Tête brûlée

The drifting, meaningless "hang-out" nature of this quirky, engaging crime/road/comedy flick is often fun and entertaining, and often far too meandering for its own good. Ultimately, what "Bottle Rocket" is about is confusion in both path and purpose, and this is clearly reflected in the spontaneity and energy of its central characters, their actions and their interactions. The film is perhaps overly reliant on its everyday dialogue and naturalistic, if not observably detached, relationships that give the film a documentary-like tone that perhaps doesn't work as an environment for typically Anderson-esque characters to inhabit. But this is Wes Anderson before Wes Anderson, which should be considered. As a debut feature, it's pretty darn good. Another potential problem is that the characters don't necessarily undergo any explicit character development over the course of the plot, but this isn't an overly serious issue as the stance can be taken that the whole point is that they don't learn and must continue to drift; on top of this, the greatest part of this otherwise average film is the fact that the characters don't actually need development, they are engaging and interesting enough to keep us hooked for a full 80 minutes with their dreams and moral callousness.

The first and weakest of Wes Anderson's films, Bottle Rocket, is by no means a weak film. Co-written by then credited Owen C. Wilson, the screenplay is very intelligent and shows how the screen writing duo (Wes Anderson and Owen Wilson) has evolved. Starring the Wilson brothers, Owen and Luke Wilson, this small-budget comedy has what most large budget comedies lack, a perfect mix of drama and comedy. The film, about two friends that both were patients at a mental ward, portrays how innocent fun can sometimes hurt people. Rocket never becomes over-dramatic or slapstick in its comedy. It is clear that Anderson was experimenting with his style, and would not perfect it until his next film, Rushmore. The characters are clearly dysfunctional and like to take unnecessary risks at their own expense to make the script move along. This is not a fault in the script, but a blessing as this keeps the comedy and serious moments perfectly balanced. The cinematography is sometimes amateur with its unnecessary close-ups and wide angle panning. The soundtrack, done by Mark Mothersbaugh is excellent and just proves why he has worked an all of the subsequent films with Anderson. It seems Anderson and Wilson have an enormous talent when writing dialog for unusual, anomalous characters. This film is a testament to the fact that a good script, and a working knowledge of film work can create an original and enjoyable film.

While "Bottle Rocket" is certainly best categorised as comedy this might mislead those expecting the typical composition of one-liners, facetious mocking and exaggerated situational comic of mainstream Hollywood productions.

Instead the humour derives from the quirky, yet lovable characters, their perspective on life and approach in dealing with the challenges of society.

The quiet matter-of-fact absurdity present throughout the film will evoke a constant smile rather than burst-out-laughter. This is typical of all Wilson/Anderson collaborations (Rushmore, The Royal Tenebaums) where strong characterisation enables the viewer to develop understanding and affection for the protagonists as the story slowly unravels. In "Bottle Rocket" this is supported by strong performances, especially that of Owen Wilson, who proves his actor potential in an atypical role.

Though not flawless, (there is a lack of narrative urgency at times), this movie leaves the viewer ultimately entertained and charmed.

In all honesty, the plot is awfully muddled I couldn't even figure out what it is about, and it keeps going off at a tangent frequently with all its twists and turns until it becomes almost entirely obfuscated by the end. But seeing whip pans, dolly-tracking shots, overheads of perfectly placed props and profile shots among others that would later become Wes Anderson's visual trademarks is oddly satisfying and special in its own way. Sure they seem half-ripe and lacking in the tantalizing aesthetic quality that define the look of Anderson's films, but they are all there and as effectively and perfectly employed as in the auteur's most acclaimed efforts. And the same can be said about the hodgepodge of evocative music choices. Madcap and slapstick moments are present as well. What truly piqued my attention, and gripped me throughout the hour-and-half runtime, are the warmth of friendship between the lead duo (played by Luke and Owen Wilson) and spirit of camaraderie between the three pals that, alongside the plotline revolving around Anthony's romance with a hotel chambermaid, give the movie a feel that's at once tender, free-wheeling and delightfully charming tending to make one think of John Hughes. Whilst the attempts at making a caper story with a light-hearted approach are worthy of appreciation, I think it's fair to say that it is the weakest link here. Still, Bottle Rocket is a small-scale joyride and a confident debut for one of the most idiosyncratic filmmakers working today.

In anything. But man was he great in this movie. I mean it was such a good performance. This movie is director Wes Anderson's (Rushmore, The Royal Tenenbaums, The Life Aquatic) feature directorial debut. It's about a group of misfit friends that decide to take up a life of crime. The group includes Anthony (Luke Wilson) just got out of the nut house and is searching for himself. Dignan (Owen Wilson, co-wrote the movie with Anderson) is the confident but bumbling ringleader who wants to be notorious but doesn't know how to execute a plan to save his life. And Bob (Robert Musgrave) the driver/look out who just wants a little recognition. The movie follows their misadventures of them robbing a bookstore, going on the lamb, Anthony falling in love with a Motel maid who instills joy back in his life, and Dignan's 'big score' that involves his former employer. The subtle humor and deliveries by the actors make the movie stand out in it's own little version comedy. The characters are losers, but lovable. You can't help but cheer them on even though what they do is illegal. I highly recommend this cool little film. It's an excellent introduction into the wonderful films of Wes Anderson.

RATING: **** out of ****