IMDb RATING
6.9/10
20K
YOUR RATING
Fourteen years have passed since the near Third Impact. Most of the world has changed, except for Shinji Ikari, who awakens in a strange new environment without having aged.Fourteen years have passed since the near Third Impact. Most of the world has changed, except for Shinji Ikari, who awakens in a strange new environment without having aged.Fourteen years have passed since the near Third Impact. Most of the world has changed, except for Shinji Ikari, who awakens in a strange new environment without having aged.
- Awards
- 2 nominations total
Megumi Ogata
- Shinji Ikari
- (voice)
Akira Ishida
- Kaworu Nagisa
- (voice)
Fumihiko Tachiki
- Gendo Ikari
- (voice)
Takehito Koyasu
- Shigeru Aoba
- (voice)
Hiro Yûki
- Makoto Hyuga
- (voice)
Miki Nagasawa
- Maya Ibuki
- (voice)
Akio Ôtsuka
- Kouji Takao
- (voice)
Sayaka Ôhara
- Sumire Nagara
- (voice)
Anri Katsu
- Hideki Tama
- (voice)
Mariya Ise
- Midori Kitakami
- (voice)
Mugihito
- Keel Lorenz
- (voice)
Featured reviews
This film loses all the momentum of the first two installments. It takes an interesting arc and just devolves into a bunch of empty moments. Before, there was intense drama and stakes serving a wider plot. Here it just feels forced. Everyone hates Shinji, sure, but it never seems convincing or meaningful.
I feel like most of the hate for 3.0 comes from fans having to wait so long for the follow-up - this movie is very daring, taking this franchise in a very different direction and forming a more original take for these rebuild movies.
Unfortunately such a sudden change is tough to pull off in just 90 minutes, especially when most of the movie is confined to slower scenes focusing on the relationship between Shinji and Kaworu. Plus, the movie ends on what feels like a very abrupt 'conclusion', and it's painfully clear that this was intended to be released alongside 3.0+1.0.
The final nail in the coffin, however, isn't really related to this movie at all - it's the way that fans were forced to wait so long for the follow up - and it was only in the next movie that the many questions that bugged fans began to get given answers. 3.0 is not a great individual movie, and definitely works best when 3.0+1.0 is watched shortly afterwards.
However, this movie is still a great movie. The gorgeous visuals/soundtrack elevate the experience of watching 3.0 greatly, and it's slower pacing to focus on a movie confined character-focused story made for a unique change to this franchise. The animation is as good as ever (the cgi really isn't that bad guys), and this alternate (yet reminiscent) take on Shinji and Kaworu's relationship gives their characters far more depth.
It's not a perfect movie, but it's a damn good one and is certainly better with the added worldbuilding of 3.0+1.0.
9/10.
Unfortunately such a sudden change is tough to pull off in just 90 minutes, especially when most of the movie is confined to slower scenes focusing on the relationship between Shinji and Kaworu. Plus, the movie ends on what feels like a very abrupt 'conclusion', and it's painfully clear that this was intended to be released alongside 3.0+1.0.
The final nail in the coffin, however, isn't really related to this movie at all - it's the way that fans were forced to wait so long for the follow up - and it was only in the next movie that the many questions that bugged fans began to get given answers. 3.0 is not a great individual movie, and definitely works best when 3.0+1.0 is watched shortly afterwards.
However, this movie is still a great movie. The gorgeous visuals/soundtrack elevate the experience of watching 3.0 greatly, and it's slower pacing to focus on a movie confined character-focused story made for a unique change to this franchise. The animation is as good as ever (the cgi really isn't that bad guys), and this alternate (yet reminiscent) take on Shinji and Kaworu's relationship gives their characters far more depth.
It's not a perfect movie, but it's a damn good one and is certainly better with the added worldbuilding of 3.0+1.0.
9/10.
Finally new material after years of remakes and recycled material and reshuffled scenes.
It is glorious to behold!
But, at the same time, it was a whole lot of setup and build up for the final part in the series. So, it didn't have as much bang as I would have liked.
Overall, it's very true to what came before, and it's nice to see these characters doing something new even if it was a bit of a tease to wait for the final movie.
It is glorious to behold!
But, at the same time, it was a whole lot of setup and build up for the final part in the series. So, it didn't have as much bang as I would have liked.
Overall, it's very true to what came before, and it's nice to see these characters doing something new even if it was a bit of a tease to wait for the final movie.
With a plot full of holes like Swiss cheese, setting and setup that will confuse even the staunchest long-time fans, script on the level of a bad fan fiction, countless disrepancies and abandoned plot lines from the first two movies and characterization taking 180-degree turns every two seconds, Evangelion 3.0 is an utter mess at best, and an open insult to movie watchers at worst. It's a colossal failure as its own story, as a follow-up, as a remake and a movie in general that renders the previous two movies and all their accomplishments completely pointless.
Almost nothing from the previous films is resolved in any meaningful way: Shinji's relationships with his friends and slowly growing confidence, Kaji's shady dealings with NERV, the Key of Nebuchadnezzar, Rei coming out of her shell, Asuka warming up to people, the growing threat of Angel attacks and much more are completely abandoned and forgotten about. In their place we get an endless barrage of new terms and plot elements which the characters talk about, but none of which are ever adequately explained or established. The first 30 minutes consist of nothing but action scenes with only the tiniest amount of context or setup, just a bunch of flashy stuff for the viewer to look at.
The characters have taken a total nosedive. Mari, who had a strange foreboding about her in 2.0 is reduced to a mere sidekick with no meaning. Despite the 14-year gap, Asuka is still her old bratty self despite now being 28 years old. The justification for her and Mari not having aged is so ridiculous you have to wonder if the writers are actually pulling a prank. Misato is so far removed from her previous persona she might as well be an entirely new character. Rei's character actually regresses, as all her development from the previous movies is rendered nonexistent, and is never properly explained how. Gendo has become a caricature of himself. In the original series he had an enigmatic presence and there were hints of his deeper motives, but here there's nothing under the surface: he's just a cartoon villain, practically twirling his moustache and cackling "JUST AS PLANNED".
But the change of setting is undoubtedly the thing that shoots this film in the leg and then some. So many questions rise and are never answered that the viewer is completely lost. The last 20 minutes will be spent in utter confusion as the viewer tries to grasp even the flimsiest straw of what is supposed to be going on, and why it should mean anything. Bombastic music playing over certain scenes is the only signal of something meaningful happening, but since the setting is so unestablished the viewer is just left thinking "I guess that's important because the characters act like it is, but why should I care?"
Perhaps the only saving qualities of this film are the music and the animation, both of which are great and work to put together some rather impressive action scenes. But that makes it only so much worse when you think what other projects this clearly great amount of talent could have been used for, rather than this 90-minute fart in the audience's face. At one point Fuyutsuki, the one character who gives the only direct exposition in the film, says "'Tis a wretched role I'm playing" to himself. It's almost if he's meta talking about his character having been reduced to a useless exposition device.
Add to all this meaningless shoutouts to the original like recycled shots from the series and Gendo's new choice of eyewear, occasional pseudo-philosophical lines which don't mean anything and some completely out of place piano playing scenes that add nothing to the story and you have an indulgent, incomprehensible, poorly told, plot less, pretentious, forced mess that doesn't even have a proper ending. Stuff explodes, characters talk about things you don't understand, Shinji sulks, some piano playing, stuff explodes again and then the movie just stops. Nothing has been achieved, learned or accomplished and you just don't care.
Almost nothing from the previous films is resolved in any meaningful way: Shinji's relationships with his friends and slowly growing confidence, Kaji's shady dealings with NERV, the Key of Nebuchadnezzar, Rei coming out of her shell, Asuka warming up to people, the growing threat of Angel attacks and much more are completely abandoned and forgotten about. In their place we get an endless barrage of new terms and plot elements which the characters talk about, but none of which are ever adequately explained or established. The first 30 minutes consist of nothing but action scenes with only the tiniest amount of context or setup, just a bunch of flashy stuff for the viewer to look at.
The characters have taken a total nosedive. Mari, who had a strange foreboding about her in 2.0 is reduced to a mere sidekick with no meaning. Despite the 14-year gap, Asuka is still her old bratty self despite now being 28 years old. The justification for her and Mari not having aged is so ridiculous you have to wonder if the writers are actually pulling a prank. Misato is so far removed from her previous persona she might as well be an entirely new character. Rei's character actually regresses, as all her development from the previous movies is rendered nonexistent, and is never properly explained how. Gendo has become a caricature of himself. In the original series he had an enigmatic presence and there were hints of his deeper motives, but here there's nothing under the surface: he's just a cartoon villain, practically twirling his moustache and cackling "JUST AS PLANNED".
But the change of setting is undoubtedly the thing that shoots this film in the leg and then some. So many questions rise and are never answered that the viewer is completely lost. The last 20 minutes will be spent in utter confusion as the viewer tries to grasp even the flimsiest straw of what is supposed to be going on, and why it should mean anything. Bombastic music playing over certain scenes is the only signal of something meaningful happening, but since the setting is so unestablished the viewer is just left thinking "I guess that's important because the characters act like it is, but why should I care?"
Perhaps the only saving qualities of this film are the music and the animation, both of which are great and work to put together some rather impressive action scenes. But that makes it only so much worse when you think what other projects this clearly great amount of talent could have been used for, rather than this 90-minute fart in the audience's face. At one point Fuyutsuki, the one character who gives the only direct exposition in the film, says "'Tis a wretched role I'm playing" to himself. It's almost if he's meta talking about his character having been reduced to a useless exposition device.
Add to all this meaningless shoutouts to the original like recycled shots from the series and Gendo's new choice of eyewear, occasional pseudo-philosophical lines which don't mean anything and some completely out of place piano playing scenes that add nothing to the story and you have an indulgent, incomprehensible, poorly told, plot less, pretentious, forced mess that doesn't even have a proper ending. Stuff explodes, characters talk about things you don't understand, Shinji sulks, some piano playing, stuff explodes again and then the movie just stops. Nothing has been achieved, learned or accomplished and you just don't care.
It's great that they finally tried to do something a little different, but here we are missing everything that made the franchise special or the first two films remotely good. We are at a point in the story where the focus should be finally moved to the characters, but most of them have been suddenly cut out or turned into something completely different. The personalities of the ones who are still around have been strangely flattened, with important issues often being resolved in a short conversation if not a casual shogi game (??). On the other hand, things that should be kept simple are made overcomplicated with no apparent purpose. I dare anyone who is not familiar with the series to understand the point of this film.
Shinji's struggle mostly came from the inside, but this time they decided to let the world end earlier so that he could have something extra to whine about for a couple of hours. I was initially pleased to find out that the film would be focused on the relationship between him and Kaworu, as the original series only spends 15 minutes on it. Still, it felt like they could develop that aspect a little more as well. Maybe they spent too much time working on the (boring) CGI action sequences to make people happy.
I am confident that "3.0+1.0 Thrice Upon a Time" will be better, but as this is no TV show, each individual film should be satisfying with its own definite narrative arc.
Shinji's struggle mostly came from the inside, but this time they decided to let the world end earlier so that he could have something extra to whine about for a couple of hours. I was initially pleased to find out that the film would be focused on the relationship between him and Kaworu, as the original series only spends 15 minutes on it. Still, it felt like they could develop that aspect a little more as well. Maybe they spent too much time working on the (boring) CGI action sequences to make people happy.
I am confident that "3.0+1.0 Thrice Upon a Time" will be better, but as this is no TV show, each individual film should be satisfying with its own definite narrative arc.
Did you know
- TriviaThe post-credits preview for the next film, featuring EVA Unit 8+2 fighting, was created by motion capturing stuntmen rather than traditional animation.
- GoofsDuring the scene when Rei attacks Wunder, there is a close up shot of Shinji screaming, during the close up we didn't see his collar attached to his neck, however, after a flash of explosion, the collar magically appears.
However, this mistake only appears in the home video version.
- Crazy creditsUnlike the previous two movies, where the original Japanese title cards showed in the beginning or after the prologue, in 3.0/Q the title card shows up when the film runs 30 minutes of its duration.
However, the English title card still shows up at the halfway point of the movie.
- ConnectionsFeatured in ScrewAttack's Top 10s: Top 10 Piloted Mechs (2017)
- How long is Evangelion: 3.0 You Can (Not) Redo?Powered by Alexa
- Why does everyone hate Shinji?
Details
Box office
- Gross US & Canada
- $174,945
- Opening weekend US & Canada
- $110,825
- Jan 12, 2014
- Gross worldwide
- $60,648,662
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Evangelion: 3.0 You Can (Not) Redo (2012) officially released in India in English?
Answer