Love the Hard Way

This movie is not a high dollar production. It doesn't need to be. This movie is emotional, intellectual, heart-wrenching and sadly beautiful. I experienced a similar overall feeling from watching "Gia" - a movie about supermodels and the pitfalls of modeling (That happens to be Angelina Jolie's best film - unlike her others, and worth watching.) What Love the Hard Way has, that other films don't, are characters who you really connect with. Not because you share things in common with them, but because they are multi-faceted beings with enough background story to deeply invest the viewer in their fate.

This review/comment isn't going like I had planned. I think the IMDb rating of this film is far too low, and I think those people who gave it a low score were either not paying attention, or not allowing themselves to do so.

Which isn't surprising, because this film is hard to watch at times. Not because it's dull or poorly constructed, but because you don't want to feel the pain.

Watch it. The Ying and Yang are in full blossom here.

This well-acted, twisted, bittersweet story was a pleasant surprise. After admiring Adrien Brody's haunted portrayal of the pianist trapped in Nazi Germany, I wondered if he could really be that good of an actor, maybe it was just the genius of Polanski's direction. This role proved his talent is real for me. It is a contemporary tale about a hustler who secretly longs to be an author who becomes attracted to a comely coed who is studying to become a scientist. They couldn't be more different, yet they form a connection that changes their lives forever. The actress who plays Claire has beautiful sky-blue eyes and a nubile body as brilliant as her mind. Jack is not prepared for a woman like her. His friends are his partners in crime but he is the boss, he has all the answers, until he meets his match in a vice detective played by the always great Pam Grier. What will the future hold for him? Rent this movie and see. You won't be sorry.

Wow I cannot believe there is only one other comment for this movie. I have to agree about this movie staying with you. For almost two hours I was completely involved with two people I will never really know, yet for some reason it has changed me in some strange way. I watched the movie and like the others in the theater had the same rollercoster ride of feelings, but it was not until after I left the theater that I had an abundance of emotions come over me. The acting was amazing all the way around, story was an A+. I work hard for the money I make and for the high price I paid for admission, it was all worth it for this great creative process! I suggest that everyone support their local small theater when this film comes around to your town!!

I don't understand why this movie has been so reviled by critics and IMDb users. The obsession and descent into darkness of the nice girl Claire, depicted by Charlotte Ayanna without any annoying mannerisms, are so realistic they made me ache. Stories like hers are very common, although not everybody goes to such extremes. Adrien Brody is an excellent actor and gives an interesting performance, but I find him miscast: he doesn't really exude a life of crime out of every pore. The script doesn't actually explain how Jack Grace became the way he is. The sketchy details about his background he provides Claire could be a figment of his overactive imagination. So all we can do is watch Claire sink lower and lower, but eventually redeem herself. And is Jack 'cured' after two year in jail and a close call? Probably not.

It's fun to watch the now famous Adrien Brody interact with the warm and pretty Charlotte Ayanna, the great Jon Seda of Homicide, and that Tarantino-revived 70's icon Pam Grier. Love the Hard Way has a more than decent cast that works well together: Brody has good chemistry with both Ayanna and Seda, and the New York of the movie has good chemistry too: it's real and beautiful without being obtrusive. The German director and the French cinematographer may be why the town has such a fresh look in this movie.

The clothes, however, are obtrusively bad -- it's lucky Brody has a model's body and Seda is hunky, or those duds would make us laugh them off the screen.

The German director's adaptation of a Chinese novel translated to New York may be a bit secondhand. Nonetheless it's not uninteresting to have a pimp/extortionist who's also a budding writer: the film and the actor are intelligent enough to make us entertain the possibility of the two people in one body.

But despite various points of interest, none of it quite works.

I wasn't convinced that any of this stuff was real--the emotional collapse of the petty criminal, the descent into prostitution of the brilliant med student, or their miraculous coming together two years later after prison and a botched suicide.

The trouble with the attempt to establish a hard-edged milieu is that what Brody and Seda's characters are doing doesn't seem ugly enough: the bedroom scams are too pat, and too independent of the outside big city world of crime. The big bachelor pad isn't mean and sleazy enough either; nothing is: I can't quite believe in Brody as a bad guy. The early scenes where Brody and Ayanna are wooing each other start him off not looking hard at all; in fact he just seems like a nice cocky young Jewish boy who's full of himself and bursting with joie de vivre. He could easily be a college student just playing tough and low-life to seem sexy to a studious, well brought up girl. His pimp clothes and pimp manner don't fit him right and just seem put on to strike a pose.

You keep watching your DVD for the acting job Brody, Ayalla and Seda do. As in 21 Grams, they manage to produce many powerful emotional moments even if it doesn't all meld together into a story. The incoherence is signaled by the confused ending. This is a bit more than merely an obscure footnote to The Pianist, but only just.