Les 9 vies de Tomas Katz

This is a film that has been improvised, and you can tell from some of the rather sketchy scenes. Some of the acting comes into its own from this freedom to improvise, and I especially noted the acting of the young Joshua Morrall, who acts the football captain. He really shone through on the screen, and I'm sure that he will blossom into a fine actor. Some of the elder, more accomplished actors seemed a little uncomfortable with the weight of improvising, but all of the characters come out with a lot of depth, and the film comes together very nicely because of it. Overall, I was very pleasantly surprised by this films turnout. I highly recommend it.

This black and white film was shot on a low budget in London. It is quite funny, but occasionally in fact often very odd. I think the oddness may have been because the production was German and they have a different sense of humour over there or alternatively it may have been because the director was just having a laugh with his Art School mates.

Very funny in places though. I enjoyed it.

Apparently I have to write more so I will also say that the film uses old testament themes to play out an apocalypse in contemporary London. Much of this is quite interesting however according to my mum "the film could have done with better editing". I would say this is accurate

This has to be one of the oddest movies that I ever laughed hysterically at. I saw it at the Toronto Film Festival where half of the people laughed at everything like me, and the other half walked out. If you love insane humor, check it out. That is if it ever gets a distribution contract, which it definitely should. If it does ever come to a rental house near you, instant cult classic status.

In the Revelation of St. Peter, it is said that a false Messiah will come, and that Henoch and Elijah will appear to expose the impostor. "The Nine Lives of Thomas Katz" draws heavily on such doomsday stories, canonical as well as apocryphal. A solar eclipse is imminent, the astral child is dying, judgment is coming, and, perhaps worst of all, London's tube stations are disappearing. Enter Thomas Katz, a shape-shifting space alien coughed up by a manhole off the M25 motorway. Under the watchful eyes of London's inscrutable chief of police, Katz takes over a string of high-profile identities to set in motion a vicious plan. But where does it lead? Will it, like the M25, eventually circle back on itself? Only Katz himself knows. Or does he? After all, we don't really know who he even is. Extremely inspired nonsense, miraculously produced by veteran German soap opera writer Hans W. Geissendörfer. Did this ever play in theaters? Too bad if it didn't.

This movie defies description, categorization, genre placement. There is simply almost nothing like it - a clever mind trip that relentlessly weaves the plot in a neck-breaking-paced surreal, absurdest, postmodern apocalyptic story with a great soundtrack, trippiest image sequences, great sense of humor, and deep paranoia and darkness. Despite using seemingly gimmicky effects and tricks, very low budget and mostly black-and-white shooting, this movie feels so well done and so well narrated, they don't hinder it at all as they would many other movies - instead, as if on the height of its "genre", this movie absolutely flourishes with them, as the very best silent movies do on their own unhindered by the absence of sound. A must see, but also definitely a "not-for-everyone-er".