Père et flic

2002's 'City By the Sea' was a film that slipped by me when it first came out. I was living overseas and missed it completely. Having finally had a chance to watch it, I think it is the best film that Robert DeNiro has been in since 'Ronin' and up to 2006, his last great dramatic performance. He stars in 'City By the Sea' as the absentee father of James Franco. DeNiro is a decorated homicide cop who, while investigating a murder, finds uncomfortable evidence that concretely links his son to the murder. The film becomes a redemptive tale as DeNiro's character tries to make up for the damage of the lost years and save his son from a series of rapidly expanding catastrophes.

'City By the Sea' borrows from the noir tradition with a gritty locale, seedy characters and two male leads who have unlocked a series of events that are bigger than they are. DeNiro and Franco are both excellent here. Franco is tremendous for the entire film as a junkie who is trying (perhaps not very hard) to escape from his current life for one mixed of fantasy and memory. His final scenes with De Niro are powerful.

The DeNiro performance? I think that he played it perfectly. His character in the film tends to be very restrained and controlled. He analyzes and then makes his move. Part of this has to do with the background of the character. He hides his past because he's trying to protect his own vulnerabilities. By the time we reach the climactic scene towards the end of the film with his son, the restraint and control are gone. He is trying to save his son and the impassioned speech he gives is some of the best work I've seen him do. 'City By the Sea' is more of a redemptive drama than a crime drama and I think that the way the film was packaged and marketed may have confused that. In the climactic scene with Franco, you see the culmination of a great performance by a great actor. I was more impressed by the emotion and power of that scene than I was by anything else I've watched in quite a while.

'City By the Sea' is slow, but worth the journey. Very good acting all around and you might very well be a James Franco fan after seeing this if you weren't before.

This is a somewhat run-of-the-mill modern-day crime movie elevated by the presence of actor Robert De Niro. He plays a policeman who is a father to his druggie son, who is accused of murder.

"Vincent LaMarca" (De Niro) is torn between the guilt of being an absentee father to his kid ("Joey," played by James Franco) but still loving him enough to help him and yet still be a good, honest cop.

This is a gritty film, a bid sordid in spots. The locale is a grimy Atlantici City-type on-the- skids town by the ocean. It isn't pretty. As tough as the story can be, it's still interesting and recommended as a decent crime film. Actually, it's much more of a drama than an action-crime film....but I liked it. It's an interesting character study, as well.

Drug addict Joey LaMarca (James Franco) defends himself and kills dealer Picasso. He is injured and goes home to his skeptical mother (Patti LuPone). His estranged father NYPD homicide detective Vincent LaMarca (Robert De Niro) and his partner Reg Duffy (George Dzundza) are given the case of the dead drug dealer. Spyder (William Forsythe) is also after his associate's killer. Michelle (Frances McDormand) is Vincent's girlfriend. Gina (Eliza Dushku) is Joey's girlfriend and baby mama. Fellow addict Snake rats out Joey.

There are good actors doing solid work. This material could be given a more grim style. This represents a slow slide in the quality of director Michael Caton-Jones. This should be a more intense thriller and a more heart-breaking tragedy. I keep thinking that this movie should be better. The biographical nature does muddy the story. There is an overall lack of intensity.

I'm really not a fan of cop/crime dramas.

I watched this on a recommendation without any clue about its content, and I have to say I quite enjoyed it.

De Niro is Vincent laMarca, a detective of many years on the force. His wife is estranged and he hasn't seen his son Joey in 15 years but finds himself pursuing the boy when Joey is wanted in connection with the murder of a drug dealer. Joey is in a bad way, being a drug addict himself and father of a son he can't support, so perenially finds himself in conflict with his mother who reluctantly tolerates his junkie nature and internally with himself.

Frances McDormand plays Michelle, Vincent's current relationship, though the depth of the relationship seems rather superficial given the 2 live in the same apartment block but seperate appartments. She wants to know more about Vincent when she decides she doesn't know him at all, but his past is murky with a complex and dark family history.

Add to this, his son, Joey's own son with Gina who essentially loses faith in both Joey and her own ability to be a mother, and you have a rather subtle and dark drama with a lot of complexities.

It is worth noting that all the performances are as excellent as you would expect, particularly the breath-taking de Niro, in one of his best roles for years. This is the type of character he was born to play and he's so convincing as Vincent.

As a crime story and cop drama it's one for fans especially, but if you know good cinema you will appreciate it too.

DiNiro defends his abandoned son. Sooner or later, we all have to stand and face the music. This a depiction of their crossroads, of their choices and consequences: really powerful sh1t. Unfortanately, this is another example of how an out of balance film seems sub-standard, but only because everything else coming out of Hollywood has better production. What's out of balance? you might ask. The acting is excellent, maybe perfect, but there is no Kubrick Factor, there is no memorable music, hurried editing. The old deer hunter pair of DiNiro and Dzundza is still good. McDormand is good. But there's no music! What's missing is dramatic pauses and music. Seems rushed. Real shame this movie and the story it portrays. This could have been so much better. Maybe a classic.

Performance 9 Story 7 score 3 cine 6

The rating scale is my own,... But I think I will continue to use it.

Now that I think of it, in modern dramas there are so many current films that lack these two crucial items; Kubrick and Music. It goes without saying that all modern movies need more development, more patience. Then again, I may be biased and setting the bar too high after watching Clockwork, Godfather, Pulp, Blade Runner, Amadeus, Usual, Apocalypse, Shrek2 and Snatch a hundred times. (Combined...I'm not that sick!)I do believe those are those the most powerful and influential fictional movies I've ever seen. (Schindler, Private Ryan, JFK, don't count...they're docudramas) Maybe I need to get out more often. How do I get to Hollywood?