Un brin de meurtre

Okay, I love Bill Macy, who's invariably fun to watch, with those pouchy eyes and that "please don't kick me again" expression-- or maybe it's "please don't kick me again so hard." And I love Donald Westlake, one of the best writers of light capers on the scene today. Westlake wrote the novel on which this is based, which I seem to recall reading as "Enough," not "A Travesty," which is what it says in the credits. The combination of these two guys is inspired, all the better in that Macy co-wrote the adaptation and tailored the lead precisely to his acting strengths. Macy just looks like a typical Westlake hero-- only, as one of the other characters points out, he really can't be the hero if he's killed his girlfriend, even accidentally. And he's not really the hero, I guess, although you do sort of root for him. Macy plays Jerry Thorpe, a not-very-nice TV film critic, whose attempts to evade the consequences of committing an accidental murder get more and more involved as the plot thickens. It's an anti-Columbo, where we follow the criminal, not the cop, and wonder when and how he's going to blow it. Macy's stayed true to the book, adding a lot of character touches and a couple of nifty flourishes. He even includes a funny reference to one of his own previous pictures, "Searching for Bobby Fischer." I guess, for me, the fun was just watching Macy have so much fun in a leading role-- like Steve Buscemi, he's a terrific character actor who rarely gets the chance to carry a film. He carries this one, and I hope to see him carry more.

It is probably the reductio ad absurdum of the self-conscious neo-noir that its ultimate hero/villain/victim should be a film critic, about as far removed from the original prole/lower-middle-class noir heroes (e.g. 'The Postman Always Rings Twice', 'Double Indemnity') as you could get. Faced with a crisis, Terry Thorpe turns it into a screenplay, a fiction. And this is what saves the film from smart-alecky ghastliness - it is a film about mid-life crisis, the flaws and difficulties of the modern affluent, middle-aged man. it seems like noir can still speak for people rather than to itself, but this often palls - the best joke is a corpse called Laura who doesn't get up.

"A Slight Case of Murder" is an excellent TV movie, which is defiantly worth the price of a rental. William H. Macy is great as a movie critic who accidentally kills his mistress, and then has to try to conceal the crime. Although that may sound dark, the film is actually quite light hearted and funny, with many memorable lines ("Acting is harder than I thought- you ever see BODY HEAT? I think I owe Bill Hurt an apology" and my personal favourite "For next week answer these two questions about film noir, What do these people do during the day? and Why is it always raining?). The film has a great supporting cast including Macy's real life wife Felcity Huffman, James Cromwell and Adam Arkin. A must see for Macy fans!

William H. Macy is dealing with "A Slight Case of Murder" as well as with his libido and blackmail in this 1999 TNT movie. The film also stars Felicity Huffman, Adam Arkin, James Cromwell, Julia Campbell, Paul Mazurski, and Vincent Pastore.

Macy plays a film critic and teacher, Terry Thorpe, who accidentally kills his girlfriend and becomes frantic to cover up the crime and hide the body. The matter is complicated by a detective (Cromwell) who saw him at the building and is now attempting to blackmail him. Then Thorpe makes the fatal mistake of getting involved with someone else -- someone else besides his other, alive girlfriend, played by Felicity Huffman.

Using a convention from Columbo, Thorpe works on forming a friendship with the detective assigned to the case, Stapelli (Arkin) - which has interesting consequences.

Macy is the same befuddled wreck that he was in Fargo, but he's smarter and more worldly. He gives a wonderful, wacky performance in a film that is filled with all kinds of humorous dialogue and humorous moments, despite the subject. A fresh twist on the film noir. Recommended.

William H. Macy is brilliant as Everyman caught in a desperate situation. Starts off with a bang and never lets up. Twists and surprises are fresh, unpredictable. Use of film noir clips and frequent quotes and references to 30's and 40's flicks makes this a delightful "must" for movie buffs.