Père et flic

"City by the Sea" is all about De Niro as a New York homicide detective who views the world as black and white and has trouble dealing with the grays of interpersonal relationships. Adrift between a broken home history, an ex-wife, a companion and bed mate (McDormand), and a adult son junkie (Franco), the aging cop protag finds that forging needed reconciliations is more difficult than busting the scumbags on his beat. A solid three star drama, "City by the Sea" is a must see for De Niro fans and a good watch for anyone into gritty dramas. (B+)

This is a somewhat run-of-the-mill modern-day crime movie elevated by the presence of actor Robert De Niro. He plays a policeman who is a father to his druggie son, who is accused of murder.

"Vincent LaMarca" (De Niro) is torn between the guilt of being an absentee father to his kid ("Joey," played by James Franco) but still loving him enough to help him and yet still be a good, honest cop.

This is a gritty film, a bid sordid in spots. The locale is a grimy Atlantici City-type on-the- skids town by the ocean. It isn't pretty. As tough as the story can be, it's still interesting and recommended as a decent crime film. Actually, it's much more of a drama than an action-crime film....but I liked it. It's an interesting character study, as well.

DiNiro defends his abandoned son. Sooner or later, we all have to stand and face the music. This a depiction of their crossroads, of their choices and consequences: really powerful sh1t. Unfortanately, this is another example of how an out of balance film seems sub-standard, but only because everything else coming out of Hollywood has better production. What's out of balance? you might ask. The acting is excellent, maybe perfect, but there is no Kubrick Factor, there is no memorable music, hurried editing. The old deer hunter pair of DiNiro and Dzundza is still good. McDormand is good. But there's no music! What's missing is dramatic pauses and music. Seems rushed. Real shame this movie and the story it portrays. This could have been so much better. Maybe a classic.

Performance 9 Story 7 score 3 cine 6

The rating scale is my own,... But I think I will continue to use it.

Now that I think of it, in modern dramas there are so many current films that lack these two crucial items; Kubrick and Music. It goes without saying that all modern movies need more development, more patience. Then again, I may be biased and setting the bar too high after watching Clockwork, Godfather, Pulp, Blade Runner, Amadeus, Usual, Apocalypse, Shrek2 and Snatch a hundred times. (Combined...I'm not that sick!)I do believe those are those the most powerful and influential fictional movies I've ever seen. (Schindler, Private Ryan, JFK, don't count...they're docudramas) Maybe I need to get out more often. How do I get to Hollywood?

This is a very good movie. I do not understand why so many of the comments here are negative. The plot is great with no holes. The characters are well developed and the acting is top notch. Maybe the lack of computer animation or computer generated special effects or car chases or machine guns blazing away turned some of you off. If you like dramas that are heavy on acting and character development, you will like this movie. The filming locations are very fascinating too. I am not sure where the boardwalk scenes are filmed (Asbury NJ or Yonkers NY) but it looks just like a formerly popular beach front local, that is now a ghost town. Very underrated by the IMDb voters.

Drug addict Joey LaMarca (James Franco) defends himself and kills dealer Picasso. He is injured and goes home to his skeptical mother (Patti LuPone). His estranged father NYPD homicide detective Vincent LaMarca (Robert De Niro) and his partner Reg Duffy (George Dzundza) are given the case of the dead drug dealer. Spyder (William Forsythe) is also after his associate's killer. Michelle (Frances McDormand) is Vincent's girlfriend. Gina (Eliza Dushku) is Joey's girlfriend and baby mama. Fellow addict Snake rats out Joey.

There are good actors doing solid work. This material could be given a more grim style. This represents a slow slide in the quality of director Michael Caton-Jones. This should be a more intense thriller and a more heart-breaking tragedy. I keep thinking that this movie should be better. The biographical nature does muddy the story. There is an overall lack of intensity.