La vierge des tueurs

A middle-aged Colombian writer, disgusted with life and contemptuous of religion, becomes involved sexually and romantically with teen-aged Medellin boys who kill effortlessly and with little provocation. At first appalled, he eventually grows addicted to the deaths the boys bring about, their magical ability to resolve the annoyances of everyday life, such as noisy neighbors and aggressive cab subway riders. The plot has some really astonishing surprises, and the taut nearly flawless script (in Spanish) is a treasure. The film , obviously the product of a philosophically inclined mind (Schroeder studied philosophy at the Sorbonne), is a thinking filmgoer's feast and works on many different levels. The main character's ambivalence about religion (the film's title, and the fact that the writer keeps finding himself in cathedrals) furnishes much matter for reflection. This film is not for everyone--- it is, even for these times, shocking. Those more comfortable with the blowsy and predictable product issuing from Hollywood committees should probably avoid it. But those who treasure the ability of film to explore provocative and original ideas will love it.

Prepared as we are for the image of Columbia that CNN shoves down our throats- full of Narcos, Paracos and desperate politicians-, there is no way to predict the surreal way of life the characters in this movie pass through. This is a film that penetrates into a very real Medellin, where nothing is certain and everything is so vulnerable that human life seems to exist only the instant in which it takes place. Medellin is like Fernando- the main character-, it is like his way of walking through a church in the feverishly catholic ambient of Latin America with his sixteen year old murderer lover- who is actually more like an angel fallen from grace. Alexis- the young shooter- is the result of a less than miserable way of life, where poverty and violence rape viciously at each other, almost to a point of neutralization, what seems perverse is in the end the most innocent. This film is strong and profound, it should be forced on all news spokesmen with Colombian corpses in the background: `Lady this is Medellin, not Switzerland'.

Barbet Schroeder's Our Lady of the Assassins is a perplexing film. Yet, it is ultimately rewarding in ways that most films aren't.

Shot in high definition digital video, the film has an immediacy to it that cannot be simulated by film. At first, the immediacy seems to cheapen the look and one wonders what Schroeder was thinking when he decided to undertake this format. Yet as the complexity of the story progresses, we seem to be "taken in" by the video's hypnotic effect and we realize that we are viewing a medium with its own look, feel and characteristics and we accept it.

About an older man who befriends and enters into a relationship with a young ex-gang member, the story takes a while to unfold. In the beginning it seems all but pointless, yet within the hour, we are caught up in a film of overwhelming depth and emotional power. Schroeder deserves tremendous credit for having the courage to make a movie in which the main character openly denounces the church and where themes of political corruption and anarchy in a real world setting actually exist.

Most disturbing is that the themes in this movie ring true with an authenticity that cannot be challenged. We are simultaneously horrified yet held captive by a reality which we don't want to believe exists but that we know already does, not only in Colombia, where the film is set, but elsewhere as well. Schroeder is a master here of making the "city" of Medellin just as much a character as the protagonists. He charges the environment with an electricity that seems to pervade the screen and crawl into our psyches.

Unfortunately it is the medium itself which may prevent Our Lady of the Assassins from becoming a commercial success or as being taken seriously by a lot of people. But film purists and those who enjoyed the gritty realism of similar films like Pixote and Santa Sangre, should love this one.

I saw the film at the Jerusalem Film Festival. It was a rather late screening, but the viewers were glued to their seats. It's a very gripping movie and extremely subversive in themes, language and visuals. It's very anti current-day Colombia, and no wonder the production didn't go very smoothly. Still I admire the support the film got from `official' institutions in Medellion. It's subversive in themes, because we basically have a gay couple, an older man (about 40-50) who indulges in having sex with minor boys (who do this willingly, and yet, it's rather shocking to the average viewer) in return for financial support, or rather indulging the boys in whatever they want to do. The couple goes around the city and is critical of every facet of the city – and rightly so – yet the tone is overtly cynical and `evil'. The lead boy, Alexis, goes around and kills whomever is threatening him and his sugar-daddy – I think he executed 4 people once a confrontation was about to happen, and 4 more were other kids who were after him. S this shooting spree is depicted in a somewhat accepting manner, as if this is the way to do these things in Colombia. They ridicule almost every aspect of life – church, police, government, the drug lords, poor and beggars, the bourgeoisie, other gays, and even themselves. In that respect, it's a very Pasolini movie, although the realism here is a real one and not made for the sake of a socialist agenda. The writer and his two boy-lovers are very lost, although they always know where they are, and the ending is pretty bad, as expected. The film shows no hope for the Colombian people, as they are stuck in a country ran by corrupt officials, gangs and drug lords. The writer has great lines, one of my favorite was about him hating people who whistle, because they shouldn't try and imitate the art that was given to the birds… A good movie, with a 7/10 as far as I can say. Acting-wise – since I don't speak Spanish, it was credible to my ears, though the boys did seem to quote their lines mechanically at times.

The film is set in Medellin (Colombia) where an old gay man called Fernando (Jaramillo) who after many years ago he has gone back . In a homosexual brothel meets and befriends Alexis (Anderson) a teen at 16 years old and starts a romance with him . He's a gunboy who kills too easily , he unscrupulously murders everybody create him problems . Fernando is struggling to flee him the ominous underworld plentiful of dangers , odds and murders .

The picture deals about adolescents and children from Medellin . This city was under incredible violence and ruled the strongest law . Pablo Escobar has been detained and his drugs empire has been dismantled and the factions are spread engaging war each other and making an orgy of vengeance and killings . The movie is a thought-provoking and intelligent studio of juvenile paupers and an unflinching observation at the underbelly of Medellin city where teens and children are dragged into a life of crime become assassins . The flick contains emotions , records , strong violence and a little bit of critical social . The tale belongs a group of films which describe the unfortunate life of south-American youth as ¨Pixote¨ (Hector Babenco) and ¨City of God¨ (Fernando Melleires). Principal actors interpretation are outstanding , in spite of being novels players . Jaramillo is magnificent though relies heavily on the continuous philosophical speeches about his sense of life . The picture is an adaptation based on a semi-autobiography novel by Fernando Vallejo . Barbet Schroeder direction is awesome and stylish , he's a notorious Hollywood director (Murder by numbers , Reversal of fortune) realizing rightly this video- film .