The Anniversary Party

I can understand how many will find THE ANNIVERSARY PARTY an indulgent, sneering little movie lacking in focus and ultimate catharsis; but I enjoyed it, quite a bit actually, if only to see some of Hollywood's finest talent freeing themselves from the studios for the intimacy of a digital shoot. I admired Party for being bold, clever, funny, cutting and occasionally brilliant. The ending felt a bit forced at first (the off screen family death as catalyst for conclusion was used to better effect in TWO GIRLS AND A GUY - another actor-driven digital indie), but ultimately it fit for Sally and Joe to end where they began, Narcissist and Echo.

Other comments have provided good synopses; I won't elaborate save for one obvious theme so far missed, that of chasing lost youth. It's quite depressing really, for at this party, Generation X officially goes over the hill. All my life I've been vaguely annoyed at self-obsessed Baby Boomer flicks like The Big Chill and The Ice Storm that seemed to congratulate an entire generation for being so damn dysfunctional. Well (*sigh*), now such movies will be made about my generation, here defined as neither willing nor ready to grow up. Gwyneth as "Skye @#*%ing Davidson" has the one thing all else at the party have lost, and the little pills she brings offers a last, desperate attempt to participate in her "youth culture" (ages 8-29 need only apply). Klein's presence (an obvious reference to the Big C) suggests that some Boomers are still chasing that lost youth. Meanwhile, Gen-X is just getting started.

"So much for Ecstasy."

"The Anniversary Party" provides you with the perfect opportunity to watch the kind of party you'd want to be invited to, but not necessarily attend.

This was a great film with numerous funny, dramatic, awkward, and stressful moments. It embraced many universal points of conflict in relationships--be it with a spouse, a neighbor, a boss, a co-worker--and allowed you, as a viewer, to watch all of the varying (and often hilarious) perspectives. And then it showed you all of those same perspectives on ecstasy.

The film maintains a large cast of talented people and uses them well. I found myself doubled over in laughter for at least half of the movie--Alan "Uppin" Cumming, Gwyneth Paltrow, Jane Adams, Parker Posey, John Benjamin Hickey, John C. Reilly, Michael Panes, and the entire Cates-Kline family gave a lot of comedy to their characters, complimenting the difficult and trying moments that were weaved throughout the film.

It was shocking to see the number of negative reviews in this index. I think if you are between the ages of 25-49, it would be hard not to relate to the social satire that is portrayed brilliantly in this film. It is thoroughly enjoyable.****

If you like a slow, carefully developed, beautifully acted, funny and articulate piece of parlor theater, complete with a heart-wrenching scene or three demonstrating alienation between neighbors and genuine intimacy among friends, this is for you. If not, not. With its two deaths or near-deaths, this is more than talk, but still if pure conversation strikes you as self-indulgent or tedious, rather than (in this singular case) genius, why not pass?

I like two of the actresses very much so I might be biased. Jennifer Jason Leigh and Parker Posey are two of my favorites. Plus Parker had some topless moments. So that aside I will say this movie is worth watching if you don't mind an over done LA type of drama. It was well acted but the story line is very much been there done that type of theme. And I think there are times when the movies drags and doesn't flow as well as it could. If you are not too bored with this LA type of drama then it might be worth watching. If you like Parker Posey and Jennifer Jason Leigh as much as I do then it is a must see.

Cloying at times but very compelling and all-but-unpredictable, 'Anniversary' surprises with its power and brutal candor, especially when one tries to discern the autobiographical truths. Saw it last at Disney company screening in NYC when I had no idea what I was about to see or who had created it. Amazed at end to discover in credits that co-stars Cumming and Leigh had written and directed the film.

Was especially struck by the performances of Jennifer Beals--whom I did not recognize--and Phoebe Cates, whose brilliance in one climactic scene w/ Leigh is startling. Impressed at heavyweights in cast like Kline, Paltrow and Cumming. Delighted to see John C. Reilly again (but where was buddy Philip Seymour Hoffman?) Newcomer Mina Badie was the most striking "rookie" in cast (but one whose name, phonetically, rivals that of "Snidely Whiplash.")

The technical miracle here came when I realized--only after screening and upon reading production notes--that the "film" was actually shot on digital video. I defy any non-pro viewer to recognize the difference. The success of the remarkably soft film-like cinematography here by veteran John Bailey may accelerate Hollywood's embrace of much cheaper, quicker video production. It's unintrusive effect is dazzling here.

Biggest flaw here is lack of substantial "story" and reliance on lengthy Ecstacy scene and theme. The politically incorrect happy-drug message here will hurt the movie with mainstream critics. This despite fact that plot does eventually include a moralistic, anti-drug hard-drug lesson in its somewhat predictable conclusion.