IMDb RATING
7.3/10
20K
YOUR RATING
A traumatized member of an elite para-military police force falls for the sister of a female terrorist courier who died in front of him on duty.A traumatized member of an elite para-military police force falls for the sister of a female terrorist courier who died in front of him on duty.A traumatized member of an elite para-military police force falls for the sister of a female terrorist courier who died in front of him on duty.
- Awards
- 4 wins & 2 nominations total
Michael Dobson
- Kazuki Fuse
- (English version)
- (voice)
Yoshikazu Fujiki
- Kazuki Fuse
- (voice)
- (as Yoshikatsu Fujiki)
Sumi Mutoh
- Kei Amemiya
- (voice)
Moneca Stori
- Kei Amemiya
- (English version)
- (voice)
Colin Murdock
- Atsushi Henmi
- (English version)
- (voice)
- …
Yukio Hiroda
- Bunmei Muroto
- (voice)
Dale Wilson
- Bunmei Muroto
- (English version)
- (voice)
- …
Michael Kopsa
- Hajime Handa
- (English version)
- (voice)
Yukihiro Yoshida
- Hajime Handa
- (voice)
Ron Halder
- Shiro Tatsumi
- (English version)
- (voice)
- …
Eri Sendai
- Nanami Agawa
- (voice)
Kenji Nakagawa
- Isao Aniya
- (voice)
Maggie Blue O'Hara
- Nanami Agawa
- (English version)
- (voice)
French Tickner
- Isao Aniya
- (English version)
- (voice)
Tamio Ôki
- CAPO Officer
- (voice)
Doug Abrahams
- Narrator
- (English version)
- (voice)
- …
Ryûichi Horibe
- Shiroh Tatsumi
- (voice)
- (as Ryuichi Horibe)
Featured reviews
10K-Slicer
'Jin-Roh' is quiet possibly the best animated film to have come out in the 1990's. Sticking with the classical animation style, the creators of 'Jin-Roh' concocted one of the most impactful stories that I have ever seen on celluloid. Even though the plot is somewhat complex and the pacing of it slow-moving, I found myself drawn into the story of a hesistant storm trooper who falls for a bomb-carrying terrorist in a post-war Japan. As it progresses forth, we eventually see how more and more cold-blooded the film becomes. What really unnerved me was the interweaving of the real (uncut and uncensored) version of "Red Riding Hood". By the end of 'Jin-Roh', you can really feel as if you had your soul run over by a bus. The film's scathing look cruelty and depravity of human nature is unapologetic and unnerving. It will hit home in ways that some people may not fathom. To me, the message is that humanity should take a logical look at it's cruel side and try to find some way to keep it check. I loved this movie and I give it a 10 out of 10.
'Jin-Roh' is the best anime film of the 1990's and the second best anime all time.
'Jin-Roh' is the best anime film of the 1990's and the second best anime all time.
Whoa. Everything seems to click in the right place with Jin-Rô. Awfully tragic and cold story of a man with the nature of beast trying to interact with an ordinary girl. Of course it's all wrapped around political conspiracy plots and lots of references to fairy tale "Little Red Riding Hood", but I think most of the time the movie still works quite nice as it is.
Animation is fluid and smooth, soundtrack is beautiful and the few action sequences the movie provides simply kick ass. But the main thing in Jin-Rô is the impossible and tragic relationship between a beast and a man. This aspect is done extremely well in the movie, thanks to supporting soundtrack, great voice actors and painfully emotional and touching end. I dare not to spoil it, but these kind of endings are rare in the movies, animated or real. Bold move, and it works like a dynamite.
Jin-Rô exceeded all my expectations, although they were quite high before I ever saw it.
Animation is fluid and smooth, soundtrack is beautiful and the few action sequences the movie provides simply kick ass. But the main thing in Jin-Rô is the impossible and tragic relationship between a beast and a man. This aspect is done extremely well in the movie, thanks to supporting soundtrack, great voice actors and painfully emotional and touching end. I dare not to spoil it, but these kind of endings are rare in the movies, animated or real. Bold move, and it works like a dynamite.
Jin-Rô exceeded all my expectations, although they were quite high before I ever saw it.
I saw this at the New York Japan Society two and a half years ago. The director was there to take part in a symposium on Anime. For some odd reason this film has not received wide-release even in the major US cities (as far as I know anyway). Having just visited Japan, I found that it is only now being released on DVD but not on VHS; supposedly there are bootlegs videos of it going around New York but with the visuals this film offers to watch a crappy version of it would be a shame. Anyway, the film's a good one, one of the better anime films, up there with "Akira" and the works of Miyazaki; it's much better than the director's previous work "Ghost in the Shell." Similar to "Ghost in the Shell," the plot is confusing but not to the point of causing frustration and/or sleep. It sort of reminds me of the begining of "Akira": an underground movement vs. the government--minus all that sci-fi garbage. The animation's state of the art as you should expect. The animation featured in anime is usually top of the line but it's the stories that tend to disappoint. This film is the exception, its got the animation and the story something only a handful of anime films can claim. If you can find it watch it. Highly recommended.
10OttoVonB
Watching this, it is important to make an overlooked distinction between Western and Japanese animation: while the former is often also considered as a genre and calls to mind a specific type of audience and story, the latter is purely a format. Many a film out there in the realm of anime could have been made as a live-action feature, even though in cases like Akira or Ghost in the Shell, the budget would have been prohibitive.
This distinction is particularly interesting to apply to Jin Roh: this could well have been live-action, and since its story, themes and execution put it well outside the Western boundaries for animation we need to ask ourselves why it is not only particularly suited to that medium, but can easily be counted among the finest animated features of all time.
Drawing countless parallels with the tale of Little Red Riding Hood - the original, somewhat pessimistic version - Jin Roh explores two characters on an inevitable collision course: a traumatized, counter-terrorist elite soldier and a young, female future suicide-bomber. Given the subject-matter, it is surprisingly apolitical, not siding with either faction or even exploring the roots of terrorism within the context of this story. In fact, to great and horrifying effect, it is more concerned with the mundane nature of it all, and the dehumanizing effect of their roles on the respective characters. This is a world without redemption, where the only choice is between embracing your role, or drifting off into an abyss.
Telling this very specific story through animation elevates it into a myth, into a horribly grounded adaptation of that ultimate suspicious authority-rejecting cautionary fairytale. Perhaps there is no grandma or little red riding hood, only wolves in people's clothing. It's hard to imagine a live-action version of Fuse's empty stare that could ever conjure the effect deployed here.
Finally, Jin Roh was the last fully hand-drawn Japanese animated feature (1999), and it uses its broad array of technical tool with a mastery and restrain that puts even a Pixar or Studio Gibli to shame.
If you want monsters and heroes and magic, go see something else... This is a moving example of how a good story incredibly well told can rip your heart out. A must-see!
This distinction is particularly interesting to apply to Jin Roh: this could well have been live-action, and since its story, themes and execution put it well outside the Western boundaries for animation we need to ask ourselves why it is not only particularly suited to that medium, but can easily be counted among the finest animated features of all time.
Drawing countless parallels with the tale of Little Red Riding Hood - the original, somewhat pessimistic version - Jin Roh explores two characters on an inevitable collision course: a traumatized, counter-terrorist elite soldier and a young, female future suicide-bomber. Given the subject-matter, it is surprisingly apolitical, not siding with either faction or even exploring the roots of terrorism within the context of this story. In fact, to great and horrifying effect, it is more concerned with the mundane nature of it all, and the dehumanizing effect of their roles on the respective characters. This is a world without redemption, where the only choice is between embracing your role, or drifting off into an abyss.
Telling this very specific story through animation elevates it into a myth, into a horribly grounded adaptation of that ultimate suspicious authority-rejecting cautionary fairytale. Perhaps there is no grandma or little red riding hood, only wolves in people's clothing. It's hard to imagine a live-action version of Fuse's empty stare that could ever conjure the effect deployed here.
Finally, Jin Roh was the last fully hand-drawn Japanese animated feature (1999), and it uses its broad array of technical tool with a mastery and restrain that puts even a Pixar or Studio Gibli to shame.
If you want monsters and heroes and magic, go see something else... This is a moving example of how a good story incredibly well told can rip your heart out. A must-see!
After seeing this in the stores for a couple months and wondering if it was worth the $$$ i came to find out a friend of mine had bought it so he invited me over to check it out. Man am i ever glad he did because i would have been disappointed had i dropped the cash for it!!!
Jin-Roh is by no means a bad movie in fact it's quite good IF you have the patience it requires. After the opening riot scene things slow down ALOT. It's like 3/4 of the movie is spent building the movie up but it never really delivers in the end. I remember thinking "all that time for THIS ending?!"
As far as the animation, it is top notch. There is definetly an epic feel at work. Sound is also superb.
I think if maybe there had been a bit more action in the middle of this show it would have gone a long way in making this a bit more interesting.
Killer start and then a long middle and finally a pretty unsatisfying ending added up to something i wasn't thrilled about seeing save maybe for the art it'self.
I am pleased to see anime producing more mature adult titles. I am sick of mechs, dbz, and f#*king tentacles. For a welcome change from the above mentioned crap check Jin-Roh out(hey this review was just my opinion, you may love it) or better yet go pick up the far superior Perfect Blue
Jin-Roh is by no means a bad movie in fact it's quite good IF you have the patience it requires. After the opening riot scene things slow down ALOT. It's like 3/4 of the movie is spent building the movie up but it never really delivers in the end. I remember thinking "all that time for THIS ending?!"
As far as the animation, it is top notch. There is definetly an epic feel at work. Sound is also superb.
I think if maybe there had been a bit more action in the middle of this show it would have gone a long way in making this a bit more interesting.
Killer start and then a long middle and finally a pretty unsatisfying ending added up to something i wasn't thrilled about seeing save maybe for the art it'self.
I am pleased to see anime producing more mature adult titles. I am sick of mechs, dbz, and f#*king tentacles. For a welcome change from the above mentioned crap check Jin-Roh out(hey this review was just my opinion, you may love it) or better yet go pick up the far superior Perfect Blue
Did you know
- TriviaThe movie was submitted for an Oscar for Best Animated Film, but was rejected because it was already shown on home video in Japan.
- Quotes
Kei Amemiya: What big eyes you have... what big teeth you have!
- Alternate versionsAn English credit roll is used for the dubbed version as well as an English title crawl for the opening quote.
- ConnectionsFeatured in Masters of Fantasy: The Anime Filmmakers (1998)
- How long is Jin-Roh: The Wolf Brigade?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Jin-Roh : La Légende des hommes loups
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $94,591
- Opening weekend US & Canada
- $7,098
- Jun 24, 2001
- Gross worldwide
- $95,279
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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