The eccentric members of a dysfunctional family reluctantly gather under the same roof for various reasons.The eccentric members of a dysfunctional family reluctantly gather under the same roof for various reasons.The eccentric members of a dysfunctional family reluctantly gather under the same roof for various reasons.
- Nominated for 1 Oscar
- 11 wins & 46 nominations total
Alec Baldwin
- Narrator
- (voice)
Irina Gorovaia
- Young Margot Tenenbaum
- (as Irene Gorovaia)
Arianna Turturro
- Young Richie Tenenbaum
- (as Amedeo Turturro)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I loved this film.
The Tenenbaum's dysfunction (while amplified for the screen) is quite an accurate portrayal of family life. Families are, essentially, groups of people living in each other's pockets, and, invariably, those people who love you and hate you the most.
Don't get me wrong, Royal and his (thermo)nuclear family of brilliant buffoons do not represent my family (or any other in the world I think!) but the family united against a miscreant father is a motif a lot of people can understand. It is this common humanity that really appeals to me as a film watcher, and what, ultimately made this film so very memorable to me.
The ensemble cast is astonishingly proficient. They all lend a perfect quirkiness to the roles. Anjelica Houston is the perfect former Mrs Royal Tenenbaum, down to the smallest nuance, Ben Stiller and Luke Wilson turn in wonderful performances, and this is the only role I've seen Gwenyth Paltrow in where I actually thought she was someone other than Gwenyth Paltrow (this is not an insult, it's just that people don't always do it for everyone, you know...?). Bill Murray, Gene Hackman, Owen Wilson, all excellent, all the time.
The black comedy counterbalanced with the drama of the issues raised in this film left me feeling like I'd witnessed a film event, rather than just another film. I loved every frame of it, from the Baldwin narrated opening, to the final tying up of ends. It never dwelled on melodrama, or the more potentially unsavoury elements, and it didn't sink into the schmaltzy "We all love each other" end it could well have. It began perfectly, and it ended perfectly.
I can't recommend this movie more highly. It's a must see for anyone who loves quirky and emotive storytelling, great characters and beautiful dialogue.
10/10
The Tenenbaum's dysfunction (while amplified for the screen) is quite an accurate portrayal of family life. Families are, essentially, groups of people living in each other's pockets, and, invariably, those people who love you and hate you the most.
Don't get me wrong, Royal and his (thermo)nuclear family of brilliant buffoons do not represent my family (or any other in the world I think!) but the family united against a miscreant father is a motif a lot of people can understand. It is this common humanity that really appeals to me as a film watcher, and what, ultimately made this film so very memorable to me.
The ensemble cast is astonishingly proficient. They all lend a perfect quirkiness to the roles. Anjelica Houston is the perfect former Mrs Royal Tenenbaum, down to the smallest nuance, Ben Stiller and Luke Wilson turn in wonderful performances, and this is the only role I've seen Gwenyth Paltrow in where I actually thought she was someone other than Gwenyth Paltrow (this is not an insult, it's just that people don't always do it for everyone, you know...?). Bill Murray, Gene Hackman, Owen Wilson, all excellent, all the time.
The black comedy counterbalanced with the drama of the issues raised in this film left me feeling like I'd witnessed a film event, rather than just another film. I loved every frame of it, from the Baldwin narrated opening, to the final tying up of ends. It never dwelled on melodrama, or the more potentially unsavoury elements, and it didn't sink into the schmaltzy "We all love each other" end it could well have. It began perfectly, and it ended perfectly.
I can't recommend this movie more highly. It's a must see for anyone who loves quirky and emotive storytelling, great characters and beautiful dialogue.
10/10
Movies like this don't get made anymore. A full cast of expert actors, a director with complete artistic license. Usually the artistic nature of a film is controlled when the cast is this packed full of talent.
Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.
Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.
Wes Anderson has been the face of a new brand of comedy ever since he burst onto the scene in 1996 with Bottle Rocket. He further established himself with the 1998 hit Rushmore. The Royal Tenenbaums is considered by many to be his finest work and it is kind of hard to dispute that. This is a rich, complex movie dealing with multiple characters that all suffer from serious trouble in one way or another. Gene Hackman plays the father of a family that was once quite prominent in the world of geniuses. The oldest son Chas was a successful real estate dealer, daughter Margot became a famous playwright in the ninth grade, and youngest son Richie went on to become a great tennis player. Still, all their talent couldn't keep their father from leaving them, and now he returns to see them because he tells them he is dying.
This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.
This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.
Royal Tenenbaum (Gene Hackman) left his family. Etheline (Anjelica Huston) raised their three children as oddball geniuses. Twenty two years later, their early successes are now old memories. Chas (Ben Stiller) is a death-obsessed widowed father to Ari and Uzi. Richie (Luke Wilson) is a former tennis champ in love with his adopted sister Margot (Gwyneth Paltrow). Their neighbor childhood friend Eli Cash (Owen Wilson) is now a successful writer and professor. Margot is married to neurologist Raleigh St. Clair (Bill Murray). Etheline is asked by her friend Henry Sherman (Danny Glover) to get marry. Royal is broke. After finding out about the proposal, he tries to inject himself into the family by telling them that he's dying.
Director Wes Anderson starts his journey to discover his unique style. I love the visual concept of what he's doing. I don't particularly like the characters or their story. I don't find it funny but I do like the unique style. This is a wacky dysfunctional family that doesn't make me laugh.
Director Wes Anderson starts his journey to discover his unique style. I love the visual concept of what he's doing. I don't particularly like the characters or their story. I don't find it funny but I do like the unique style. This is a wacky dysfunctional family that doesn't make me laugh.
10dafoat
I loved this movie the first time I saw it. And it grows on me a little bit every time I rewatch it. It's like going to visit an old friend's house. Anderson did such a marvelous job building this odd little world. It's just one indelible image after another. Gene Hackman is just marvelous. And that shot of Margot getting off the bus.
Wes Anderson Films as Ranked by IMDb Rating
Did you know
- TriviaThe hand that is seen with the BB lodged between its knuckles is not Ben Stiller's, but Andrew Wilson's, brother of Owen Wilson and Luke Wilson. When they were children, Owen fired a BB gun at Andrew's hand and the BB has been there ever since.
- GoofsArtist Elliott Puckette's name is badly misspelled in the credits (her paintings appear in the film).
- Crazy creditsThe film title first appears on a library book being checked out, then several of the books are seen, and finally the book cover becomes a title card.
- Alternate versionsThe version shown at the New York Film Festival and some other pre-release screenings used the original Beatles version of "Hey Jude" for the opening introduction. The final version used a new instrumental recording of the song arranged by Mark Mothersbaugh and performed by his Mutato Muzika Orchestra.
- SoundtracksHey Jude
Written by John Lennon and Paul McCartney
Published by Sony/ATV Tunes LLC
Produced by Mark Mothersbaugh
Performed by The Mutato Muzika Orchestra
24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Los excéntricos Tenenbaums
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $21,000,000 (estimated)
- Gross US & Canada
- $52,364,010
- Opening weekend US & Canada
- $276,981
- Dec 16, 2001
- Gross worldwide
- $71,446,091
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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