Cowboy Bebop

Cowboy Bebop is a truly post-modern show. Not in the tired "Scream" sense of self-awareness, but in its willingness to mix genres and blur boundaries. At the most basic level it's a Space Western. But Bebop is not content to be merely that, so there are added dashes of film noir, gothic horror, creature-feature, black comedy, screwball comedy, spy action, crime, romance, tragedy, action, philosophy, science, spirituality, fatalism, optimism, buddy-buddy stories, slapstick humour, parody-- just about every type of tale under the sun appears in some shape or form during Bebop's run. It's a show where each episode really is different from the last. Were it not for the recurring characters, it would be hard to believe that the brightly-coloured blaxploitation parody "Mushroom Samba" could possibly come from the same series as the bleakly violent "Real Folk Blues".

The world that the series inhabits is distinctly post-modern, too; space ships fly through hyperspace gates, but once on the ground their pilots fight with twentieth-century handguns. Scenic bays would look for all the world like they were taken from modern-day Japan were they not dwarfed by Jupiter, the enormous gas giant looming in the sky like some enormous benevolent god.

And the music - tribal drums and chants give way to electronic pulses that give way to jazz sax and trumpets that give way to rock guitars that give way to blues harmonicas... composer Yoko Kanno faultlessly turns her hand to an eclectc selection of genres and instruments, ably backed up by her band, "Seatbelts".

All of which sounds terribly impressive, but why on Earth should you watch it? Because, buddy, it's one of the finest television shows ever made.

I have to admit I'm not a big anime fan. Most anime that makes it over here seems to be either about schoolgirls with supernatural powers who battle evil, or adolescent boys who - for some convoluted reason - wind up having to pilot big giant robots. And whilst I'm assured that shows such as Escaflowne (schoolgirls and magic) and Evangelion (boys and robots) are actually rather good, they completely fail to get my blood pumping.

Enter Bebop. Ultra cool Spike, grumpy strategist Jet, trigger-happy Faye, nutball Ed and intelligent dog Ein are as far away from the usual brats and bots anime as you can possibly get. Their motivation, too, is far from the usual anime fare. These guys aren't bounty hunters because they want to fight crime and keep the peace - all they want is a wad of cash, and bounty hunting seems like the best place to make big money fast. Although they will do the right thing when pressed, they rarely forget their true motivation - and if they do, their perpetual lack of food will soon remind them. Life isn't easy, and when you're a bounty hunter it's even harder.

Not that the crew of the spaceship Bebop are one-note characters. As the series progresses, our initial assumptions about the characters are overturned. At first Spike appears to be the cliched laid-back slacker (who just happens to be a mean jeet-kun-do fighter), but we then learn of his fall from the criminal underworld and of a loss that killed him emotionally. Jet's the obvious gruff authority figure, until we realise that he actually cares for the crew of the Bebop as if they were his kids (and seems to have dabbled in pot and psychadelic drugs when he was a teenager). Faye's the usual feisty stand-offish female lead but only because her amazingly tragic past makes her push away friends for fear that she'll become attached to them. Ed's just some nutty kid until we meet her crazy father and realise that it could well be her deprived childhood that sent her over the edge. And Ein? Well sometimes it's hard being a super intelligent Welsh Corgi on a ship where nobody appreciates you, you know?

But not every episode is deathly serious - the character development is mixed in perfectly with humour (both light and dark), fistfights, shoot-outs, car chases, aerial fights, space battles and some of the lushest animation you'll see in an animated TV series. And all of this spread over only 26 episodes.

Yes, many people espouse the old "leave 'em wanting more" line, but so few of them actually do it; Buffy the Vampire Slayer is the perfect example of a series that spends three or four years being top-notch TV then freefalls due to apparent apathy from both the cast and writers. Bebop avoids this by wrapping every dangling plot thread up in just one season of television. And after the final jaw-dropping episode it's quite clear that the series is most definitely over.

Never before or since have I seen a series of such astonishing variety, intelligence and style. Ten out of ten.

CB is a happy blend of story, action, and characters.

Set in the future, CB takes its name from the spaceship, around which the story loosely revolves. The main characters, Spike and Jet, try to make their living while not getting killed, traveling around looking for bounties.

Technically, the animation is very good, though a friend pointed out that sometimes the frame rate is low, or they use a still in a shot. These didn't bother me because they were used tastefully, and were balanced by action shots that carried a lot of energy.

The voice acting for the english version is great, and adds to character depth. They seem to understand who the characters are and how they would react.

The story line is interesting. With each episode being around 25 minutes, the time is filled with a balanced blend of action, character development, and plot. The story within an episode develops rapidly, while the whole series moves more slowly, with the exception of the last few episodes (where they were trying to wrap things up).

If you've never tried any anime, this would be my first choice. I watched it on DVD, and would definitely watch it again.

Cowboy Bebop is by far the best anime series I've ever had the pleasure and privilege of experiencing. This is not a kid's show, by any means. Finally, a REAL anime feature that doesn't involve something dealing with putrid children's themes and overly flagrant characters. Cowboy Bebop is none of these. It has its share of comical scenes, but it seamlessly integrates them into a web of other predominant emotions; drama, action, thriller, suspense...

Cowboy Bebop is the epitome of cool and intelligent anime. An art I thought had long since been forgotten.

You will enjoy the witty dialog as well as the action scenes, dramatic sequences, and most of all the incredible musical integration; jazz and other cultural music that allows for an incredibly open palette of emotions as you view the action on the screen. (Expect the unexpected.)

The voices they chose to play the dubbed, English version of the Original series couldn't have been planned better. It strays from the stereotypical high-pitched whiney and otherwise annoying voices that usually plague a good anime port. Not this one. The roles are taken seriously and were performed VERY well.

This series is definitely speaking to an older audience, something rare in ported/dubbed anime series these days. I am grateful for having the opportunity to experience this wonderful masterpiece.

Cowboy Bebop is, by definition, art.

a series that is so good it is just a shame that so few people will ever get to see it. its not the thing to get around loads of people and there are so many others that would refuse to watch it because: 'it's just a cartoon'.

well they are the unlucky ones. because this series is not only the best anime series that i have ever seen but it is the best series of any kind that i have ever seen. the characters, the dialogue, the awesome music, but most of all the writing. this is food for adults. for people that will be able, and willing, to empathise with what is in front of them.

and the end, my god the end. get a hold of this series. watch it. it really is that good.

"bang"

Cowboy Bebop should need no introduction; it's more than a uniquely defining series on several levels. Shinichi Watanabe crafted this mostly episodic anime with a beautiful plot arc that doesn't detract a bit from any moment in the series.

Following the misadventures of a crew of unlikely bounty hunters through the future solar system, Bebop liberally dabbles in jazz, both the music and the attitude. The lead character, Spike Spiegel, is as much an antihero in the anime tradition as he would be in a Hemingway novel- witty and gutsy, with a twist of nihlistic worldview. Along with Spike, each part of the ensemble main cast do more than enough to stand out on their own, with perfectly human qualities. Jet Black, the gruff pilot, is truly epitomized in the episode "Ganymede Elegy," where he confronts an old flame. Ed and Ein, the genius teenage hacker and her supersmart Corgi dog, throw the limits of standard comic relief out the window. And who could forget Faye Valentine, the eat-your-heart-out sprite of a woman with pizazz, flair, and a penchant for gambling.

If you're not a fan of anime because of its tendency to be far-fetched and downright weird at times, Bebop is the right starter series for you. A melodrama, a jazzy jam session, and a sci-fi detective thriller all wrapped into a tight, upbeat package. Superb.