Samurai chanpurû

Mugen is a fairly dim, self-taught swordsman who doesn't know how to hold back, Jin is the perfect samurai: cold, calculating, every move flawless. They could be no more different, and in fact one would gladly kill the other with the chance, but they are both reluctantly recruited by the ditsy teahouse waitress Fuu after she saves them from execution.

Samurai champloo is the story of Mugen, Jin and Fuu, as they journey across Japan trying to find "The samurai who smells of sunflowers." All the way they meet all sorts of people, get into trouble, and try to make money. As the show progresses, the mysteries of the characters pasts are slowly revealed.

Samurai champloo is an excellent series from the people who made Cowboy Bebop, the animated sequence in Kill Bill, and a few sequences in the Animatrix. The music is good, offering a wide variety of genres, the animation is excellent, and the dialog is kept to a bare minimum. Oh, and the comedy is great, too.

If you liked Cowboy Bebop, you will probably like Samurai Champloo. One's set in the future and has a lot of jazz music, the other's set long ago in Japan and has a lot of rap in the scene transitions. But the character types in both are pretty much the same, and in both the characters must come to terms with themselves. I recommend it to fans of this genre of anime.

Samurai Champloo is the long-awaited next project from Cowboy Bebop director Shinichiro Watanabe. His two short films in the Animatrix compilation (Kid's Story and Detective Story) give American audiences a sneak peek at the phenomenal art style of this series, but they barely hint at the jaw-dropping action and unorthodox blend of history and music contained therein.

The similarities with Bebop end at the fact that the series has three protagonists: the vagrant swordsman Mugen, the rogue samurai Jin, and the tea-shop waitress Fuu. This unlikely and volatile trio begin a road journey through post-shogunate Japan (ca. 1780), brought together by circumstances best seen to be believed.

"Champloo" means mixed-up or stir-fry, and that's what this series is: a stylish blend of old school values and situations, meshed with more modern sensibilities, fighting styles, and visual design. Over the lush, dynamic art, a soundtrack of some of the best hip-hop from modern Japan plays. Though it's a noticeable device in the first few episodes, it doesn't take long before the music feels like second nature despite the anachronism.

Champloo is many things: a mature drama, an action series, an uproariously funny comedy and a visual feast. Watanabe-san demonstrates here that the success of Cowboy Bebop was uniquely his, and no fluke - fans of that series will not be disappointed, despite how radically different the two story lines are from one another.

As the title card of the first episode of Samurai Champloo says, "Just shut up and watch."

The anime has the setting of the Edo time period of Japan and it is surprising how perfectly the Hip hop music matches with this kind of a setting. Not only the opening song, Battlecry gives you the elegant vibes, the other songs like Small Circle of Friends and San Francisco are just as catchy. Even the non-hip hop songs like Shiki no Uta, Who's theme and Obokuri-Eeumi in the Okinawan dialect give you the feelings of the 90s nostalgia. The OSTs which are played during the fight scenes or the deep conversations are really well made and perfectly suit to those respective scenes. Nujabes has been widely praised for the Samurai Champloo soundtrack and very rightly so. In terms of quality, this soundtrack is second to none(Okay, maybe second only to Naruto's). This anime has made me appreciate the Japanese Hip hop even though I have never found the conventional Western Hip hop interesting.

Having the setting of Edo Japan, the anime has several historical references. While there is some accuracy in it, most of it is just for fun. The story revolves around Mugen, Jin and Fuu as they journey across Japan trying to find "The samurai who smells of sunflowers." In their journey, they experience all sorts of crazy things, get into trouble and try to make money or find the means to survive as long as they are traveling together. As the show progresses, the mysteries of the characters' pasts are slowly revealed. The anime has a bittersweet ending. Once their motives are all achieved, the three characters go on their separate paths. Yet, it doesn't really intend to make us feel emotional. In an elegant manner and using the Hip hop style, they just ask us to carry on whilst playing the song 'San Francisco.'

The characters are so damn interesting. I was shocked to see the character of Mugen. It was nothing like any other main character. As a self-taught and ruthless swordsman, he just doesn't know how to hold back. Not only is he arrogant but always looks to pick up meaningless fights and wouldn't mind brutally injuring or killing others. His past is beautifully explored though. You would understand from where he got such beasty personality. Jin has noted that it is surprising how a reckless and impulsive man like him is still alive. Despite traveling together and having minimum hatred for each other, Mugen and Jin wish to kill each other someday. Despite Jin being just as cold on a contrary, he is much wiser and calculating samurai. Rarely losing his stoic exterior, he doesn't bother sharing his past, his motives, his mysteries or even his basic feelings with Mugen and Fuu. He does however manage to fall in love with a woman, who taught him how to cook Eel. Fuu, despite being cheerful and a foody woman, too has her own motives. In fact, the main storyline of this show entirely depends on what she is upto or on the factors responsible for her actions or decisions. Fuu seems to be much more sensible than Mugen and Jin, something that allows her to trick even such cold men and make them work for her.

Few episodes are only for the references sake. So don't be shocked when you see the main characters apparently dying just for them to appear well and alive in the very next episode as if nothing was happened to them. I am pretty sure most of the people won't take it positively. Nevertheless, the things that matter the most are fabulously done. For instance, the scene in which we see Mugen drowning and we get to see the glimpses of his past life. Not only was the scene emotional, nicely animated and perfectly executed, but the song Obokuri-Eeumi makes it look even more beautiful and deep. The action scenes are brilliantly choreographed as well. Some of those managing to trigger the characters' philosophies or deep thoughts really make the show look more interesting.

The elegance of Samurai Champloo has managed to amaze me and even the ending was done in such a way that the completion of the anime feels totally satisfying. I will praise it endlessly but on the other hand, I will also have no complaints if it doesn't have the season 2.

I was at Best Buy one time checking out the anime section, there I found Samurai Champloo for sale. I am a big fan of samurai anime so I took a look at it. Two things made me want to buy it: the dream team of director Shinchiro Watanabe (Cowboy Bebop & The Animatrix), designers Kazuto Nakazawa (Kill Bill Vol. 1: Chapter 3: The Origin of O-Ren), and Mahiro Maeda (Last Exile & Blue Submarine No. 6), and an awesome, hard-hitting hip hop soundtrack! There aren't many animes that have rap soundtracks, so I had to check this out. Samurai Champloo is one of the best new animes. Brilliant animation, memorable characters, laid-back kinetic atmosphere, great music, and kick-ass Hong Kong, Akira Kurosawa style fight sequences. The story revolves around two highly skilled ronins and a girl: Mugen, a violent, buck wild swordsman whose style emphasizes one hand kendo and Capoeira. Jin, a mysterious, calm gentleman swordsman that masters traditional, straight-forward Japanese Swordsmanship. And Fuu, a young, beautiful ditzy waitress. After Fuu saves them from being executed, Mugen and Jin agree to temporarily set aside their differences and help her in her quest to find the "samurai who smells of sunflowers. Jin and Mugen are the perfect examples of the yin-yang concept. These unstoppable, independent warriors are complete opposites, but their skills are equal to each other. Fuu plays a perfect mediator between the two. This series has strong ties to Watanabe's previous classic, Cowboy Bebop: same style action and atmosphere, but with a hip-hop soundtrack instead of Jazz. And Mugen, Jin, and Fuu could be compared to Spike, Jet, and Faye. But what makes this series original is the hybrid combination of a feudal Japan setting and philosophy with modern fighting, urban street flavor personality, and off-beat comedy, hence the title "Champloo", meaning stir-fry. The verbal exchanges between the three heroes are amusing and great to watch. They series also utilize rap DJ record style scratching to switch between scenes perfectly. Overall, Samurai Champloo is an anime bond to be a classic, and raises the level for anime. If you are a major anime fan, check this out, it will be an excellent addition to a collection.

***** (5 stars) Ryojin20 favorite!

first of all, you have to understand that samurai champloo was done by Shinchiro Watanabe, creator of Cowboy Bebop.

now that it's outta of the way, u can obviously tell this show will have hip-hop fusion along with great animation. Watanabe has done it again. This time, he heads toward the samurai-era with 3 wonderful characters. Jin(the passive, quiet, stern and traditional samurai master), Mugen (the hyperactive(jumps a lot), violent, and agile criminal/samurai), and Fuu(the calculating, crafty, and often persistent girl). Fuu saves Jin and Mugen's life and as a debt, they have to help her find a "samurai who smells like sunflower". it may sound average but believe me, this show is extraordinary. the fights are animated so fluidly(Kill-Bill-animation), the story is funny a s hell, and the music is "interesting"(rap opening). There's even beat-boxing in one ep. WATCH THIS SHOW!!! YOU WILL NEVER REGRET IT