO NOT MISS IT; is probably the best movie of the year.

Based on actual events, Korean diplomats were sent into China with military escorts in 1375. Remember Europe was emerging from the Dark Ages at this time, but in Asia they were an advanced civilization. With the rise of the famous Ming Dynasty in China and the waning days of the Mongols, the Korean emperor was eager to formalize ties with the new Chinese government. This is the story of one of the those diplomatic missions.

This is an epic film, shoot over 9000 miles of China's northern region. Covering plains, prairies, forests, deserts and coastline. The cinematography is beautiful.

Though this is a Korean film, it utilizes the famous Chinese actress Zhang Ziyi, who portrays a kidnapped daughter of the Chinese Emperor.

Throughout most of the film the Korean warriors speak Korean. The Princess and the Chinese villagers speak Mandarin. Interestingly the Mongols also speak Mandarin to each other, historically inaccurate but Mongols don't go to movies these days. Some of the Koreans can also speak Mandarin. This is accurate since the educated Koreans of the time, could read, write and speak Chinese. This film is subtitled in English.

This is a grand story of honor, sacrifice and overcoming overwhelming odds. The Korean warriors must fight the larger forces of the Mongols. Using tactics and strategies not unlike that which you can find in Sun Tzu's the Art of War writings.

If you want some insight into the culture and attitudes of the people of this region, Musa is the movie for you.

Musa the Warrior, This Korean epic it's about an brave tale in era of the strongest ... All the elements of this film should be an great entrance's creativeness from the biggest & the greatest gate of the seventh art's , also that gate must be opens & specially for Korean-Cinema only! to given another arts a dose of dramatic realism through this film! actually , the historical exquisite cinematography characteristic has been found in Korea after this film "of course"!!

(( MUSA )) is a great film that combined the same appealing attributes of war and bravery in historical films.

10/10

HOT & GREAT congratulations of us to Korean-Cinema :-)

______(( must see and must own ))______

There is a nothing like a good epic film. Here is a fine entry to the genre from South Korea, a nation that doesn't normally make these sort of films. Film in China and staring the beautiful Zhang Ziyi it had potential.

Set in 1374 relations between Korea and the Ming Dynasty in China are at a low. The Koreans send a diplomatic mission to resort their relationship, led by General Choi-Jung (Joo Jin-mo). However when arriving in a city he team are captured and exiled from China. Left for dead in the desert their run into a Mongol army party which have captured Princess Bu-yong (Zhang Ziyi). The Korean party save her and hope to return her to Emperor, saving their mission. Within the party is Yeosol (Jung Woo-sung), a recently freed slave who was loyal to his master and excellent fighter with a spear. He and the Princess have an attraction to each other. After freeing the Princess, the Mongols are upset. There were hoping to use her as a bargaining chip against the Ming's China. They chase the Koreans and destroy countryside villages to get her back.

The story and plot are simply and believable within the context of the film; always good signs. Within the group many of characters and relationships are developed, especially Yeosol, the General, the Princess and Jinlip, the veteran of the group. Even the main bad guy has some nobility about him. The costumes and weaponry are excellently done. The warfare was brutal and shows woman and children getting killed, something that rarely happens in Hollywood films. The film is deliciously violence. My only real problem with the film, which lets it down is the action. It is good that the action is violence, but it is so overly edited and the shaky-cam make it difficult to follow. If the action was better then the would have been even better.

If you enjoy films like the Lord of the Rings trilogy, Gladiator, Conan the Barbarian and Red Cliff, you will like this film.

Those who settle down to enjoy the excellent 150-odd minute Musa will be surprised at how much it suggests a Western. There's sweeping landcapes, a cross-desert ordeal; competition between villains and heros, 'stagecoach' chases, abandoned and defended forts, and 'cavalry' charges. These, as well as a strong sense of a man-having-to-do what-a-Man-has-to-do, combine to create familiarity to those who know such films as (for instance) The Alamo and Commanche Station. That's not to say that Musa has no originality, or is not strongly rooted within Korean national cinema. It contains a number of striking set pieces - notably the several pitched battle scenes, multiple characterisation, as well as some insight into the various power struggles which make up mid-fourteenth century Asian history. But at the heart of this package remain a well-tried fairy story, that of a cold Princess who must learn to swallow her pride, and of a brave servant's unrequited love.

Sung-Su Kim, who directs from his own screen play, does a very good job in drawing together his disparate group of travelling companions on a dangerous journey: a Princess, a General, a monk, soldiers, wives, a cowardly translator, a whore, etc. To provide suitable contrast between the moments of combat, he relates them in short, effective, dialogue scenes. Its good to see a film too in which the ubiquitous wire work and over the top gymnastics, beloved by some Eastern action directors, is conspicuous by its absence. Its also one where the director relies less on extreme camera angles and special effects to create visual drama than on the regular ebb and flow of dramatic editing. Perhaps because of this 'naturalness', the battle scenes are consistently exciting and involving. They are also staged in enough different locales to make them varied viewing each time. A standout is a desperate confrontation amongst trees, where the director takes full advantage of foliage cover, confusion, and events within the frame to create some real martial suspense.

The HK disc I saw was generally excellent, with occasional errors in subtitle grammar, as well as the odd compression problem (on-screen blur), usually during horizontal tracking movements. All told, though, the cheap price of this disk makes it an excellent buy and I strongly recommend it - and the film.