Apparitions

If you check your cynicism at the door, "Dragonfly" is astonishing in its tenderness. It's beautifully shot (Dean Semler of "Dances with Wolves" and "Waterworld") and well-acted. It's a refreshing alternative to the testosterone-driven films like "John Q", "Collateral Damage" and myriad war movies like "We Were Soldiers". Kevin Costner is inexplicably Hollywood's whipping boy but he still manages to make varied, provocative choices in his projects. While I wanted to resist the heart-tug of the ending, I found I simply couldn't. If you let it, "Dragonfly" will take you someplace sweet.

I can't say I'm a huge fan of Kevin Costner and I'm bored of films that copy the same style of 'Sixth Sense' but there is something about 'Dragonfly' draws the viewer into the storyline and the main character's plight.

When paediatrician Joe Darrow's wife Emily dies in a bus accident in South America, where she was doing mercy work, he is left devastated and struggles to cope. But his grief is interrupted when his dead and dying patients begin communicating messages to him that he thinks are an attempt by his late wife to contact him. He's left wondering if her death has tipped him over the edge or if the dead can talk to the living? Or even if Emily is alive out there?

Costner, who plays Darrow, gives a surprisingly effective performance as a man deeply grief-stricken, caught between letting his wife go and risking insanity by pursuing these messages his young patients pass on. The storyline itself was an involving mix of romance, suspense and drama. Although certain aspects were rather clichéd or clearly just added to keep the film going longer, this was easily forgiven because Darrow was a nicely-depicted character who you couldn't help empathise with and the ending was delivered in an up-lifting manner. These days, films of this sort usually resort to shock sad/tragic finales that it's actually a pleasant change to see things end happily.

This is certainly one for Shyamalan fans or those wanting a mildly creepy and quite intelligent film.

I saw Dragonfly many years ago now but it has never left me. I am surprised that of all the movies I have seen that this is one I have found to be unforgettable. Though the budget wasn't huge and the special effects look low-grade by today's standards the acting is good and the message is powerful. It resonated with me on a number of levels. It is also a very interesting story. It doesn't matter whether you believe in the supernatural or psychic abilities or any of that, it is still intriguing. After someone very close to me passed away the movie became even more significant to me. I could really relate to his confusion and the feelings of madness, the anger and questioning of your own sanity. If you are dealing with a tragic loss or asking big questions about life, death and the after-life, this movie might give you something new to ponder, or distract you for a while - in a useful way - from your private pain and grief. Eventually, you might even find it offers some small comfort.

Many may think they know the ending, but they will be suprised. This is a beautiful film with much more depth and understanding than initially appears. If you think it is going to be an average hollywood ghost story, think again.

There is something strange about 'Dragonfly'. It is not a thriller in its subject but it deals with it as if it's a thriller. Even more strange, in some scenes it actually succeeds in that. I mean, when your wife has died and she is trying to reach you from the other side is something else than simply seeing dead people. Your wife probably has the best intentions and although it is creepy you do not have to be scared of your dead wife. I guess. The man who thinks his dead wife is trying to reach him is Joe Darrow (Kevin Costner). Is he going mad, a premise for a dramatic film, or is he really connecting to the other side?

At times where his wife is communicating with Joe, at least to Joe's knowledge, the film breaths a creepy atmosphere with a cinematography and score that make things suspenseful. But the film does not have its focus on whether Joe is going mad or not, but on how scary it is when a dead person talks to you. That there is actually suspense shows that there is some nice film-making to be found here. The premise is interesting, although not that new, but especially the final act in the film goes wrong at crucial points. There is a moment where I thought the film was over, I will not reveal where, but at that time certain things were left in the middle. It felt like the right ending. But then the film continues, providing it with an ending that must have popped into many heads from the audience, probably dismissed by a lot for being too ridiculous.

Still, the premise and the first hour are good enough to keep us entertained and although it should not work as a thriller, it does. Watching it like that without thinking too much could help you like this film in one way or another.